Agrega una trama en tu idiomaA master swordsman leaves behind a female colleague's signature, a Golden Swallow, when killing villains, in order to lure her to his side, as he's madly in love with her, but his ego won't ... Leer todoA master swordsman leaves behind a female colleague's signature, a Golden Swallow, when killing villains, in order to lure her to his side, as he's madly in love with her, but his ego won't allow him to express it properly.A master swordsman leaves behind a female colleague's signature, a Golden Swallow, when killing villains, in order to lure her to his side, as he's madly in love with her, but his ego won't allow him to express it properly.
- Dirección
- Guionistas
- Elenco
- Silver Roc Hsiao Peng
- (as Yu Wang)
- Iron Whip Han Tao
- (as Lieh Lo)
- Cao's Brother
- (as Ti Tang)
- Chang Shun
- (as Feng Ku)
- Golden Dragon Branch Leader
- (as Chiao Lin)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Wang Yu plays a thoroughly unlikable antihero, Silver Roc, who's out for revenge against the murderer of his parents. (Or his teacher. Or something.) Golden Swallow and another woman are in love with Silver Roc; an upstanding warrior called Iron Whip (Lo Lieh) has the hots for Golden Swallow, but can see that he's losing out to Silver Roc. Yang Chih-ching (Wang Yu's nemesis from the previous year's hit "The One-Armed Swordsman") portrays the lead villain, Poison Dragon. With smoother choreography, the limitations of the dreary soap opera-style plot might have been easier to overlook, but the scenes of combat prove unsatisfactory. There are lots of fights, certainly, but they're awkwardly choreographed and filmed. Chang Cheh knew that he wanted to create long, bloody fight scenes with a lone hero facing virtually impossible odds, and from here on out he began to fine-tune his approach. Beginning with "The Return of the One-Armed Swordsman" (1969), the fights got better and better.
"Golden Swallow" was filmed in Japan, and the film's gorgeous outdoor photography may be its strongest feature. It's a necessary step in the development of Chang Cheh's directorial style, but will be of interest primarily to Wang Yu/Shaw Brothers completists.
As a fan of the original, this is downright disappointing, as I had expected to see Pei Pei kick some serious rear again as the fabled swordswoman. Instead, what we get is a story involving a love triangle of sorts, with costars Lo Lieh as Golden Whip Han Tao, a man who saved Golden Swallow from bandits and nursed her back to health, and Wang Yu as a beau from long time ago, who now calls himself The Silver Roc. The Drunken Cat, with whom Golden Swallow rode into the sunset with, is clearly forgotten and totally written out.
In actuality, this movie can be renamed The Silver Roc. The story centers on this figure, an orphan bearing a scar on the forehead similar to Harry Potter's, and is one of the fellow disciples to Golden Swallow's teachers. Disappearing one night to seek revenge on his family's murderers, he resurfaces to look for Golden Swallow, and does so by killing villains in her name, in an attempt to lure her out of seclusion. Being the self-proclaimed number one swordsman with an attitude helps too, and not before long, our trio will meet, with Golden Swallow being indecisive about both alpha males, that they have to duke it out to settle scores.
In Chang Cheh's signature ketchup blood style, this movie doesn't lack in the gore department, with really bloody scenarios, dismembered bodies, slashes to face and an inspiration to Indiana Jones and the Temple of Doom, albeit done in a more straightforward manner. But some of the kung fu moves seemed recycled from One Armed Swordsman, especially Wang Yu's Silver Roc, who holds his sword akimbo similar to his One Armed days. And his much revered "Coup De Grace" killer move was never seen until the finale, and that too was too weakly executed and laughable. I wondered too about numerous scenes where characters liked to leap out of windows, clearly to a mat at the bottom, out of the screen. But one thing's a bonus, and that's having plenty of outdoor shots versus indoor studio ones, which boosts production values a little.
Still, it's a decent martial arts flick, but one which could have been miles better. With Wang Yu hogging too much of the limelight with his character in this movie, it suffers by neglecting the other leading characters by Lo Lieh, and especially Cheng Pei Pei, because the movie, after all, is named after her Golden Swallow, or in the original English title, it's the Girl with the Thunderbolt Kick (apparently it's a misnomer, she doesn't have that skill, nor executed any recognizable kicking moves).
If anything, watch out for a young Wu Ma as Hu Zhen, a supporting character and friend of Golden Swallow and Han Tao. Nothing memorable, but just a getting a kick out of recognizing a star (to me at least) in his earlier youthful looking days.
"Da zui xia" was already a surprising good movie, that besides was a genre defining one. It was one of the first 'modern' Kung Fu movies, with plenty of sword fights and action in it. But this is perhaps why I liked this sequel better; it's even more action filled! Not only does the movie feature some amazing and spectacular fight choreography in it but it's made even more spectacular and amazing thanks to the way it got shot. It has some absolutely wonderful cinematography in it, especially during all of its fight scenes. I also quite liked the hand-held camera-work during some of the sword-fights. I'm not too sure about but I believe that this is something I have never seen before in a genre movie like this.
Because the movie is so action packed, it becomes a truly entertaining one to watch, with a pleasant fast pace to it as well. The story still finds some room to throw in a love-story as well but it does this in a quite original way. It's a sort of love triangle love-story that plays out nicely for its story.
The character played by Pei-pei Cheng gets pushed somewhat more to the background this time but it's OK, since the movie brings in a lot of more awesome characters to replace her with. What I like about the character's is that you're constantly changing your opinions about them. Some of them start out as villains, who eventually turn out to be good guys after all.
It's not featuring a that complicated or well written story but it's serving its purpose well for the movie. It takes the movie to lots of beautiful looking places, where we meet all kinds of awesome characters, who often get into a fight with each other. Seriously, I can't see how someone could not like this movie, even when you aren't very familiar with the genre yet.
It's simple entertainment but oh so well made and brought to the screen!
9/10
http://bobafett1138.blogspot.com/
I remember this movies as "Girl with the thunderbolt kick", but that's a terrible title as she doesn't have much of a kick, and most of the film centers around the male lead rather than "Golden Swallow".
Nevertheless the film is truly magnificent, with wonderful panoramic shots, excellent fight sequences and a story that is easy to follow.
After searching high and low for the film years ago, I gave up, but luckily for me Celestrial Pictures purchased the whole of the Shaw Brothers Back catalogue and has now started to release these great Kung Fu movies that were thought gone for ever. A search on Ebay discovered "Golden Swallow" was available, and a week later I am watching a fully restored, digitally enhanced DVD with a crystal clear 1:235 widescreen classic.
The quality looks like it was filmed in the last couple of years, not the mid 1960's.
Grab yourself a copy, get a beer out of the fridge, sit back and have 100 great minutes of entertainment.
¿Sabías que…?
- Citas
Silver Roc Hsiao Peng: [Poem written on wall, read aloud] With a sword, I travel alone. / The roc soars high in the clouds. / The land is vast, but where is my home? / O swallow, where are you nesting?
- ConexionesFeatured in Cinema Hong Kong: Kung Fu (2003)
Selecciones populares
Detalles
- Tiempo de ejecución1 hora 49 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1