Agrega una trama en tu idiomaA loony farmer finds a prehistoric monster hiding in a cavern on his land. To feed his newest critter, the farmer kidnaps three people. The three desperately try to escape and finally, one o... Leer todoA loony farmer finds a prehistoric monster hiding in a cavern on his land. To feed his newest critter, the farmer kidnaps three people. The three desperately try to escape and finally, one of them succeeds.A loony farmer finds a prehistoric monster hiding in a cavern on his land. To feed his newest critter, the farmer kidnaps three people. The three desperately try to escape and finally, one of them succeeds.
- Dirección
- Guionistas
- Elenco
Bill Thurman
- Greely
- (as Billy Thurman)
- …
Annabelle Weenick
- Bella
- (as Annabelle MacAdams)
Larry Buchanan
- Narrator
- (voz)
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Absolutely cheap,bizarre tale of a madman who owns a roadside attraction and likes to feed tourists to his pet monster in a cave.Tommy Kirk plays a forest ranger who helps the young wife of a cranky older man escape.One of the madman's servants is a school teacher who was kept prisoner and forced to work for him.In flashbacks,she recalls how she was trapped.There's even a rehash of the old rat on the dinner plate gag from "Whatever Happened to Baby Jane."When the monster finally makes it's appearance,it's a guy in a cheap monster suit,complete with ping pong eyes.There's no real special effects.The monster just stands closer to the camera to make it look bigger.The suit also was reused from"Creatures of Destruction," a Larry Buchanan remake of "The She Creature."This film is good for a few laughs but no thrills.Watch at your own risk.
Larry Buchannan makes Ed Wood look like Preston Sturges but to his credit he conned his way into making more films and having them bought and seen on late night than Wood ever dreamt of.
If you've seen Zontar The Thing From Venus or Curse Of THe Swamp Creature you've basically seen the monster in one form or another since they're all culled from the same suit. One has a top fin,one doesn't,one is just a mask and hands and another is a full suit. Although the creature here is supposed to be a dinosaur man you don't get the feeling that it's supposed to be twenty feet tall until the mad farmer tells you it's twenty feet tall.
As others have stated this is solely a flick for those that are into cinematic badness and seeing every monster movie possible no matter what.The flashback scenes of torture with the chasing and the whistle wake ups are indeed a hilarious highlight.
The nominal star of the picture,Tommy Kirk is devoid of his child star perkiness which coasted him through the mousketeer and beach party days and plays his part with aa annoying monotone that clearly shows the depression and alcoholism setting in for good.
There are about ten minutes of good chuckles in the film but it's really not worth watching without the bots or drunken pals to riff on it unless you're really bored.
Be warned,that if you absolutely have to see the monster in action,it doesn't show up until the final three minutes and then it's kaput!
If you gotta see one Larry Buchannan picture go with The Eye Creatures or Goodbye Norma Jean. He died just recently at the beginning of 2007
If you've seen Zontar The Thing From Venus or Curse Of THe Swamp Creature you've basically seen the monster in one form or another since they're all culled from the same suit. One has a top fin,one doesn't,one is just a mask and hands and another is a full suit. Although the creature here is supposed to be a dinosaur man you don't get the feeling that it's supposed to be twenty feet tall until the mad farmer tells you it's twenty feet tall.
As others have stated this is solely a flick for those that are into cinematic badness and seeing every monster movie possible no matter what.The flashback scenes of torture with the chasing and the whistle wake ups are indeed a hilarious highlight.
The nominal star of the picture,Tommy Kirk is devoid of his child star perkiness which coasted him through the mousketeer and beach party days and plays his part with aa annoying monotone that clearly shows the depression and alcoholism setting in for good.
There are about ten minutes of good chuckles in the film but it's really not worth watching without the bots or drunken pals to riff on it unless you're really bored.
Be warned,that if you absolutely have to see the monster in action,it doesn't show up until the final three minutes and then it's kaput!
