La pasión de un hombre joven

What is a great movie? Is it The third Man or Citizen Kane because they are "Great"? Classics because of their technique and artistry.Certainly. Some Like It Hot, Duck Soup, 2001, The Shawshank Redemption and Taxi Driver all are great movies for obvious reasons.But there are movies that are personal classics for different reasons. This is one of mine. Some movies, like some songs, have so many personal memories attached that they transcend artistic or dramatic reason. This movie encapsulates all the angst and fun of those oh so brief years of my youth. Forget all those smart ass, know it all films of today, this movie shows how it really was. I recently discovered a video of this movie that I had taped from TV some years ago. Today I watched it. Oh man, where did the time go?

Ok, I'm going to be objective. This is not a great movie in the same way that Citizen Kane is. The acting is, for the most part, pretty awful. The storyline is, by clasic standards, laughable. But that is not important to me. Judy Geeson, Angela Scoula and Vanessa Howard are so beautiful in this movie, British beautiful that is, I have moments of rapture when I watch them. The music, and I have the soundtrack album on vinyl, is '60's British psychedelia. Whenever I hear Andy Ellison sing 'It's been a long time' or the title song, I timeslip back to the days of my youth.

It doesn't really matter to me what anybody else says about this movie, I love it. I just wish I could do it again. Oh yesterday leave me alone. I have no regrets except for those times that slipped by so fast. The seed of memory will grow into a great tree of life as we lived it.Forgive my reminiscences.

It's Been A Long Time.

I remember when this movie was being made, I was working on another movie at the time with Sheila White, & like everybody at the time went to see it in the hope that I could identify with it. Although a good story & well acted by all in the movie it lacked something. It should have been shot in London & maybe then it would have captured more of the spirit of the time. What it does have however is a good example of youth growing up & the adventure that the male lead goes on. I still watch this film every year & I wouldn't be without a copy. It has become an essential part of the epoch that it represents with some very funny scenes, notably Capable Caroline & her family where Jamie spends a weekend. Judy Geeson has the female lead & she looked great, I worked with her many years later & we talked about the movie. She told me how the director held her hand in the rushes theatre the day they watched the nude scenes & we laughed, he seemed rather anxious as to what I would think about it, she said. Over all I like the film & it is a must have.

I'm a big fan of 60's British music and films and this quirky if slight movie marries both in a peppy attempt to show how swinging England got its nickname.

Of course it's dated greatly particularly its attitudes towards sex and by extension women, but it retains a bright playfulness, backed up by enthusiastic acting from its mostly young cast. Mind you Barry Evans and Judy Geeson aren't quite Tom Courteney and Julie Christie, and a lot of the scenes seem pretty meaningless, but driven by Evans' to-camera pieces from the outset and taking in some other tricksy pseudo-surrealistic dream sequences, flashy camera work, a touch of farce here, a touch of orgy there, while its attractions are a mite thin, at least they're just about present and correct.

The story itself amounts to little more than Evans' trying to get his end away, moving ever steadily up the ladder of the local female population in pursuit of his dream girl Judy Geeson, to learn that she has the same outlook towards men as him, only her dream doesn't stop with him. By the movie's end our fresh-faced hero is just about ready to settle down, bewitched by a beguiling smile from a young Diane Keen, at the age of it seems 18 or 19 at most.

The film is shot in a bright clear fashion, with contemporary pop music prominent in the background - Traffic's title song is ace and gets a few airings throughout. It was funny to see practically all the leads in the popular early 70's sit-com "Doctor at Large" in frame at one point - one almost expected James Robertson-Justice to barge in on the odd scene! There's a mildly surprising frolicsome nude scene between Evans and Geeson near the end, but in truth this is only a little more surprising than seeing Geeson in long trousers just before it - every other female in the film is apparently wearing a mini-skirt.

So then, while being far from the best of the British pop-art cinema of its time, it retains an odd, slightly endearing attraction to the likes of me, who just missed out on being a teen in the 60's. Based on the evidence here, it looks as if it was this generation and not its predecessor that never had it so good (and you can interpret "it" any way you like!)

Here We Go Round the Mulberry Bush starts out looking like another cheap cash in on the swinging 60s, but the further into the film you get, the more you appreciate its subtleties. Barry Evans is a 17 year old virgin out to get laid, and the film very deftly handles the issues of the Sexual Revolution without pandering or preaching. Judy Geeson is the object of his affection, and though she has a lengthy topless scene she is much more than just a dolly bird. There are some wonderful cameos by Moyra Fraser and Michael Bates (the police inspector in Bedazzled) as Barry's parents, some fascinating footage of Stevenage, one of the idyllic New Towns of the 60s; and overall a marvelous story that mixes elements of Alfie and Billy Liar. Strongly recommended, especially for 60s fans.

Oh boy does this film bring back memories of my 1960's teenage years. In 1967 I was 17 going on 18 the same age as the character Jamie in this film. I remember going to the cinema to watch this movie after seeing it advertised in a newspaper. Jamie has several encounters with young ladies and gets so called expert backing and advice from his pal Spike. Of all the young women he is involved with Jamie is infatuated with Mary played by Judy Geeson, but their romance is short lived as she is far too much of a free spirit for young Jamie. When I watch this film I am transported back in time bringing back memories of young ladies I have known. Barry Evans was ideal in the part of Jamie McGregor and it was a pity that his career never really took off in films and so sad how his life ended in strange circumstances. I am sure you will enjoy this warm happy film right from the moment Traffic belt out the theme song through the opening titles and until the closing titles when Jamie rides off into the sunset as a conductor on a bus.