La mujer de nieve

I recently watched the Japanese film Ghost Story of the Snow Witch (1968) on a streaming service. The plot follows a wood craftsman caught in a snowstorm while searching for the perfect tree. Seeking refuge in an abandoned home, they encounter a witch who kills the craftsman and strikes a deadly deal with the apprentice, promising a return if the pact is ever broken.

Directed by Tokuzô Tanaka (Zatoichi the Fugitive) and featuring performances from Shiho Fujimura (Zatoichi's Cane Sword), Akira Ishihama (Harakiri), Mizuho Suzuki (Akira), and Taketoshi Naitô (Lone Wolf and Cub: Sword of Vengeance).

The portrayal of the witch is remarkably impressive for its time, with intense and well-crafted eyes giving her an almost owl-like appearance at times. 🦉 The witch's allure is gorgeous, even surpassing human form flashback scenes, adds to the film's appeal. The unfolding backstory captivates, and the cinematography, particularly during the era, stands out. The depiction of the snowstorm and landscape shots left a lasting impression. The storyline weaves several intriguing twists until a satisfying conclusion.

In summary, Ghost Story of the Snow Witch offers a unique and engaging witch narrative well worth your time. I'd score this a 7.5-8/10 and strongly recommend it.

Having found the perfect tree for their statue of goddess Kannon, master sculptor Shigetomo (Tatsuo Hananuno) and his young apprentice Yosaku (Akira Ishihama) shelter from a snowstorm in an abandoned shack. During the night, the evil snow woman enters the shack and freezes Shigetomo, but takes a fancy to to Yosaku, sparing his life on the condition that he never speaks of their encounter.

With his master dead, Yosaku is assigned the task of carving the statue of Kannon, but must first wait five years for the wood to be ready; during this time, he meets and falls for pretty Yuki (Shiho Fujimura). At the behest of Shigetomo's dying widow, Yuki agrees to marry Yosaku and the couple are blessed with a son, Tarô (Shin'ya Saitô). However, a jealous bailiff wants Yuki for himself, and threatens to have Yosaku arrested on a trumped up charge unless he can pay a fine. When Yuki is able to raise the money, the bailiff tries to rape the woman instead, unaware that she is, in reality, the snow woman.

Sound familiar? That could be because The Woman of the Snow's traditional ghost story was also used for the second tale in the classic 1964 Japanese horror anthology Kwaidan (although it was cut from the American version to reduce the film's 183 minute runtime to a more manageable 125 minutes). This feature length version of the same tale is very similar to the one in Kwaidan... a tragic, poetic, slow-burner with superb cinematography, excellent performances and decent special effects; however, even at just 80 minutes, it feels like it is stretched awfully thin.

If you have your heart set on watching just one film version of the story, I would fast-forward to the second tale in Kwaidan: it does the same job, and you'll save yourself twenty minutes or so.

A sculptor and his apprentice embark on a journey up the mountain between Mino and Hida, in Japan, during the dead of winter, in search of a mythical tree, which they seek to fell, in order to carve it into a statue of the Goddess of Mercy, Kannon, for their local temple.

However, before they are able to acquire the tree, they are confronted by the entity of a beautiful woman...who is actually the spirit of the mountain, in the form of the snow witch.

Legend has it that any man who gazes upon her, becomes possessed by her (though cursed is probably a more appropriate term).

So, when she enters the cabin in which the men are staying, she kills the would be sculptor- by freezing him to death- leaving his apprentice to bear the burden of her secret, on penalty of death.

However, she happens to fall in love with the apprentice, so she takes on the form of a regular woman- though one whose beauty is unsurpassed- and makes her way to his village.

Eventually the two are married and have a child, while the apprentice is tasked with carving the statue in absence of his mentor.

Things take a turn for the worse, when the local bailiff (the equivalent of a sheriff, in a western sense) becomes infatuated with the woman, and seeks to possess her by any means necessary...even if that means raping her.

Considering such, he is jealous of the apprentice, and thus constantly harasses him, in an attempt to prevent him from finishing his task.

But he definitely chose to mess with the wrong family...

The whole thing is rather short (at approx 1hour and 15 mins), and is rather simply constructed.

But it's nicely shot, and rather entertaining, despite the fact that the special effects are achieved with rather meager means (some fancy make-up and a few camera tricks).

Despite it's simplicity, however, it's a rather effective ghost story.

As it's both bothersome, and reassuring, to know that no matter what the culture and time frame is,...cops will always be considered bastards.

Long live the snow witch...and FTP.

6 out of 10...

On the Mino Mountains, the master sculptor Shigetomo (Tatsuo Hananuno) and his apprentice Yosaku (Akira Ishihama) find the ideal tree to carve the sculpture of the goddess Kannon for the temple of their village. There is a snow storm and they seek shelter in an abandoned cabin. During the night, the evil Snow Woman freezes Shigetomo and tells to Yosaku that she would not kill him since he is young and handsome. However, she makes him promise that he will keep absolute secret about her, never disclosing to anyone the events of that night. Yosaku was raised by Shigetomo and his wife Soyo (Sachiko Murase) and he is assigned by the village leader to carve the sculpture of Kannon. One rainy day, Yosaku and Soyo meet the gorgeous Yuki (Shiho Fujimura) and she stays with them. When the vile Intendant badly hits Soyo for protecting the local kids, she makes Yuki promise to marry Yosaku before she dies. Five years later, Yosaku and Yuki are happily married with the boy Tarô. However, the couple is harassed by the Intendant and his samurais until one day Yosaku discloses his secret to Yuki and the Snow Woman appears.

"Kaidan yukijorô", a.k.a. "The Snow Woman", is a sad and touching Japanese film based on the horror folklore of an evil female spirit. The film is beautifully shot, with magnificent cinematography and make-up. The special effects are also excellent for a 1968 movie. Shiho Fujimura is extremely beautiful and perfect in the role of a spirit that falls in love with a mortal and learns the meaning of love and compassion. "The Snow Woman" is a must-see heartbreaking film only released in Brazil this year on DVD. My vote is eight.

Title (Brazil): "A Mulher da Neve" ("The Snow Woman")

Three years after an adaptation in 1965's KWAIDAN, the classic Japanese ghost story of the yuki-onna (snow woman) gets a feature-length telling. While Tokuzo Tanaka's film might feel a little redundant after the wonderful adaptation of the story in KWAIDAN, KAIDAN YUKI JOROU is still well worth a look for fans of Japanese folk horror.

Extending the tale to eighty minutes doesn't feel like stretching it too thin; the feature-length story gets to focus more time on character development and crafting emotional connections, which helps the climax reach surprisingly emotive heights. You almost forget it's a horror flick in the middle, with the vibe lying somewhere between fantasy and family drama, but these portions don't drag like they could have.

The film is beautifully shot and has some wonderfully memorable visual moments, especially near the end. These '60s Japanese horrors do such a wonderful job creating a spooky atmosphere, which is amplified by the setting and time period. It's like you're seven years old, telling ghost stories around the fire, except you're in rural Japan and wearing a kimono for some reason.

It is rather predictable and features a lot of the missteps of Japanese cinema from this time period (overacting, a tendency towards ham-fisted asides and monologues, etc.), but if you enjoyed the likes of KWAIDAN and ONIBABA, this should tickle your fancy.