If you gotta see one Larry Buchannan picture go with The Eye Creatures or Goodbye Norma Jean. He died just recently at the beginning of 2007
It's Alive is sitting with a horrifically low IMDB rating and when you see the goofy ping pong eyed monster you can entirely understand why.
However, I kind of enjoyed it. And here is where my clear weird taste in movies comes in.
It tells the story of a couple who while driving through the country become lost and seek assistance from a man who runs an obscure show full of various animals on display. When he offers them a tour things turn bad and the man shows his true colours.
The creature though ridiculous looking is barely on screen and that is certainly in the movies favour. Instead we're treated to more of a psychological game between the captor and captives and I found myself fairly engrossed.
Flawed? Absolutely, but I enjoyed it regardless.
The Good:
Overall well constructed
The Bad:
That monster, really?
Some of the music was a tad overwhelming
Things I Learnt From This Movie:
Unless told men do not know that lack of food results in death
However, I kind of enjoyed it. And here is where my clear weird taste in movies comes in.
It tells the story of a couple who while driving through the country become lost and seek assistance from a man who runs an obscure show full of various animals on display. When he offers them a tour things turn bad and the man shows his true colours.
The creature though ridiculous looking is barely on screen and that is certainly in the movies favour. Instead we're treated to more of a psychological game between the captor and captives and I found myself fairly engrossed.
Flawed? Absolutely, but I enjoyed it regardless.
The Good:
Overall well constructed
The Bad:
That monster, really?
Some of the music was a tad overwhelming
Things I Learnt From This Movie:
Unless told men do not know that lack of food results in death
Despite its promising title, "IT'S ALIVE!" is dead on arrival. This late sixties TV creature feature opens with five full minutes of driving footage. Inside the car, outside of the car, just a bunch of driving. It tries to salvage the viewers' interest with an ominous voice-over narration that rambles about rain and sunshine. In the middle of this meaningless driving montage, we're treated to the opening credits where I discovered the one interesting thing about this movie. There's a paleontology credit, and it's attributed to Skip Frazee. A quick glimpse at Mr. Frazee's background and we see he was a sound engineer in the production world with no other paleontological credits before or after "IT'S ALIVE!". This makes sense because the movie's paleontology is limited to the revelation that the creature is a dinosaur and it should've gone extinct 65 million years ago. Good job. When the movie finally kicks into gear, we're introduced to the world's most irritating married couple, Norman (Corveth Ousterhouse) and Leilla (Shirley Boone) Sterns. The two are travelling across the country by car because Leilla loves to see America up close, and Norman never refrains from an opportunity to tell her how much he hates it. With night closing in and the gas tank nearly empty, Norman and Leilla are forced to pull into isolated reptile house tourist attraction in the middle of the woods. Here we're introduced to Greely (Bill Thurman) and his downtrodden housekeeper Bella (Annabelle Weenick), who harbor a deadly secret.
It doesn't take long for things to get weird around the Greely home. He acts shady from the moment he meets the miserable couple and, despite their bad feelings about their situation, they agree to a tour of Greely's "serpetorium". Greely runs a crappy little zoo that might've charmed mid-twentieth century America but has fallen out of favor since a new highway derailed his business. He's proud of his little operation, explaining that he caught all of the animals himself (where'd he catch a monkey in middle America?). His pride and joy rests deep underground in a cavern and he invites the couple down to view it, but surprise! It's a trap. Norman and Leilla find themselves imprisoned in the cavern with helpful paleontologist Wayne (Tommy Kirk), who had been taken captive when he stopped by Greely's to check in on the Sterns' auto troubles. Wayne plots their escape while Norman continues to prattle about how stupid he believes his wife to be, and the trio explore deeper into the cavern where they encounter Greely's favorite pet: a "dinosaur" monster. This monster costume is priceless. Wayne tries to identify the dinosaur species but it was nothing I'm familiar with and I'm sure it was bogus. The creature is your typical rubber suit, but it's got bulbous ping-pong ball eyes and rubber teeth that wobble and bounce in all directions. It shambles toward its victims and, since its face can't articulate, it kills them off screen and we're spared the action.
