Non aspettare Django, spara

This Spaghetti Western from Mulargia is a very nice B-Movie with good actors, music and atmosphere.

The most time of the movie is placed in a little town and that is very good for the atmosphere of the movie. Ivan Rassimov is very good in the part of Django and also Petro Sanchez is a very good partner for him. Rassimov's sister plays his real sister Rada. You can also see the writer and director Vincenzo Musolino in the part of Hondo. The great score is composed by Felice Di Stefano who also composed a few other scores for Mulargia and Musolino.

All in all this Western is a great B-Movie and a must see for Spaghetti fans.

Django (played by Ivan Rassimov in this incarnation) returns home to find out that his father has been killed, by local banditos, in a business deal gone wrong . Revenge is sworn, and a mixture of lone gun men, gang members and other assorted western types get involved with the search for a pouch of money, missing from the deal.

To me this film just seems to be a poor mans Leone flick. All of the elements are there, gunslinging good guy, evil gang leader, revenge, a general lack of respect for life by everyone, a Morrcone style score and stylistic cinematography. The problem is that none of it is up to the Dollars trilogy standard. Ivan Rassimov is no Clint Eastwood (or Franco Nero for that matter, the original Django), it has neither the pace nor timing of something like The Good, The Bad and the Ugly and the music is pretty much cookie-cutter Morricone, that seems to have come out a bit misshapen.

Another problem Django Don't Wait has is that it has too many characters, all of them who have their own agenda, making it a bit difficult to follow exactly what happens. The lack of action and over abundance of talking, and just general filler, is probably one of the reasons I did not want to put the effort into following the plot line.

Here is another film which gives the name Django to the title character as an after-thought, in order to cash in on the popularity of that spaghetti western series. In this one, a gang of bandits kill a man who turns out to be Django's father which of course turns out to be pretty bad news for those criminals in the long run. And there's some missing money, or something.

This one stars Ivan Rassimov in the title role, yet he was completely unrecognisable here to me, so much so I thought there must have been a mistake in the credits here. Needless to say it turns out it was Rassimov but I guess he didn't make too much of an impression here, which is surprising given how memorable he was in some later 70's giallo flicks. I guess the western genre just wasn't too suited to him really. Much better was his sister Rada, who would also go on to appear in a prominent giallo, namely Dario Argento's Cat o' Nine Tails (1971). The reason I think I am rambling on about other movies is that this flick was so incredibly forgettable. Like many standard Italian westerns it contains nothing new or very interesting and instead just gives us more of the same. This isn't always a bad thing of course but when it's delivered in such an under par manner it gets old pretty quick. This one is strictly for die-hard fans of this sub-genre.

Directod Eduardo Mulargio (as Edward G. Muller!) churned out a bunch of cheapie spaghetti westerns in the genre's heyday in the late 60's to early 70's. Don't Wait Django, Shoot is one of them, with Ivan Rassimov (as Sean Todd - the blue-eyed character actor mostly known for his roles as villain and psychopathic killer in gialli) in the role of Django Foster (he's got a surname too this go around!) trying to avenge the death of his father by a bunch of Mexican cut-throat extras with greasy faces. The production values are as low as you'd expect from a Django clone probably made in a week to turn in a quick buck, there's lots of non-acting going on, the dialogue is very poor and the script seems to have been conceived in one day and written in another. Entire scenes seem to exist for no other reason than to communicate a single line and the gunfighting is dime a dozen. The movie looks like it was shot 15 minutes from Rome instead of Arizona, Sonora or wherever it's suppose to take place. There are dozens more well made, more interesting, more entertaining spaghetti westerns out there and I'm not even talking about the A-list pictures of Leone, Corbucci or Sollima. This is a third-tier quickie at best and just not a good movie.

"Don't Wait, Django...Shoot!" is a great looking movie. It has has some great colors. It almost looks like a Hammer movie. Unfortunately, the look of the movie is undermined by a weak script. There was a bunch of time where I wasn't even sure what was going on. "Don't Wait, Django...Shoot!" does scratch the spaghetti western itch but it's not very good.