Goké, ladrón de cadáveres

This isn't one of those typical rubber suit movies where a giant beast smashes everything in sight while being shot at by toy airplanes. This is a slick, well-done horror/sci-fi that blends many elements and does it well.

There's some vampires, people's minds being taken over, driven insane, killing each other, invading aliens with sinister plots, and a lot of innocents in peril. This is the stuff of a good horror flick. The movie opens with a UFO sighting, and a plane being knocked out of the sky and forced to crash land in the wilderness. From there, evil starts to infect the survivors of the airplane, and a desperate battle for survival is on. All levels of conflict ensue: characters against each other, the environment, and even themselves.

A lost gem of the horror/sci-fi genre, worth seeing.

Goke is one of those films that I had only heard about in the 1980's but was never able to see. It had a reputation among the hard core film fans as something out of left field but not very good. Many years later I had forgotten about the film but had chanced across director Sato's deliriously silly kid's film "Golden Bat". I was rather surprised that this film was by the same man.

The film is very artificial from the first shot of a model jet in front of a red sky to the rock quarry most of film takes place in. Most Japanese film fans will recognize this quarry. It's in samurai films, gangster films and every other episode of Power Rangers. The cheapness is off-set by the care of the direction and photography. The special effects are super color saturated and very bizarre at times. While definitely not a children's film, Sato utilizes a number of techniques from Golden Bat including the generic action music and the kabuki inspired movements for the possessed.

The energy that's put into this film makes up for the logic gaps, bad acting and cheapness. The ending is very unexpected, nightmarish and disturbing. Finishing this film is like waking from a very bad night of sleep. As Sato has no further films in his listing here yet lived for quite a while after, I wonder what was his state of mind while making this film.

Recommended.

A seemingly ordinary flight is quickly and inexplicably cursed by blood red skies, a bomb threat and suicidal birds splattering themselves against the windows. As if this were not enough, a globular glow-in-the-dark UFO causes the plane to crash in an unoccupied and desolate area which looks suspiciously like the quarry where Fred Flinstone once worked. The survivors are soon faced with an alien invasion in the form of moldy cosmic silly putty. The slime takes over human hosts by oozing its way up over the face and into a gash opened in the hypnotized victims forehead...a gash which, even when closed up, rather resembles a vagina and gave me the uncontrollable giggles.

Anyway, the possessed human hosts go on vampiric killing sprees, draining their victims of blood and turning them a pleasant shade of blue. In the end, the dwindling survivors show their bravery and do battle with the nasty aliens, or become cowardly lumps of Jell-o and run away screaming. There's a lot of anti Vietnam War protesting throughout, complete with stock footage of wartime atrocities. It's a nice touch, considering the time in which this film was made and the unpopularity of anti-war protesting period. There's also a surprising twist ending which, for some reason, reminded me of Fulci's film "The Beyond" combined with "28 Days Later."

All in all, this is a goofy, badly dubbed and totally entertaining film to watch. If you're a fan of Japanese cinema, vampire films and sci-fi flying saucer invasions, you won't want to miss this one.

It's a survivalist sci-fi thriller with aliens and vampires but mostly about victims of an airline crash. No routine action special-effects film, it's often artful and philosophical, certainly sermonizing on a variety of social-political issues (mostly war, politicians, munitions manufacturers, political assassinations, terrorists, hijackers, and general human nature), and is unusually bleak for a modest-budget genre film.

An American girl is one of the passengers here, too, but she's a Vietnam war widow traveling to retrieve her husband's remains, a fact that will determine the direction of some of the action once things start to happen. It starts off as an airline disaster film, and gradually evolves into sort of a weird blend of Night of the Living Dead, Invasion of the Body Snatchers, War of the Worlds (or Independence Day), and The Last Man on Earth, with perhaps a tinge of Melancholia.

Turner Classic Movies broadcast Goke at 2AM, October 03, 2006 in a gorgeous, widescreen, sub-titled print. It's great that they were able to secure a print of this quality. There are many questions, few answers, in the allegorical script. The last of the J-horrors produced late in the decade, the pulp sci-fi magazine elements are presented in searing colors and psychedelic effects, giving this film an unforgettable visual impact. Great looking women are a major plus. Injecting an anti-war, anti-Viet Nam stance throughout the entire film took a lot of nerve and must have damaged its theatrical distribution with US exhibitors. The movie producers at the Sci-Fi channel should carefully study this film.