When that monster appeared, my views on this movie pulled a total about-face. I was willing to forgive the driving montage and unlikeable characters if this monster was going to go on a murder spree. But it never does. It takes its victim and then disappears back into its mud puddle until the final moments of the film. The remaining forty minutes are filler and garbage with yet another driving montage (not as long as the first) and then more than twenty minutes of flashing back to when Bella was taken captive. We spend a sizeable chunk of this crappy movie learning how Bella was a teacher who had the bad fortune to stop at Greely's and became his tormented house slave. None of it has anything to do with the dinosaur monster. Excuse me, "IT'S ALIVE" and director Larry Buchanan, but we came for the dinosaur monster. Give us the dinosaur monster and stop wasting our time. Maybe instead of unnecessary backstory, we could've used that time to show an escape attempt or something to up the tension. There are at least two occasions when Wayne, Leilla, and Norman could've jumped Bella (if she was uncooperative) and escaped through the access hatch she uses in the house's cellar. No, their plans are way more stupid. "IT'S ALIVE!" is seventy-five minutes of mindless filler with maybe (if I'm being generous) five minutes of worthwhile content. The dinosaur is severely underused, the characters are morons, and we didn't get nearly enough of Greely's fantastic maniacal laughter. That laugh and the dinosaur costume are the only reasons anyone should try and watch this movie, and there's barely enough of either in there to justify it.
It doesn't take long for things to get weird around the Greely home. He acts shady from the moment he meets the miserable couple and, despite their bad feelings about their situation, they agree to a tour of Greely's "serpetorium". Greely runs a crappy little zoo that might've charmed mid-twentieth century America but has fallen out of favor since a new highway derailed his business. He's proud of his little operation, explaining that he caught all of the animals himself (where'd he catch a monkey in middle America?). His pride and joy rests deep underground in a cavern and he invites the couple down to view it, but surprise! It's a trap. Norman and Leilla find themselves imprisoned in the cavern with helpful paleontologist Wayne (Tommy Kirk), who had been taken captive when he stopped by Greely's to check in on the Sterns' auto troubles. Wayne plots their escape while Norman continues to prattle about how stupid he believes his wife to be, and the trio explore deeper into the cavern where they encounter Greely's favorite pet: a "dinosaur" monster. This monster costume is priceless. Wayne tries to identify the dinosaur species but it was nothing I'm familiar with and I'm sure it was bogus. The creature is your typical rubber suit, but it's got bulbous ping-pong ball eyes and rubber teeth that wobble and bounce in all directions. It shambles toward its victims and, since its face can't articulate, it kills them off screen and we're spared the action.
When that monster appeared, my views on this movie pulled a total about-face. I was willing to forgive the driving montage and unlikeable characters if this monster was going to go on a murder spree. But it never does. It takes its victim and then disappears back into its mud puddle until the final moments of the film. The remaining forty minutes are filler and garbage with yet another driving montage (not as long as the first) and then more than twenty minutes of flashing back to when Bella was taken captive. We spend a sizeable chunk of this crappy movie learning how Bella was a teacher who had the bad fortune to stop at Greely's and became his tormented house slave. None of it has anything to do with the dinosaur monster. Excuse me, "IT'S ALIVE" and director Larry Buchanan, but we came for the dinosaur monster. Give us the dinosaur monster and stop wasting our time. Maybe instead of unnecessary backstory, we could've used that time to show an escape attempt or something to up the tension. There are at least two occasions when Wayne, Leilla, and Norman could've jumped Bella (if she was uncooperative) and escaped through the access hatch she uses in the house's cellar. No, their plans are way more stupid. "IT'S ALIVE!" is seventy-five minutes of mindless filler with maybe (if I'm being generous) five minutes of worthwhile content. The dinosaur is severely underused, the characters are morons, and we didn't get nearly enough of Greely's fantastic maniacal laughter. That laugh and the dinosaur costume are the only reasons anyone should try and watch this movie, and there's barely enough of either in there to justify it.
