Hot Millions

Those who only remember the late Sir Peter Ustinov as Hercule Poirot or a professional raconteur would do well to seek out this charming piece of late '60s satire. Ustinov stars as a convicted embezzler (we first see him during his last day in gaol where he is preparing the prison governor's tax return) who, sensing that the future is in computers, poses (by means of a deft piece of identity theft) as a computer expert and sets out to infiltrate an American multinational.

Ustinov (who co-wrote the script) is on top form, as is the delightful Maggie Smith, here unusually cast as an accident-prone cockney-sparrow dolly bird. Bob Newhart also puts in an amusing performance as a suspicious executive who has designs on Maggie Smith. In addition, Karl Malden is satisfyingly sleazy as Ustinov and Newhart's womanising boss.

What do I particularly like about this film? Not only is it a well-thought-out 'caper movie' but it's also a touching little love story; Ustinov and Smith are very convincing as the two misfits stumbling into love (the whole scene involving the deck of cards is particularly effective.)

So, what is there not to like? Well, the script is no more computer-literate than most films (that is, hardly at all) even though it captures the feel of late '60s 'big iron' business computing quite well. Also there are a couple of small plot glitches that you're not likely to notice until the second or third viewing, but I consider these to be minor niggles.

As I said, this is a film which is well worth seeking out, and after you've seen it once you'll want to see it again at regular intervals.

Talk about a dream cast - just two of the most wonderful actors who ever appeared anywhere - Peter Ustinov and Maggie Smith - together - in "Hot Millions," a funny, quirky comedy also starring Karl Malden, Robert Morley, and Bob Newhart. Ustinov is an ex-con embezzler who gets the resume of a talented computer programmer (Morley) and takes a position in a firm run by Malden - with the goal of embezzlement in mind. It's not smooth sailing; he has attracted the attention of his competitor at the company, played by Newhart, and his neighbor, Maggie Smith (who knows him at their place of residence under another name), becomes his secretary for a brief period. She can't keep a job and she is seen throughout the film in a variety of employment - all ending with her being fired. When Newhart makes advances to her, she invites Ustinov over to her flat for curry as a cover-up, but the two soon decide they're made for each other. Of course, she doesn't know Ustinov is a crook.

This is such a good movie - you can't help but love Ustinov and Smith and be fascinated by Ustinov's machinations, his genius, and the ways he slithers out of trouble. But there's a twist ending that will show you who really has the brains. Don't miss this movie, set in '60s London. It's worth if it only to hear Maggie Smith whine, "I've been sacked."

I thought I'd enjoyed Sneakers until I saw Hackers. I thought I'd enjoyed AI until I saw Circuitry Man. I thought I enjoyed Demon Seed until I saw Dungeon Master. I thought I'd enjoyed Johnnie Mnemonic until I saw the Matrix, but this movie set them all back on their heels.

Sir Peter's depiction of the archetypal Hacker is phenomenally well done, and how they managed to predict that Social Engineering skills would be brought to bear in the world of hacking was a phenomenal display of foresight. If Kevin Mitnick's life were ever to be fictionalized more than it has been by the Media and released as a comedy I'd suspect this is what the script would turn out to be like.

Karl Malden and Bob Newhart both provided excellent portrayals of the archetypal 60's executives who still seem so prevalent in today's business world, showing where much of the security concerns of today should be focused.

View this if you're a computer geek, and if you're involved in computer security this movie should be required.

Peter Ustinov received an Academy Award nomination for the script that he co-wrote for this film, and it was a nomination well deserved because if not particularly witty or laugh-out-loud funny, the film still has a number of amusing moments and it is a delight to watch. Ustinov is perfect as a charismatic conman, and Maggie Smith is excellent as a ditsy bimbo in a role very atypical for her repertoire. There are also some interestingly edited sequences and great music too. The scams that Ustinov devises are a bit overly complicated, as is the science behind is the hacking that he carries out, but a full understanding of everything that is going on is not required to enjoy the film. It is interesting to watch and often amusing.

I saw the description of the movie on TCM and only let it run because I like both Peter Ustinov and Maggie Smith, so I was delightfully surprised to find that I really liked the movie and found it quite exceptional. Of course, it is seriously dated, but as a period piece it is well worth watching just for the subtle humour in insight into life and lifestyle almost forty years ago. Now the only problem is trying to find it on DVD so I can watch it more often. I also was quite taken with the performances of Smith and Ustinov as the leads, and of Karl Malden, Bob Newhart, and the cameo appearances by Robert Morley and Cesar Romero.