The Sea Gull

Don't be fooled by the other positive reviews. It's shocking how so many talented people could so egregiously misunderstand Chekhov and his intentions in this play. He wrote a comedy (despite the shocking ending); a satire on artistic pretensions, artists, and those who refuse to take responsibility for their lives and actions. This film succumbs to every cliché about the gloominess and static inertia that Chekhov supposedly deals in. Despite some efforts that aren't half-bad (Mason isn't bad, but is decades too old, and Redgrave tries her best), this film never misses an opportunity to take a misstep and do exactly the wrong thing.

In a word, awful.

The cast names sounds just impressive but the basic virtue of film is the art of Sydney Lumet to explore and translate in image one of the most delicate - bitter plays by Anton Tchekov. And the solution is to propose a great Arkadina , beautiful acted by Simone Signoret, an admirable Nina , passing in fair and almost elegant manner from one of age to the other, the ideal Sorin and good answer to the expectations about Konstantin, offered, in honest - precise way by David Warner.

Chayka is not a comfortable play because all risks to become fake. But, in this case, you feel the words, the spirit and the air of this drama and it becomes easy to confess than it is just a Chekhov in spirit, like in form.

In short, an inspired adaptation and new meeting with the round fragility of a world near its fall.

I am Russian and this is almost the best "Seagull" I've ever seen. Period.

Everything looks lively and natural. Sometimes Chekhov's plays when staged give you a sense of irreality and feel unnatural, but Lumet's "Seagull" really can make you feel the essence of Chekhov's drama and even explain its popularity if Chekhov is not your favourite writer. Costumes and everything else - houses, furniture etc. - are beautiful and authentic, something you rarely can expect from an American movie about Russia. The only real disadvantage, to my mind, were love scenes in the first part of the movie, - they were absolutely out of place here and presumed a reading of certain scenes the author never thought of.

Despite it being at least thirty minutes too long and director Sidney Lumet's doing a less than stellar job of making a movie as opposed to filming a stage play (ie, even the outdoor scenes feel like they're indoors) , with annoyingly artsy fartsy, soft focus cinematography from DP Gerry Fisher, I enjoyed this film. Well, maybe "enjoyed" is not the right word when you consider that this is your typical Chekhovian misery party with your hosts Boredom, Unhappiness and Melancholy. But then again, considering the part that schadenfreude plays in these kinds of works, as in "Trigorin's and Treplev's troubles are worse than my own", maybe enjoyment is an apt description, after all, especially when served with a generous helping of black comedy and just enough hope at the end to keep it from getting stuck in your throat. And the acting is nothing less than amazingly good, especially Mason in late career, Warner and Redgrave (the "Morgan" team, reunited) in early career and Signoret in the middle. Give it a B minus.

Why is that art is not appreciated? This film was directed by the very same Sidney Lumet of DOG DAY AFTERNOON, TWELVE ANGRY MAN etc fame, and it gets a 5 from 38 IMDb voters!! Sidney Lumet captured the essence of Chekhov's Russia as no other English speaking director ever has. James Mason, Simone Signoret and David Warner are all superb in their parts, but Vanessa Redgrave as Nina crawls into the skin of the character and delivers (yet another one of her) absolutely brilliant portrayal(s) Her rendition of the play within a play - not particularly well received by her mother (Signoret was truly a diamond) is heartbreaking and the symbolism of the sea gull and Nina herself fuse into an eternal unit. Perhaps Vanessa Redgrave, despite so many accolades, is the most underrated British actress. Her versatility is astounding. [Compare her in this with her portrayal of Andromache in Cacoyannis' WOMEN OF TROY.] But the interplay between all the characters, the subtleties of their longings, passions and disappointments are supremely brought to life albeit on the silver screen by Mr Lumet. Any serious filmgoer/lover should see this beautiful, touching and thought-provoking film. Bravo!