When I saw that "It's Alive" was scheduled for a late night broadcast, I set the DVR, expecting to enjoy the 1974 "monster baby" B-movie of the same name. Initially I was annoyed to see that what I had recorded was a different flick, but if you like bad sci-fi, it turns out that this one has its own low-budget charms.
From the super-cheap look of the opening minutes, I fully expected to be amused by the appearance of creature, and was not disappointed. They really outdid themselves on this one; I've seen scarier (although similar) piñatas. Although it was clearly just a guy in a really bad monster suit --we're talking "Creature From the Haunted Sea" caliber here-- one split screen shot and a single line of dialogue reveal that the monster was apparently some 40 to 50 feet tall. Must be pretty cramped down in that cave. (Bad as it was though, to his penny-pinching credit, director Larry Buchanan was actually re-using the costume from his earlier movie "Creature of Destruction." The effects budgets of TWO movies to work with, and it still looks like an ill-tempered oriental goldfish... THAT's cheap!)
Buchanan (who I read has made several movies of the same dubious quality) also made the most of his meager casting budget. Has-been Tommy Kirk, several years after his role as the middle brother of the "Swiss Family Robinson," must have been getting pretty desperate by the time his agent dropped this steaming pile on his desk eight years later. He plugs along bravely as Wayne the paleontologist, and displays what could almost be called acting, although a gunshot wound he suffers is eventually either forgotten or ignored by the writer.
If Corveth Ousterhouse's very name doesn't make you want to slap him, his performance as monster snack #1 sure will. His character, Norman Sterns, is an unrelenting jackass from the first scene to his last, and no one (even his wife) seems too upset when he gets gobbled up by the "masasaurus." Wisely, Ousterouse decided to give up acting after this, his only film.
Speaking of the wife, Shirley Bonne stars as Mrs. Stern, who is so torn up by his getting eaten that one day after his death she is already laughing and making jokes about becoming a paleontologist's wife. "How terrible that Norman was killed by the creature. So tell me, Wayne, are you single?" Sharp-eyed Star Trek fans will recognize Bonne as Captain Kirk's past girlfriend "Ruth" from the 1966 Star Trek episode "Shore Leave." It's nice she got some lines this time; better if she learned to say them.
Annabelle Weenick (understandably, she changed her name to MacAdams for this film) a veteran of Buchanan's "In the Year 2889," plays Bella, a backwoods sufferer of Stockholm Syndrome. The most accidentally-hilarious scenes of the whole movie involve her brainwashing. As long as they were stretching for time, it would have been nice if they could have worked in at least one more example of the mind games her captor played; one mouse on a plate and a whistle in the face, and she's ready to be an accomplice to occasional kidnapping and murder.
This brings us to the real star of the show, another veteran of Buchanan schlock: Bill Thurman in a dual role (there's that pesky budget again!) as both Greely, and Greely's reptilian monster. Perpetually perspiring, he gleefully hams his way through almost every scene, whether locking up unwary tourists for the creature's rare dinner, discussing his thoughts on the food chain and the circle of life, or devising new tortures for poor Bella before skipping away giggling.
This movie was made for TV, and the minimum running time mandated by that constraint really shows. Although clocking in at only 85 minutes, probably a quarter of the time is comprised of interminable scenes of winding roads, winding caverns, or winding exposition. Still, if you like B-movies (maybe a C-minus would be more accurate) and have the fast-forward button ready, "It's Alive" can be a fun way to kill an hour or so.
From the super-cheap look of the opening minutes, I fully expected to be amused by the appearance of creature, and was not disappointed. They really outdid themselves on this one; I've seen scarier (although similar) piñatas. Although it was clearly just a guy in a really bad monster suit --we're talking "Creature From the Haunted Sea" caliber here-- one split screen shot and a single line of dialogue reveal that the monster was apparently some 40 to 50 feet tall. Must be pretty cramped down in that cave. (Bad as it was though, to his penny-pinching credit, director Larry Buchanan was actually re-using the costume from his earlier movie "Creature of Destruction." The effects budgets of TWO movies to work with, and it still looks like an ill-tempered oriental goldfish... THAT's cheap!)
