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IMDbPro

Dillinger ha muerto

Título original: Dillinger è morto
  • 1969
  • Not Rated
  • 1h 35min
CALIFICACIÓN DE IMDb
6.9/10
3 k
TU CALIFICACIÓN
Anita Pallenberg in Dillinger ha muerto (1969)
Criterion Collection trailer
Reproducir trailer2:41
1 video
60 fotos
CrimenDrama

Agrega una trama en tu idiomaA man decides to cook for himself, but finds the revolver of John Dillinger hidden in his kitchen instead.A man decides to cook for himself, but finds the revolver of John Dillinger hidden in his kitchen instead.A man decides to cook for himself, but finds the revolver of John Dillinger hidden in his kitchen instead.

  • Dirección
    • Marco Ferreri
  • Guionistas
    • Marco Ferreri
    • Sergio Bazzini
  • Elenco
    • Michel Piccoli
    • Anita Pallenberg
    • Gino Lavagetto
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    3 k
    TU CALIFICACIÓN
    • Dirección
      • Marco Ferreri
    • Guionistas
      • Marco Ferreri
      • Sergio Bazzini
    • Elenco
      • Michel Piccoli
      • Anita Pallenberg
      • Gino Lavagetto
    • 23Opiniones de los usuarios
    • 32Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 2 nominaciones en total

    Videos1

    Dillinger Is Dead
    Trailer 2:41
    Dillinger Is Dead

    Fotos60

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    Elenco principal9

    Editar
    Michel Piccoli
    Michel Piccoli
    • Glauco
    Anita Pallenberg
    Anita Pallenberg
    • Ginette
    Gino Lavagetto
    • Marinaio
    • (as Gigi Lavagetto)
    Mario Jannilli
    • Capitano
    Carole André
    Carole André
    • Proprietaria del Battello
    Annie Girardot
    Annie Girardot
    • Sabine
    Adriano Aprà
    • Cinema Critic
    Carla Petrillo
    Gerard Malanga
    • Young man in film
    • (sin créditos)
    • Dirección
      • Marco Ferreri
    • Guionistas
      • Marco Ferreri
      • Sergio Bazzini
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios23

    6.92.9K
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    Opiniones destacadas

    10tuco73

    Escape from routine

    An excellent movie, experimental in its unusual construction of an apparently very simple plot, edited in a really original and clever way, till its paradoxal and genial end. Not a movie for everybody's tastes, apparently not much happens in it, except a couple of decisions made by main character Michel Piccoli... but if you like what they call the European cinema (not Hollywood money-machine stupid blockbusters) you shall not miss this one! A five stars rating!
    5pvsp

    Dillinger vs. Le mépris

    First i have to say, I didn't like this movie. Too "sixties" for me. During this years of fear, confusion ans sex liberation there were tons of experimental movies. This is one of them. So, if you like solid scripts and action, get way from this film.

    This film is an experience like a David Lynch movie, very hypnotic and seducing if you are caught in it.

    It's also a sequel - or a reply - to Jean-Luc Godard's "Le Mepris". First, there's Piccoli (sometimes he's dressed the same as in "Le Mepris") and there are many scenes who work as an echo of Godard's movie (the arguing scene, the jump in the sea...) Like a french critic said "Dillinger" is like "Le Mepris" with Brigitte Bardot on the first floor sleeping.

    So, not a film as experimental and "destroy" as it seemed at first look. Unusual for sure but worth a look.
    6wes-connors

    They Shoot Movies, Don't They?

    Wealthy, middle-aged gas-mask maker Michel Piccoli (as Glauco) arrives home late from work and finds his beautiful blonde wife in bed with a headache. While she blows kisses to her goldfish, Mr. Piccoli rejects the dinner she left and decides to make a hot gourmet meal. Gathering ingredients, Mr. Piccoli opens a closet door and some poorly-stacked newspapers fall out onto the floor. Restacking the items, Piccoli finds an unexpected object wrapped in a newspaper containing an article on the death of 1930s US gangster John Dillinger. This is where director Marco Ferreri derives "Dillinger Is Dead" as a title. Piccoli is intrigued by his newspaper discovery and it ends up changing his life...

    Mr. Ferreri and Piccoli appear to be having fun with this arty film. They may have been having a little too much fun. It starts out with some rather explicit references to a theme. You could call it "the alienation of modern man," and Ferreri does appear to be naming that as his thesis. Later, it veers perilously close to a mid-life crisis. The protagonist is difficult to identify with; possibly, he's too bourgeois. Some scenes move as slow as molasses or, as you'll see, honey. A "finger dance" segment enlivens an otherwise dull portion; it's pointless, but that's what fingers do. This viewer narrowed it down to two options for Glauco, considering his discovery. Not sure he made the best choice.

