¡La estrella!

"Star!" was one of the most notorious financial bombs of the 1960s, the main reason probably being that when it was released the public was getting tired of musicals. Certainly, the movie itself has some faults that may not have attracted some audiences. The movie is both too long and not long enough, for one thing. It's kind of tough to sit through a movie that's almost three hours long. And curiously, despite this long running time, the portrait of Gertrude Lawrence seems unfinished. We don't really get to see what is driving this woman. And her personal life is only lightly looked at, such as the fact that while she had a daughter, this daughter character has hardly any time devoted to her.

But the movie also has its share of strengths. The performances are very good, the strongest being that of (no surprise) Julie Andrews. She puts so much enthusiasm into her role that it does help make up for her somewhat shallowly written character. And the musical numbers sprinkled throughout are indeed excellent, with some great choreography mixed in as well. Fans of movie musicals will probably embrace this movie the best, but the movie does have some genuine appeal to other people as well, if they are patient enough to sit through almost 180 minutes of film that isn't perfect.

It is not often that one can find a film where the leading lady looks as chic or as elegant as Julie Andrews does in Robert Wise's misunderstood masterpiece STAR!. Much of the credit must go to Academy Award nominated designer Donald Brooks. The wardrobe Miss Andrews wears is both large in number (over 125 different changes) and incredibly beautiful. This is the only film that comes to mind where the costumes seen to actually turn in a performance. I cannot imagine what this film would be like without Donald Brooks' extraordinary contributuion. He along with the millions of dollars worth of Cartier jewels make this film a memorable experience. For real eye candy STAR! cannot be beat!!!

Yes, the story is somewhat thin. But Julie's performance, the music, the backstage scenes, the glamorous locales, the automobiles, the stage -- fill in where plot is lacking. This is, after all, a docu-musical that is, from what I know, a more literal rendering of Gertrude Lawrence's razzle-dazzle lifestyle, than a falsification of what actually happened. Robert Wise has said, to paraphrase him, that this is the one film he wished he could have done something else with. I personally would have included more scenes of Gertie being interviewed as she watched her life on the black & white tinny newsreels, and thus it may have bracketed her full color TODD-AO widescreen recollections. It might have drawn us more into her point-of-view. Still, the stage numbers, locales, party scenes (drunken one or two may have been) are fun to watch and experience. Script aside, the film is very well crafted, indeed.

Given that STAR! was cruelly dismissed by critics and public in 1968, I was surprised to find that despite its length, it does entertain with a fine performance by JULIE ANDREWS as the famous stage performer (who did occasional films) and by RICHARD CRENNA and DANIEL MASSEY in good supporting roles.

Andrews makes the most of every musical number--and there are plenty of them--demonstrating her enormous talent along with a flair for a more sophisticated style of acting miles apart from her "Mary Poppins" or "Sound of Music" image. And the staging of these musical portions makes excellent use of the WideScreen photography, emphasizing the lavish budget expended on costumes and sets.

The central reason for the film's lukewarm reception at the box office is surely the fact that no attempt is made to make Miss Lawrence a truly likable person. She is shown, flaws and all, throughout--quarreling with those around her as she puts herself, first and foremost, above all other considerations. It seems that only Richard Crenna (as the man she eventually marries) is able to stand up to her stubborn nature with a will of his own.

Coming on the heels of Julie's outstanding success in previous musicals, it's easy to see why audiences found it difficult to accept her as Gertude Lawrence--when actually, she gives a very strong performance. The script has to share some of the blame. It's a lumbering thing as it attempts to frame the story with newsreel accounts of Lawrence's life before ending the tidbits of information by delving into the main structure of the story.

For fans of Julie who enjoy hearing her belt out song after song in various stages of Miss Lawrence's career, the film does homage to Julie Andrews herself more than to the famous stage thespian.

*THUD* Like that the romance between box office and Julie Andrews was over.

Why?

There are a variety of answers. Tastes had changed. Big-budget musicals were on their way out (and continued to fall out of favor as the decade proceeded--see "Chitty Chitty Bang Bang," "Camelot," and "Paint Your Wagon" for further evidence). And the public had mysteriously cooled on Julie Andrews as well, although the reason behind that eludes those of us who still carry the torch for her.

Caught in the downward spiral, unfortunately, was "STAR!" the musical that was supposed to recapture the magic of "The Sound of Music" by allowing Andrews, Wise, and Chaplin the opportunity of working again. According to critics and box-office receipts, this reunion failed miserably.

But there has been a revisionist feel to "STAR!" over the past few years, as evidenced by the VHS and laser releases, and that's a good thing. This treasure certainly didn't deserved to remain buried forever.

Andrews gives a tour de force performance, tackling a barrel full of unforgettable songs from some of the world's greatest composers/lyricists. She's also given amply opportunity to show off her acting chops, as her Gertie is alternately dazzled and dazzling, enraged, funny, drunk, enamoured, witty, urbane, base, coy, and even sad, lonely, and depressed.

Last, Julie/Gertie is dolled up in some of the most exquisite costumes to ever grace a screen--the Donald Brooks outfits and Cartier jewels will knock your eye out.

That Andrews voice... that Andrews face... that Andrews talent... that Andrews dancing... All up on the screen with nobody to appreciate it in 1968. Luckily, it's now all within grasp.