Cuando el impulsivo Dan supera al malvado Tony en una carrera de motos y gana una moto nueva, pone en marcha una cadena de acontecimientos que incluye una gasolinera en llamas y un desastros... Leer todoCuando el impulsivo Dan supera al malvado Tony en una carrera de motos y gana una moto nueva, pone en marcha una cadena de acontecimientos que incluye una gasolinera en llamas y un desastroso desprendimiento de rocas.Cuando el impulsivo Dan supera al malvado Tony en una carrera de motos y gana una moto nueva, pone en marcha una cadena de acontecimientos que incluye una gasolinera en llamas y un desastroso desprendimiento de rocas.
- Dirección
- Guionistas
- Elenco
Ronnie Dayton
- Barney
- (as Ronn Dayton)
Henry Kendrick
- Gas Station Attendant
- (as Henry M. Kendrick)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The late '60s were the era of biker movies. The "Citizen Kane" of this genre was obviously "Easy Rider", while "The Wild Angels" might get called the second-best.
Released on DVD with the latter was "Hell's Belles". The simple plot - a racer's motorcycle gets stolen, so he sets out to reclaim it - holds second place to the sight of Jocelyn Lane in a miniskirt. I guess that she got relegated to potboilers while other actresses of the era got the highbrow roles. Even so, she was certainly a sight for sore eyes.
So, it's nothing special. I understand that the director later directed episodes of "Little House on the Prairie" (which I've never seen). The main thing here is the chance to see Jocelyn Lane looking sexy.
Released on DVD with the latter was "Hell's Belles". The simple plot - a racer's motorcycle gets stolen, so he sets out to reclaim it - holds second place to the sight of Jocelyn Lane in a miniskirt. I guess that she got relegated to potboilers while other actresses of the era got the highbrow roles. Even so, she was certainly a sight for sore eyes.
So, it's nothing special. I understand that the director later directed episodes of "Little House on the Prairie" (which I've never seen). The main thing here is the chance to see Jocelyn Lane looking sexy.
This is one hell of a fun movie, and probably the best motorcycle flick of the '60s after Easy Rider. The is actually an update of the old Jimmy Stewart movie Winchester '73, except a motorcycle is used in place of the rifle. Jeremy Slate, always great in these '60s flicks, is the lead and is supported by a wonderful exploitation movie cast. Les Baxter's score, next to that of Easy Rider is about the best heard in a biker flick, a perfect artifact of the period, and lots of fun.
A 1969 B remake of Winchester '73. Jeremy Slate wins a race and receives a new bike as the prize. He wants to sell it for cash but of course, it's stolen. His personal quest to "get my bike back so I can buy a ranch" is the plot.
3 reasons to watch this curio:
1) If you're into bikes.
2) Filming locations all in Arizona 3) Jocelyn Lane!
After Tickle Me with Elvis, I feel for Jocelyn having to put up with low grade projects. She's the best part of this film.
Film has its moments with some nice Arizona desert locations shots. Have I mentioned Jocelyn Lane though? My goodness she's easy on the eyes.
3 reasons to watch this curio:
1) If you're into bikes.
2) Filming locations all in Arizona 3) Jocelyn Lane!
After Tickle Me with Elvis, I feel for Jocelyn having to put up with low grade projects. She's the best part of this film.
Film has its moments with some nice Arizona desert locations shots. Have I mentioned Jocelyn Lane though? My goodness she's easy on the eyes.
The late-60's biker sub-genre take on the James Stewart Western, WINCHESTER '73, which is about a cherished gun, won in a contest then stolen from the winner before winding up in several different hands...
Only here it's a motorcycle that modern cowboy type Jeremy Slate loses the night of the race by his jealous rival, who then loses it to the token gang led by sixties' biker staple Adam Roarke, fresh from HELL'S ANGELS ON WHEELS and THE SAVAGE SEVEN...
So Roarke (with bulky sidekick William Lucking) is as comfortable in a biker flick as director Maury Dexter is at Westerns, since, earlier in the decade, he turned out a bunch for 20th Century Fox along with Neo Noir thrillers, and, like those entertaining and economical programmers, he moves an otherwise plodding exploitation decently enough for the viewer to remain semi-intrigued throughout...
But the true scene-stealer is the extremely gorgeous Jocelyn Lane, who Roarke trades Slate for the stolen vehicle and that he doesn't want (God knows why), and the title HELL'S BELLES is misleading since it's not about the other biker molls, all but passive commentators on their men, fighting with fists instead guns and riding bikes instead of horses, while Slate eventually thaws out from his initially reluctant relationship with Lane... Who wouldn't?
Only here it's a motorcycle that modern cowboy type Jeremy Slate loses the night of the race by his jealous rival, who then loses it to the token gang led by sixties' biker staple Adam Roarke, fresh from HELL'S ANGELS ON WHEELS and THE SAVAGE SEVEN...
So Roarke (with bulky sidekick William Lucking) is as comfortable in a biker flick as director Maury Dexter is at Westerns, since, earlier in the decade, he turned out a bunch for 20th Century Fox along with Neo Noir thrillers, and, like those entertaining and economical programmers, he moves an otherwise plodding exploitation decently enough for the viewer to remain semi-intrigued throughout...
But the true scene-stealer is the extremely gorgeous Jocelyn Lane, who Roarke trades Slate for the stolen vehicle and that he doesn't want (God knows why), and the title HELL'S BELLES is misleading since it's not about the other biker molls, all but passive commentators on their men, fighting with fists instead guns and riding bikes instead of horses, while Slate eventually thaws out from his initially reluctant relationship with Lane... Who wouldn't?
After a grueling race with the grand prize being a beautiful motorcycle, one of the losers named "Tony" (Michael Walker) decides he is going to get that bike not matter what it takes. So that night he sets up a trap on the road which the winning racer, "Danny" (Jeremy Slate) has to take on his way home. Sure enough, as Danny gets to a certain point Tony and his friends ambush him and proceed to beat him into unconsciousness. A little later Danny wakes up and finds that his new motorcycle has been substituted for the one driven by Tony. But as it so happens, Tony makes a big mistake that same night when he drives up to a gas station where a motorcycle gang just happens to be frequenting. They beat up Tony and the leader of the gang by the name of "Tampa" (Adam Roarke) takes the motorcycle. Not long afterward Danny drives up and discovers from Tony what happened. Danny then proceeds to drive out to where the motorcycle gang is camping and then gets caught while attempting to steal it. After beating him up the Tampa decides to reimburse Danny by giving him one of their women in exchange--and subsequently knocks him out again. When he regains consciousness he finds the woman named "Cathy" (Jocelyn Lane) sitting around and the two of them set out to find the bikers. Now rather than reveal any more I will just say that, although it certainly had some good action here and there, it lacked the necessary realism for me to take it that seriously. Likewise, I didn't especially care for the ending that much either. For those reasons I have rated it accordingly. Average.
¿Sabías que…?
- TriviaIn 1969, American International Pictures distributed this film on a double bill with L'occhio selvaggio (1967) (English title: "The Wild Eye").
- ErroresThe shadow of the crew on top of the roof is visible on the ground as Tampa's biker gang rides off after stealing the prize bike.
- ConexionesFeatured in American Grindhouse (2010)
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- How long is Hell's Belles?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Die wilden Schläger von Rockers Town
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 35min(95 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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