El león en invierno

I love this film. I love this film. I am not sure that I can say that phrase enough when describing this movie. Lion in Winter is quite simply one of the strangest and most beautiful movies that I have ever seen. It is some wierd amalgam of a 'home for the hollidays' type family drama, and Machiavellian political intrigue.

The essential plot is that it is 1183 and Henry II must declare his successor to the Plantagenet throne. He invites his wife, Eleanor of Aquitaine (played by Katherine Hepburn), who is in exile, and his sons to along with king of France, to Christmas dinner. Over the course of the evening truths are told and arguments are had, the film rolls over all of the conventions of the many genres that it plays with and turns them into something new and beautiful.

The film could have been written by Machiavelli himself, and often smacks of the Mandragola. The film demonstrates family disfunction within a very interesting, medieval paradigm. While the film is about issues such as family, loyalty and love, ultimately is most gratifying as a vehicle for O'Toole and Hepburn to chew the scenery and dig into a few truly juicy roles.

It is fantastic film that any lover of dialogue driven drama-comedy should rent and watch over and over again.

This excellent costume drama with box office success is set in Christmas 1183 . The medieval monarch Henry II Plantagent (Peter O'Toole which played again in Becket) encounters surrounded by astute and mean relatives who wish ambitious rewards . The king pretends announce his heir and invites his estranged wife Eleanor of Aquitaine (awesome Katharine Hepburn which took her third , she is the only movie star to win four Academy Awards) imprisoned by conspiracy . Eleanor married first to Louis VII , King of France , and subsequently Eleanor's marriage to Henry II , King of England . There also comes their throughly dislikeable sons and king Philip II of France (Timothy Dalton , screen debut . Everybody confronts wits over succession to the British throne and much else , including a game of verbal chess . The heir election between three sons , Richard (Anthony Hopkins , screen debut) , Geoffrey (John Castle) and John (Nigel Terry's first film role) will cause intrigues , hateful , blackmail and psychological manipulation . In spite of possession a kingdom spread all England and great portion France , there's one thing that Henry never can to control, his rebel family .

This film is a rich pageant of fun for drama enthusiastic and history lovers . This is a magnificent film inspired on real events and writings by James Goldman adapted from his own play , which deservedly won an Oscar . Superb drama with top-notch performances , duo starring gives triumphant characterizations . Fantastic and evocative musical score fitting to medieval times by John Barry with Academy Award included . Sensational production design shot on location and with an impressive castle ; furthermore , an atmospheric cinematography by Geoffrey Unsworth , reflecting splendidly Middle Age . The tale was marvellously directed by Anthony Harvey at his best film , but after this , he strayed into the critical , though not commercial hits . Remade recently for television in inferior version by Andrei Konchalovsky with Patrick Stewart (Henry II) and Glenn Close (Eleanor of Aquitaine).

Performed to absolute perfection as Henry II plays feudal family chess to select his future heir. With a dialogue as sharp as a dagger, as cold as winter, with greed and jealousy and treachery conjoined. You'll struggle to find a more captivating piece of cinema, or indeed one whose protagonists you'll be so keen to explore further once you've absorbed it.

What were those Academy fools thinking?! They ignore a powerhouse performance by Peter O'Toole and trounce Anthony Harvey's inspiring direction! But the final indignity was in giving the best picture award to an over-praised, undeserving, insignificant musical called OLIVER! If they had a least half a brain in their heads they could've given to FUNNY GIRL but they only shoot themselves in the foot when the deserving go unrecognized. It only goes to show the Academy's just jealous. The script and Kate's performance at least were given the royal treatment but it still leaves bitter resentment when Cliff Roberston, one of Hollywood's most less-than-adequate actors cops the best actor away from O'Toole... possibly Hollywood's most underrated, not to mention unrecognized actors of the highest caliber. Hepburn's Eleanor of Aquitaine had witty lines, quiet but still present anger and fire underneath the surface but O'Toole as Henry II gave the more powerful performance... an aesthetic that echoed Taylor and Burton for WHO'S AFRAID OF VIRGINIA WOOLF? only Taylor was the gutsy performer and Burton doled out the cut-lows and the intellect. To coin a phrase from the British... "he (O'Toole) was bloody robbed!"