    ****** Dillinger Is Dead (1/23/1969) Marco Ferreri ~ Michel Piccoli, Annie Girardot, Anita Pallenberg, Gino Lavagetto
    9elvinjones

    probably the best ferreri movie

    with the "Grande abbuffata" title this is the best ferreri movie. Incredible tour de force real time movie is a study in alienation like no other one in cinema. Piccoli display a portfolio of frustrate-tipe tics with excellent performance. the same for annie girardot, the waitress in love with the Italian singer dino. Ferreri use no dialogues, the figure of dillinger as a mythical phantom over the alienated life of the protagonist. The final is incredibly surreal but all the film is terribly realistic and punctual, in line with the analysis of the contemporary man in the west society. I think that in today cinema this movie is something of irripetible
    9m-sendey

    Mesmerizingly original

    A well-off industrial designer, Glauco, comes back home and sees his wife who allegedly has a headache and rests in bed. She leaves him a cold dinner, lest Glauco should feel hungry. Nevertheless, Glauco chooses to prepare the meal on his own. While cooking, he discloses a gun wrapped in a newspaper which recounts events regarding a famous mobster Dillinger's demise…

    Whilst reading this paragraph, one is likely to scratch his head and reassure this is what the movie is genuinely about. This is no mistake – Dillinger is Dead is precisely a product of its time. A bold, weird and mesmerizingly original film which has more in common with existentialism and fantasy than Dillinger himself. The concept of merging reality with surrealism and transmuting it into an artistic manifestation is indubitably exquisite. Straightforwardly speaking, the story by Ferreri is an infant of sheer uniqueness and it stimulates one's senses. Despite the fact that the whole motion picture is virtually filmed solely in Glauco's apartment, Ferreri aptly lunges the plot and it consequently never drags or feels rushed. The characters existent in the flick sporadically encounter one another and the action generally revolves around Glauco. Neither does one get to know his past, nor his views on the outer world. Yet, his mental state is absolutely precise and visible inasmuch his soul is diaphanous owing to Ferreri's fantastic mise-en-scène which visualises Glauco's existential ennui by exposing his disparate acts in his home which serve totally nothing. The protagonist seems nearly a phantom creeping through ensuing chambers of his apartment. He desperately endeavours to do something, satisfy himself anyhow, still he is at a loss for options. His behaviour perpetuated on the celluloid consists of most probably his everyday activities. This enchantingly articulates the meaninglessness and pointlessness of his life. What is new in his life is the weapon wrapped in the mysterious newspaper which inscrutably appears in his apartment. Once he finds the gun, he gradually embarks on altering his life and this is the onset of his transformation which leads to the abrupt and outré denouement.

    Mario Vulpiani's cinematography captures the infertility of Glauco's actions in an eye-pleasing manner and it's occasionally ravishing and co-operates with the soundtrack by Teo Usuelli duly. The performance by Michel Piccoli is very good, resembling his appearances in Bunuel movies in which he plays analogous roles. His minimalistic attitude is very appropriate and renders the character plausible.

    While portraying existential ennui wasn't something ground-breaking and refreshing in 1969, what strikes in case of Dillinger is Dead is Ferreri's atypical execution of the material. Apart from being structurally quite precisely delineated and recounted, it's far from being a film reminiscent of Edward Munch's painting The Scream or Antonioni flicks. What one might behold here is a huge irony, enormous portions of dark humour and hilarious wickedness. Given that Ferreri was a leftist, it may be analysed as criticism of bourgeois class – filled with money, yet incapable of spending it on laudable aims or developing their interests since there are not such for them. Hence, the movie works well as a wicked depiction of pointlessness of human in modern society as well as a political and satirical manifesto. No matter how sophisticatedly one approaches Dillinger is Dead, it is a highly riveting piece of cinematographic extravaganza which ought to appeal to those seeking for something else and lovers of the sixties or art-house cinema, whereas all others should make allowances for the possibility that this slow-paced, somewhat plot less quirk might be emotionally insufficient and boring as well as possibly exasperating for some.

    Argumento

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    • Trivia
      The interiors shown in the film are almost entirely those of the apartment once belonged to Italian Postmodern artist Mario Schifano. Some of his paintings can be seen hanging on the walls of the house. The kitchen scenes were shot into a country villa belonged to actor Ugo Tognazzi, good friend with director Marco Ferreri and frequently cast in his films.
    • Errores
      He is 'cooking' in an empty saucepan; the spatula is clean and dry.
    • Conexiones
      Edited into Spisok korabley (2008)

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    Preguntas Frecuentes16

    • How long is Dillinger Is Dead?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 9 de enero de 1970 (México)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • También se conoce como
      • Dillinger Is Dead
    • Locaciones de filmación
      • Palazzo ENI, Roma, Lacio, Italia(opening sequence)
    • Productoras
      • Pegaso Cinematografica
      • Italnoleggio Cinematografico
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      • 1h 35min(95 min)
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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