She-Devils on Wheels

She-Devils on Wheels (1968)

* 1/2 (out of 4)

A female motorcycle gang known as the Man Eaters cause destruction wherever they go. Their leader loves to party with men but the group is also known for destroying them. One member of the crew decides she wants out but doesn't know how to do it.

Herschell Gordon Lewis adds the motorcycle flick to his endless genres that he managed to work in during his career. After the success of THE WILD RIDE we got a whole slew of low-budget motorcycle pictures but there's no doubt that this here isn't one of the better ones.

As with a lot of Lewis' other films, their low-budget charm is on full display but it just doesn't add up to what you'd consider a good movie or a very entertaining one. It's really amazing that he started off in rougies before moving to nudies and then his infamous gore films. Later in his career he would make films like this, which were rather lame and tame. Sex is a big subject here yet we only see people kiss. There's no sex or nudity to be had.

The film offers up the type of performances that you'd expect. There are some bloody bodies on display, although they don't reach a BLOOD FEAST type of level. The group of women add a little fun to things but SHE-DEVILS ON WHEELS just doesn't have enough going for it.

Anyone who can't appreciate this CAMPY movie for what it is has no appreciation or knowledge of true 60's B-sleaze-movies. C'mon, folks - it was 1968.. the summer of Love was just barely over, and you still had massive restrictions on what you could, and couldn't show in a film of ANY genre. Enter Hershel G. Lewis. and the Man-Eaters. Part of what's so hilarious about this film is that the real-time, bikerChix of Southern FL (Filmed in a town called "Medley" around an abandoned airport) were bikers 1st, and actors second. Compared to latter-day hip-hop momma's of Brooklyn's PS103, these broads WOULD be a bunch of Daisy-pickin' mommas - but again, this was 1968. The styles, clothes, cars, HAIR!, and other peripherial shots are worth the watching, as is the clumsy acting. Those who lived through 1968 will catch some of the buzz-words of the day, ie: "Where's his PAD, Nick?" and "What's the Action?" And check out that theme song, repleat with the same twangin' guitar sound as (I) remembered being used on late-60's girl Scout commercials! It's hilarious! And the lounge-Music used for the orgies after the girls "Pick" - Not what I'd imagine Ruby Tuesday would have been into in 1968, with her LSD-inspired scraggly hair and shades - but hey, this is the mistique that is S.D.O.W. Even the "Sex" scenes are tame by today, when Janet Jackson can make a cereal commercial with her boob hangin' out - but remember, it was 1968 and the best that 200+ LB. "Whitey" could do sexually was ride some dork's back in a twitchin', twirlin' frenzy. Whoo! The swingin' female-sex kitten-dominatrix theme is nothing new, nor was it when HGL made this film. What WAS new was that he used real bikers, a real Florida town, and the REAL bad acting that made this cult film the classic it is. If you expect more than that - you're missing the point. I can't imagine what a current-day sequel could be. As for Karen - I think she should have left the gang with Rodney Beddell ( the Blond w/the Corvette ) - but that would have been my ulitmate ending: Kick Queenie's ass, send Whitey to jail, befriend HoneyPot before she gets herself knocked-up or raped again, and go back to being a good girl. Sigh* - I can dream.

If ANY of the actors involved with this movie are still breathing, CONTACT ME!

The theme tune of this classic was appropriated by the Cramps (who also did a version of Faster Pussycat Kill Kill) - although I like the originals better.

This film comes under the "so bad it's good" category - odd, half-mumbled dialogue (apparently they were trying to get a mainstream rating so the actors had to fumble the swearing) and only a minimum of nudity. The actresses were bikers first and actresses second - and I think it shows. They can all ride bikes at least. The two leads - Betty (Queenie) and Pat (Whitey) are great anyway. The concept of the "stud-line" is very amusing - and everyone at least seems to be enjoying themselves. Check out Queenie's leopard skin waistcoat and silver go-go boots. I got this film on DVD under the Something Weird label in the Virgin Mega Store New York (Times Square) - there were loads of copies in the cult section - This film is due for a massive revival. The DVD version has commentary from Herschell Gordon Lewis, as well as the groovy trailer, and a weird short film about biker gangs, where a straight-as-they-come narrator hilariously attempts to use hep dialogue "these cats are really cool.." etc and the biker member gives a long incoherently rambling narrative about what it means to be in the gang. Recommended!

'She-Devils On Wheels' is quite a change of pace from Herschell Gordon Lewis , the gore pioneer best known for movies like 'Blood Feast' and '2000 Maniacs'. Apart from a guy getting dragged by chains behind a motorbike and later, a decapitation there is very little blood or violence in this campy and surprisingly lame look at a "wild" all female biker gang The Man Eaters. The girls spend most of their time racing each other to see who gets first pick in the "stud" line, with limerick reciting and stealing candy from children for a bit of variety. This movie of course is awful, but still worth a groan or two if not an actual chuckle. The best thing about it (apart from the fantastic title, which it cannot possibly live up to) is the catchy and ineptly performed theme tune, later covered by The Cramps.

Classic she-exploitation. What can I say about a film where girls lick blood off each other and kiss as initiation rites into a biker cult? Men are beaten, dragged behind bikes, f*#$ed, and decapitated. Good acting from a few of the leads. Terrible script with no story provides opportunities for humor and visceral violence. No nudity.

Not as gory as other Lewis films, but more fun than most.