The story is set in Britain, 1183. Henry II is on the throne and has ten years earlier imprisoned his wife Eleanor of Acquitaine after co-conspirating a civil war against him. She and their three sons (Richard, the eldest, a brave warrior on the battlefield, whom Eleanor wants to succeed Henry as king; Geoffrey, the quietly vicious, unappreciated middle son of whom neither of them love with a plot for every occurrence and John, the piggish, dirty, thieving brat is their youngest whom Henry for some unknown reason wants on the throne) are all requested to appear at their palace of Chinon for the Christmas holidays. Also invited is young King Philip II of France whose elder sister Alais is the treasured and much-loved mistress to Henry. Philip wishes to have Alais mearried off to one of Henry's sons (preferably Richard) in order to form an alliance between England and France made between Henry and Philip's father, the late King Louis. But meanwhile, Philip is also plotting with all three boys and Eleanor to tear Henry's kingdom apart. Eleanor is merely in on it to get back at Henry for loving Alais (whom she had raised as a surrogate daughter) and the late Rosmund, an old rival of Eleanor's whom Henry replaced her with.

This film has it all: infidelity, betrayal, family dysfunction and a script that crackles with venom, wit and plot-twisting motivation. See it if only for O'Toole and Hepburn's first-rate performances.

It's been eight years since I first saw this movie, and it is still my personal live-action gold standard (Lilo & Stitch being my animated film gold-standard). It combines drama, tragedy, razor-sharp comedy, great performances, and the best dialogue that has ever been spoken on film, period.

I found this movie quite by accident--I was a sixteen-year-old with a Katharine Hepburn fixation. She mesmerized me; I wanted to BE her--smart, beautiful, sexy, and unwilling and unable to take anything off of anybody (except for Spencer Tracy, but that's another story). Honestly, I had no idea that there really had been such a person as Eleanor until I saw this movie. After watching my heroine portray her, I was determined to find out, though...so I have Katharine Hepburn to thank for my discovery of a new personal hero, and for my passion for medieval history.

It is true that this movie is not 100% factually accurate, not only because movie making dictates tinkering with history to create an interesting film, but also because, unfortunately, not too much is known about Eleanor herself. In the middle ages, women, even powerful, intriguing women like Eleanor, were not considered "important" enough to merit full biographical treatment. Most of Eleanor's history is recorded in the context of her sons and husbands. A good deal of this history was written by her detractors--people who disliked or disapproved of her for one reason or another. The simple explanation is that they felt that as a woman, she overstepped the bounds of what was considered "acceptable behavior" for a woman of the period.

That being said, this movie is 100% spiritually accurate. It perfectly captures the intrigue, the complexity of emotions and relationships, and tone of the age and the situation at hand. Though the sharp and witty dialogue is often considered a historical anachronism, this is not strictly true. Contrary to popular belief, people WERE educated in the middle ages, even women, if they were fortunate enough to be brought up in noble households, as Eleanor was. She was a brilliant woman, raised in a household where poetry and intelligent conversation were staples (her grandfather, after all, was one of the first troubadours). Henry was an intellectual powerhouse as well--he was a voracious reader who was often caught reading in church instead of paying attention to the sermons! It is unthinkable that these two minds would have produced stupid children, and the notion that the entire family should have only spoken in grunts and simple phrases is equally ludicrous.

Though not historically accurate, as other reviewers have noted, the strength of this movie lies in it's perfect portrayal of some of the most fascinating and complex personalities in recorded history. Henry, Eleanor, Richard, et al., make today's political and royal figures seem like low-rent bumbling hucksters.