Vórtice de fuego

This is a very entertaining film ... co-staring Jim Hutton, Katherine Ross & Vera Miles. Some of the acting of Hutton & Ross may have been less than one would expect. But the film should be seen keeping mind that this was years before the disaster films of the early seventies like The Poseidon Adventure & The Towering Inferno. It is a fun watch as Buckman's crew travels the world putting out oil well fires while kindling a few fires of their own in the local women. It is fun to watch many of the fire-fighting scenes today and wonder how they pulled this off thirty years ago. It is very John Wayne as can be seen as some of his regulars turn up here, such as Bruce Cabot, Edward Faulkner who were part of his stable. Watch it and enjoy.

My ex-husband was a huge John Wayne fan and had me watch every JW movie over and over. This was my favorite. The acting and script are not the point of watching this movie. The attitudes, clothes(especially the women's), and the sets are Soooo Sixties. My favorite thing is the "window" in the office. If you look closely you can see it isn't a window at all, it is a miniature of a highway(like a miniature railroad), but it is supposed to look like the view out the "window". I'm sure that was state-of-the-art in the late 60's. Katherine Ross is fabulous and wears the best clothes. Jim Hutton is quite handsome. John Wayne acts like....John Wayne. If you're a JW fan you'll recognize most of the cast. Great fun!!!!

One thing about John Wayne movies are the great first names he always had in them. Singin Sandy, Spig, Taw, John Henry, Cord, Rockwell, Rooster, Wedge. This ones no exception "Chance" Chance Buckman played by Wayne is the CEO of a company that fights fires. Oil well fires that is. Along with a number of character actors in supporting roles who teamed with the Duke in many of his films. The action is plenty and the story entertaining. The women in this movie are there as the faithful ladies whose husbands battle the flaming liquid from the bowels of the earth.

No film had been made about oil well fire fighters so this made it an original. This is one of those movies that would excite a person to the point of saying "That's the life for me. Good pay, travel, good-looking women all the time. A job of never ending excitement'! Don't miss this John Wayne classic. Also don't miss an A&E documentary about the real exploits of Oil Well Fire Fighters.

Sandwiched in between the critical beating John Wayne took for The Green Berets and a bunch of westerns culminating in his Oscar performance for True Grit is this little known film he did about a group of men fighting oil fires, a truly dangerous profession. The Hellfighters has the look and feel of a Wayne family effort with it being produced by Batjac and having in its cast Wayne regulars like Edward Faulkner and Bruce Cabot. I wonder where son Patrick was.

A little over 20 years after Hellfighters came out, the person that Wayne's character was based on, Red Adair came into prominence when he took on the Herculean task of putting out all those oil fires that Saddam Hussein started in Kuwait when he fled that country. Turns out the biggest assignment Adair had was way in his future in 1968.

I'm sure Red Adair must have been flattered all to heck when the biggest box office draw in cinema history was portraying a facsimile of him on the screen. Who knows though maybe Red Adair's real story and real name on the screen might be good entertainment. Might be a great subject for a film now, what with all the new computer generated special effects that could be used.

Though the film is based on Adair's exploits, it is first and foremost a John Wayne film. He's not Red Adair on the screen, it's the Duke that all of us have come to know. Wayne and his cast put together a nice action filled film with a minor subplot about his family life. Vera Miles plays his estranged wife, Katharine Ross his daughter, and Jim Hutton a protégé Wayne is grooming to take over his company.

This was Wayne's third film with Vera Miles and twice before he didn't wind up with her, either in The Searchers or The Man Who Shot Liberty Valance. Third time the charm.

Hellfighters also is an example of Wayne's well known generosity to his fellow players. When he liked you he was the best friend you could have. Jay C. Flippen who plays an oil executive lost a leg to diabetes a year or two before. Wayne gave him that extra pay day by casting him in Hellfighters in a wheelchair. I could cite a lot of other examples of him helping people by doing that in other films.

Hellfighters is an enjoyable two hours of Wayne in modern dress, battling the elements like he did in The High and the Mighty and Island in the Sky instead of bad guys. There is one sequence where he and his crew were battling an oil fire in Venezuela with some rebels shooting at them. Since it's the Duke, you kind of expect him to pick up a rifle and blow them all away.

Though Hellfighters is a good, not a great film, I'd still like to see the real Red Adair story on screen.

This COULD have been an exceptional John Wayne film, as the plot was so unusual and was based loosely on the exploits of oil fire expert Red Adair. The idea of him working as a man who travels the world to put out oil fires is pretty cool! This was a very nice change of pace for The Duke and the film had some wonderful moments. However, while the script SOMETIMES offered a lot of new and interesting moments, at other times it was very clichéd and formulaic--cheapening the exploits of Adair AND making it just another mediocre late 60s/early 70s John Wayne film. Now understand that I really like John Wayne films, but I must admit that aside from THE SHOOTIST, all his films after THE MAN WHO SHOT LIBERTY VALANCE were mediocre and formulaic--so much so that they offer nothing particularly new (even TRUE GRIT which garnered Wayne an Oscar even though he'd made many better films). Even one of his films I really liked from this era, ROOSTER COGBURN, is essentially THE African QUEEN set in the old West. And what formulaic elements do these films have in common? Well, how about a way too old Duke Wayne getting in a fist fight in all these films (and he was into his 60s), macho arguments among the manly actors about who is going to do the "selfless" act (whatever that might be), an occasional over-reliance on comedy and John walking through the film as if he's in slow-motion (which, at his age, he was). No, Wayne didn't age very well in these films and his fans watched them because they loved the actor--not because they were outstanding films. That's exactly why I watched them.