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This film is everything else but the comedy! It shouldn't be funny in any case! It builds up an atmosphere of uncertainty and fear in an excellent way. The Rudolf Hrusinsky's lead character is superb. He is a kind of psychopathic personality blindly struggling for the maintaining order and meeting of commands regardless any consequences. In the context of Nazism it leads to destruction of his own family - his wife is a Jew. Not surprising that Kopfrkingl is on stage during every second of the film. The film is about his thoughts, reveals his mind processes, observes his perverted logic. A knowledge of the II World War history as well as Ladislav Fuks's (writer) genial artwork is helpful to understand this masterpiece.

"The Cremator" is Karel Kopfrkingl, played beautifully by Rudolf Hrusinsky, a man who fought for Germany in the Great War (World War I) and is now a crematorium operator in Czechoslovakia in the 1930s. His friend, a member of the Nazi party, tries to steer him towards fighting for Germany again, but will Karel give up his comfortable life and semi-Jewish family?

I wasn't sure what I was getting into with this one. When I found out that Dark Sky was releasing it, I instantly found myself interested. And despite having no knowledge of Czech horror or Czech cinema in general, Dark Sky did not disappoint. "The Cremator" truly is a forgotten classic. Who knew that as early as 1968 that Czechoslovakia was releasing films that were well-scripted, well-acted and most interestingly... extremely well-shot with quality footage (decades ahead of Italian cinema).

Actor Rudolf Hrusinsky and director Juraj Herz are a perfect combination when combining black comedy, morbidity, and what the box describes as "surrealism" and "expressionism". The surrealism is evident: the first ten minutes contain many camera shots that warp our sense of safety and familiarity, calling to mind for me "The Holy Mountain". I can't think of another film that is even close to these two in this regard.

The pace is steady, with Karel's descent a gradual, but well-paced journey for the viewer. Can a "sensitive" man be transformed into a Jew-hating, violence-loving monster who can turn away from his family? I won't say how far he goes, but some key scenes involve a carnival's haunted wax museum and the unusual execution of some cats. And that's just the beginning.

Of course, those who don't like black and white films or subtitles are going to be scared away. You are missing out, my friends. "The Cremator" is visually stunning and grips you with a dead, icy hand that cannot be denied. 2009 has had a handful of good films released, but most are stinkers. "Cremator" is no stinker... this film has been embalmed perfectly and is as fresh today -- if not more fresh -- than it was on the day it was filmed. Do not rent a copy -- buy one!

From time to time there are films of timeless quality. Born out of the chaos of a specific historical situation, which manage to find images, formulate words and condense signs. From the vortex of the Eastern European uproar of the late 1960s, marked by the trauma of World War II, The Cremator is one such work.

This Czech film delves deep into political horror and psychological study drama. Its a satirical, gloomy vision of the unhealthy consequences of totalitarianism exemplified in Nazi paranoia. Blood, race, nationality, ideology and party above family, friendship, with death as liberation/elimination.

The movie has an extraordinary atmosphere to it, it takes the shape of a walking nightmare, with a gloomy and ghostly musical accompaniment, vast use of wide angle photo to distort the images with surreal perspectives. Which provokes both fascination and disgust.

The Cremator is not perfect, but the rather odd mixure of the creative photo, exceptional story, marvelous story telling and superb performance by Rudolf Hrusinsky, results in a timeless movie gem.

This film is hypnotic. The soothing voice of the lead character, coming out of his cherubic always sweetly smiling face, almost lulls the viewer into a serene calm--if not for the fact that we know in our guts that this is the calm a cobra induces in its prey before the kill. This is, after all, Czechoslovakia on the eve of being taken over by Hitler, and the main character runs a crematorium. We know what is coming next. And yet, we cannot take our eyes from the screen; we are filled with foreboding.

Like the best of Fellini, the director, Juraj Herz, frames virtually every scene perfectly; a collection of stills taken from this black-and-white masterpiece could fill a photographic art gallery with a distinguished collection indeed.

How could the holocaust ever have happened in the middle of the most "civilized" culture in the world, the cradle of elegant music? How could rational "civilized" human beings have abetted this monstrosity? This film provides a fable that can help us answer these most important questions. But do not think this movie is some boring treatise on the banal roots of evil. It is a very entertaining horror film that will keep you spellbound.

I saw rather a lot of East European 60s cinema back in the day but had never heard of this one. Seems it only came to light recently so that explains that because otherwise I was bound to have stumbled upon it as it is such an amazing film. From the stunning opening credits, beyond the startlingly close-up shots of a family visit to the zoo, and on as the cremator of the title goes from seeming curious, to creepy and downright cuckoo, and worse. Spellbinding imagery plus the doings of this extremely worrying man hold ones attention throughout as this caring family man leads us and everybody else to the abyss. There are so many ways in which the director ensures that we follow his narrative flow despite ourselves. This is a very uncomfortable film to watch. The way the cremator has to touch everybody, dead and alive, the way he must comb his hair after that of a corpse and then his own family but there is so much worse to come.