Los mercenarios

Call it "Dark of the Sun" (the better title, I think) or "The Mercenaries"--but under any title this film moves fast. A great example of a guy's type of film where the editing, direction, and storyline all compliment one another in the effort towards a fast-paced action flick. It a raw, gritty, and satisfying action yarn. Rod Taylor is really choice in this role: he was easily in his best shape ever and utterly confident as the hardboiled mercenary leader. Jim Brown is fine as well as his sidekick. The two make a good combination together.

"Dark of the Sun" is also one of the more memorable films involving a train as a locus for the action. Train films have a charisma all their own, in my opinion, and this one is no exception. In this venue, a band of mercenaries utilizes a steam engine to blitz across the border into rebel-held territory. The story is set in South Africa and they been enlisted to to rescue citizens cut off by the revolt and also, to nab some diamonds for themselves, of course.

However, dont think that with this storyline its at all meatless in emotion values, or gratuituous in terms of its violence.

With regard to emotion, there are definitely some nice story elements and a chance for the actors to apply their skill. There are poignant little moments of humanness amid all the tumult. The characters suit, and have been devised (by the author Wilbur Smith) to correctly add balance and measure to the story. Its not all gunfire and explosions. The violence is kept within acceptable, old-school bounds and the focus is on heroism and loyalty rather than sadism.

There is an interesting, thought-provoking subplot to the story that eventually factors into the conclusion of the movie. This thread comes from the fact that one of the mercenaries is an ex-Nazi. As a mercenary, he really "enjoys his work". But his views raise all sorts of disturbing questions about prejudice and hate and "where to draw the line" for Rod Taylor, who, as leader of the mercenaries, has to set an example of ruthlessness. The two develop a vicious enmity and finally go at it 'mano a mano'. The end of the film is a surprise "man learns better" type of ending--but still quite satisfying.

The film overall is a better-than-average-quality product, and definitely a must-see guy-movie; its a 1960's action pic that does a better job of keeping you interested and absorbed than any twenty action pictures made more recently.

Believe it!

This is an excellent film and definitely one of Rod Taylor's best performances. Taylor is Curry, a mercenary commander in the Congo, during the Katanga secession. Jim Brown is his friend and number two, a US educated Congolese. Taylor plays Curry as a true mercenary of the period: ruthless, greedy, loyal to his comrades, and distrustful of his rivals and employers.

The film mixes two different periods of the civil wars in the Congo; the Katanga secession in 1960 and the Simba revolt in 1964. The original book is set squarely during the Katanga period and involves the Baluba war, not the Simba's. However both periods were exemplified by brutality on all sides. The film accurately portrays the enmity between the Katanga forces and the UN troops sent to intervene. It also accurately depicts the Belgian interests in Katanga.

Much like the train the mercenaries ride, the film starts out slow and builds up steam along the route. By the end, it's a runaway that comes crashing to its end. This is war and humanity at its worst, make no mistake. The closest I can come to finding a "good guy" is Jim Brown, the soldier who wants his country to be free and have its place in the modern world.

The Nazi character was based on an actual German mercenary in the Congo, Siegfried Mueller. Mueller was noted for wearing the Iron Cross, which he earned in the Second World War, on his uniform. The film makers changed it to a swastika for greater effect (I presume). There is a slight problem with the continuity of this character, as part way through the film, his voice is obviously dubbed by another actor. Presumably, this was due to sound problems and the unavailability of the actor to loop his lines (It sounds like Paul Frees).

All-in-all this is a great film; vastly superior to others of the genre, such as The Wild Geese and The Dogs of War. Just remember, war more often brings out the worst in humanity, rather than the best.

A nasty and terrific gem of an action movie, the best of Rod Taylor's career. Very exciting, expertly acted, and with a beautiful score that sounds like it was done by Maurice Jarre (it wasn't). Highly recommended.

First half is solid if at times too brutal action/adventure (i.e. didn't much care for the execution of two kids by the cartoon Nazi) with paradoxically lovely location shooting in Jamaica, standing in for The Congo. Unfortunately, in the second half, director Jack Cardiff yields control to Ranald McDougal and Adrian Spies' too talky screenplay and the action has to find its way around dull scenes of soul searching and philosophizing over the Big Question of "What is the basic immmorality of a mercenary?" Sound a bit pretentious? Yeah, I thought so, too. As for the acting it's hit and miss. Rod Taylor is much better in the first half with his sardonic Aussie bit than he is in the second half with his blood streaked, breast beating bit. As for Jim Brown he is, as usual, wooden throughout. Peter Carstens does as well as can be expected with the stereotyped "Ve vill make you talk" storm trooper role and Yvette Mimieux is ok eye candy. Best performance is Kenneth More as the drunken doc (another cliche, but More embraces it well) . Give this one a C plus.

This film, which I came to know as "Dark of the Sun" (the better title, as most believe), is one of those compulsively re-watchable pictures year after year. I saw it as a kid but it was later, when I was around 30, when I caught it on a PBS TV station, that I was stunned to realize it is one of my favorite films of all time. I nearly became obsessed with it, recording it for repeat viewing (sometimes 2 days in a row), later buying a quality VHS version, and finally obtaining a widescreen version, a goal of the last half-dozen years. From the first frame, during the credits, when you hear the perfect jazz-influenced score by Jacques Loussier, to the haunting ending, this film draws you in and doesn't let go, inviting you back again & again. I say 'you' but of course I'm speaking of myself; I can't really explain the hold it has on me and what director Cardiff put together that connected so strongly with me. Many familiar with this film call it Rod Taylor's best work and I agree there. He epitomizes the man's man here, tougher, by necessity, than all the other tough guys around him; able to outfight anyone mano-a-mano; and, at the same time, able to command - demanding and keeping the loyalty of his men. Besides the obvious violence & gun-play, throughout are hints and mention of the savagery, the brutality of war, but nothing can or should faze him - until, that is, he loses his best friend. This is something, the one thing, he was unprepared for. And he loses it, he loses all his control, his command of himself and others. It's a fantastic ending. And, like many other scenes, complemented by that fabulous score, it calls me back over & over. Once again, I see that train car break off; again I see it slowly roll back to the waiting bloodthirsty Simbas, all the passengers doomed. I know what will happen, but it demands my attention again, as if in a recurring nightmare. I suppose this may be a great thing about films - sure, they may not ever make them like this again, but you always have these past adventures to savor as many times as you wish. And the films will always give you that same or similar emotional satisfaction you crave.