El planeta de los simios

This known story is the first and best of the primates series; it starts when Taylor(recently deceased Charlton Heston) and three astronauts crash on a far planet and encounter a culture where the simians rule over. At the start they trek taken across the desert. Later discover humanity has gone awry and now is slave and reduced to beasts. Man is treated as animal of burden and regarded as scum. A couple of gorillas named Cornelius(Roddy McDowall) and Zira(Kim Hunter) think otherwise and even agree Taylor escape, accompanied by a gorgeous native named Nova(Linda Harrison). He's trapped and judged by Dr. Zaius(Maurice Evans) and the president of assembly(James Withmore).

This is a classic sci-fi movie with metaphysical significance and reflexion about origin of human being, though also packs action, adventures, intrigue and entertainment. In spite of time, the original energy remains and results to be an agreeable fantasy. Exciting writing credits by Rod Serling and Michael Wilson from Pierre Boulle novel, though the amazing final scripted by Serling. One of the important attributes of this work, is the excellent, spectacular production design by Walter Scott. Glimmer and luminous cinematography by Leon Shamroy. Magnificent make-up by John Chambers, a first-rate expert, such as proved in 'Blade runner, Ssss, Island of Dr Moreau' among others. The picture is fabulously directed by Franklyn J Schaffner, utilizing a great visual sense. The film won two nominations for Academy Award, the best costume and sensational musical score by a top-notch Jerry Golsmith,- Schaffner's usual: Patton, Papillon-, and deservedly won Oscar for make-up by Chambers. Schaffner was an impressive director with hits : 'Boys from Brazil, Papillon, Patton, War lord', but also flops, : 'Lionheart, Island of streams, Nicholas and Alexandra and Sphinx'. Schaffner was one of the most innovate creative minds from the 70s and 80s.

Followed by four inferior sequels and a TV series, as 'Beneath of the planet of apes'(70, Ted Post), 'Escape of planet of apes'(71, Don Taylor), 'Conquest of planet of apes'(72, J. Lee Thompson), 'Battle for the planet of apes'(73, J.Lee Thompson).

No one I know under 40 had seen this film, though we all joked about it as being a stereotypical "bad" film based on rumors. the title, and clips seen here and there. Finally one weekend when I was working until 2:00 a.m. I went home and there was a sequel on late night TV, during the 30 year Planet of the Apes marathon. It made me curious about the original and I tracked it down. I have to say it blew me away!

The film is philosophical, creative, absorbing and scary. Excellent commentary on religion and just about everything else. I strongly recommend to anyone who has not seen it. So far I haven't even been able to convince my friends to see it because there seems to be such a strong prejudice against it and some sort of entrenched belief it must be bad; in fact it is one of the finest films I've seen and I can see why it is a classic.

If you enjoy films that make you think you simply can't dislike Planet of the Apes.

Absolutely incredible. Easily in my top 10 all time, and that's saying something. This movie kept me captivated from the beginning all the way to the end. It combined a super setting and effects (at least for '68) and the casting was perfect. This movie included, in my opinion, one of the most memorable line in film history, "get your damn paws of me, you stinkin' apes!". Not to ruin it for anyone, the ending is also one of the best in film history. This easily won my award for most entertaining and original story ever, because it captivated the imagination, especially considering the fact that it could actually happen (it's a stretch, but...) This is a rather short response, but I could just go on and on saying how great it was, but it would only be redundant. Overall, this movie was absolutely incredible

9.5\10 stars (I'm a tough reviewer)

It's especially interesting that "Planet of the Apes" was released a few months before "2001: A Space Odyssey", as they both look at the same question: what will become of humanity (and how did we originate)? Obviously, the really famous line is Charlton Heston's snap at his captors, and the really famous scene is the end - which I won't tell here for fear of spoiling the whole movie. And what an impressive movie it is! Unfortunately, I can't say the same for Tim Burton's remake. "POTA" should never have been remade. So, for a cinematic treat, stick to this one and avoid the remake.

One more thing is that some people have pointed out that the portrayals of the simians were kinda racist. The blond, cultured orangutans are the nobles; the dark-haired, mildly nervous chimpanzees are the scientists; and the dark-skinned, incompetent gorillas are the police. Oh well. It's still a good movie.

1968 seems to have been something of a watershed year for cinematic science fiction. It was the year that both 2001: A Space Odyssey and Planet of the Apes were released. Both films were game changers in that they were big budget sci-fi made by the major studios. Up until that time, the genre had been very much mostly the province of the B movie. After the massive success of those two a series of often extremely interesting science fiction films were released by the studios. In effect these movies created a situation where the genre could flourish, with bigger budgets and more seriousness. Of course those films were quite different; while both dealt with some serious themes, 2001 is by far the more intellectual and is pure hard sci-fi - Planet of the Apes, on the other hand, lay somewhere between 2001 and traditional action-adventure fare.

It does have definite social commentary and like many sci-fi films, it's about the time it was made as much as it is a look into the future. It considers the dangers of nuclear war and comments on the racial tensions of 60's America - both through allegory in its post-apocalyptic world. I guess this is one of the things that makes it work so well, the upside down society of the Planet of the Apes allows for an underlying message while at the same time offering up a thrilling sci-fi adventure scenario. To be perfectly honest, it works great as the latter. For me, the best parts are the early scenes leading up to the capture of the astronauts. The mystery of the strange world and the unforgettable arrival of the horse-riding apes in the fields are terrific. While John Chambers has been rightly praised for the ape make-up, a lot of credit should also go to Leon Shamroy for his stunning cinematography which is particularly brilliant in these early scenes, with great shots from unusual high angles that makes the planet seem so very ominous. Kudos too, to Jerry Goldsmith for his soundtrack whose strange tones compliment the visuals. When we reach the ape town, it's the fantastic set-design that takes centre stage with those houses that seem to come out of the rocks organically. Charlton Heston leads the picture of course and he does provide star charisma but it's the character actors in the heavy make-up that make the best impression, namely Roddy McDowell, Kim Hunter and Maurice Evans. And of course, well...there's that ending.