Buchanan (who I read has made several movies of the same dubious quality) also made the most of his meager casting budget. Has-been Tommy Kirk, several years after his role as the middle brother of the "Swiss Family Robinson," must have been getting pretty desperate by the time his agent dropped this steaming pile on his desk eight years later. He plugs along bravely as Wayne the paleontologist, and displays what could almost be called acting, although a gunshot wound he suffers is eventually either forgotten or ignored by the writer.
If Corveth Ousterhouse's very name doesn't make you want to slap him, his performance as monster snack #1 sure will. His character, Norman Sterns, is an unrelenting jackass from the first scene to his last, and no one (even his wife) seems too upset when he gets gobbled up by the "masasaurus." Wisely, Ousterouse decided to give up acting after this, his only film.
Speaking of the wife, Shirley Bonne stars as Mrs. Stern, who is so torn up by his getting eaten that one day after his death she is already laughing and making jokes about becoming a paleontologist's wife. "How terrible that Norman was killed by the creature. So tell me, Wayne, are you single?" Sharp-eyed Star Trek fans will recognize Bonne as Captain Kirk's past girlfriend "Ruth" from the 1966 Star Trek episode "Shore Leave." It's nice she got some lines this time; better if she learned to say them.
Annabelle Weenick (understandably, she changed her name to MacAdams for this film) a veteran of Buchanan's "In the Year 2889," plays Bella, a backwoods sufferer of Stockholm Syndrome. The most accidentally-hilarious scenes of the whole movie involve her brainwashing. As long as they were stretching for time, it would have been nice if they could have worked in at least one more example of the mind games her captor played; one mouse on a plate and a whistle in the face, and she's ready to be an accomplice to occasional kidnapping and murder.
This brings us to the real star of the show, another veteran of Buchanan schlock: Bill Thurman in a dual role (there's that pesky budget again!) as both Greely, and Greely's reptilian monster. Perpetually perspiring, he gleefully hams his way through almost every scene, whether locking up unwary tourists for the creature's rare dinner, discussing his thoughts on the food chain and the circle of life, or devising new tortures for poor Bella before skipping away giggling.
This movie was made for TV, and the minimum running time mandated by that constraint really shows. Although clocking in at only 85 minutes, probably a quarter of the time is comprised of interminable scenes of winding roads, winding caverns, or winding exposition. Still, if you like B-movies (maybe a C-minus would be more accurate) and have the fast-forward button ready, "It's Alive" can be a fun way to kill an hour or so.
¿Sabías que…?
- TriviaThis has the unusual distinction of being a remake of a movie that was never made in the first place. When American International made a deal with Larry Buchanan to remake some of their movies ("It Conquered the World" became "Zontar, the Thing from Venus," "The She-Creature" became "Creature of Destruction" and so forth), they evidently included a script based on Richard Matheson's story "Being." The production had gone by several titles, including "G.O.O.", and was to have starred Peter Lorre and Elsa Lanchester. Apparently Lorre's death canceled the project, so AIP earned back some of their money by passing the script on to Buchanan.
- ErroresBella the housekeeper is able to enter the cell where the three prisoners are kept, which she does multiple times, bringing them food and water. The three captives could easily overpower her, or just follow her out of the cave, yet instead they hatch a plan to have her smuggle them dynamite to blow up the cell bars.
- Créditos curiososThe End?
- ConexionesFeatured in Aweful Movies with Deadly Earnest: It's Alive! (1972)
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Detalles
- País de origen
- Idioma
- También se conoce como
- It's Alive!
- Locaciones de filmación
- Beaver Lake, Arkansas, Estados Unidos(opening scenes)
- Productora
- Ver más créditos de la compañía en IMDbPro
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Principales brechas de datos
By what name was 'It's Alive!' (1969) officially released in Canada in English?
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