La caida mortal

After seeing this, I could be persuaded why Caine's is so well known for making dud decisions as to the choice of his films. While comparisons are inevitably made with the earlier and strictly played for laughs Gambit, this is a thief movie with no humour whatsoever and as the film progresses from intrigue to jealousy, and then from drudgery to death.

Overdirected? Most critics say so, but in the main, this was one of the aspects I most liked about the film. An early scene where Caine talks to the a youthful Leonard Rossiter can be noted for the lack of any shot of them both together in conversation. Others however, are sheer melodrama and should never have made it to the final cut.

Interesting for early Caine fans only, as thereafter the attractiveness fades and only the director, Bryan Forbes, nice man as he is, can really be left to carry the can, so to speak. Speeding to a climax which is just plain odd, the film rather leaves too much detail unexplained. While it appears easy to fill in the gaps, not enough time elapses between the final revelations and the dramatic close, to believe that not one of the characters could have really thought sensibly about all of this, and therefore not taken such drastic actions. Bewildering though not without charm.

After spending most of the sixties specialising in low-keyed black & white slices of life this marked Bryan Forbes' chance to provide a slice of cake. The package of Michael Caine (sans glasses) playing a dashing jewel thief against a backdrop of glamorous Spanish locations with a score by John Barry obviously made it easy to get backing. Just so you get the message it also has a credit sequence complete with a song by Shirley Bassey.

Although the heist itself delivers the goods, the principals spend far too much time languidly talking (and talking) about their emotions. Vladek Sheybal (also a Bond veteran) offers an unsettling cameo as a psychiatrist (who manages to give hitherto unsuspected menace to the single word "ma-ssage"); while in addition to the inevitable Nanette Newman - at one point briefly seen snogging David Buck to Barry's theme from 'Beat Girl' - Giovanni Ralli and Eric Portman (in his last film) are memorably poisonous as Caine's partners in crime.

It deals with a cat burgler : Michel Caine who is hired by a rare and mysterious marriage : Giovanna Ralli , Eric Portman to execute a house theft . He has to carry out a cat burlar at a luxurious mansion at great risk to limb and life . Meanwhile , the burgler falls in love with the young wife of his gay accomplice .Michael Caine stood on a wall.. Michael Caine has a deadfall ! Michael Caine plunges into the world of the adulterious ... the treacherous ,.. and the perverse !

Thrilling and interesting film about house robbery with action , trills , emotion , a love story and replete with a Shirley Bassey theme tune . This is a stop-go thriller being slow-moving at times , but entertaining enough . Of course , the best scenes result to be when our starring bringing off a daring heist intercut with clips from the concert attended by the owners of the house he is stealing , otherwise the action is undermourished . Trio of protagonists are frankly well . Michael Caine is very good in his usual style as the resourceful stealer carrying out dangerous robberies . The beautiful spouse , the Italian Giovanna Ralli , is fine as the woman who has been mentally scarred by his dad's membership of the Gestapo . And Eric Portman steals the show as the good-manners and sophisticated thief . Along with these nice stars , there is a small group of secondaries appearing and delivering brief interpretations , such as : Leonard Rossiter, Philip Madoc , Vladek Sheybal , composer John Barry himself , cameo by prestigious writer who lived in Majorca and Nanette Newman who was Bryan Forbes' wife , as well as Spanish secondaries as Emilio Rodríguez and Santiago Rivero .

It contains a brilliant and colorful cinematography by Gerry Turpin, shot on spectacular location in Majorca Balearic Islands , Spain and Pinewood Studios , Buckinghamshire , England , U K. The motion picture was professionally directed by Bryan Forbes , though it has some flaws and gaps . Being the special mention for the haunting musical score by John Barry , adding a 20-minute guitar concerto to accompany the hold-up . Both , composer John Barry and filmmaker Bryan Forbes collaborated in six theatrical movies , being this Deadfall their final movie . Director Bryan Forbes was also a notorious actor who directed some acceptable movies , such as : "Whistle down the wind , The L-shaped Room, Seance on a Wet Afternoon , King Rat , The Whisperers , The Raging Moon, The Slipper and the Rose , International Velvet , Better late than never , The Naked Face" , among others. The picture will appeal to Michael Caine fans .

I first came across this film in Ankara, Turkey in the 1970's and have been looking for it since. It's a "heist" film on the surface, a cat burglar after jewels. But it's far more than this, with troubling, dark sexual overtones. It features the actual "deadfall" against the background of Aranjuez' guitar concerto, and the suspense is terrific, especially the acting, with Caine at his underplaying best, and Eric Portman stealing the show with a subtle, great performance. Why this film is not a cult classic I don't know, unless its dark side is too much for viewers. It's really unforgetable, as proven by its 25 year hold on my imagination.

Henry Stuart Clarke (Michael Caine) is a cat burglar who has his work down to a fine art. While under cover in a retreat for recovering alcoholics, he is approached by an alluring woman Fé Moreau who has a proposition for him, he's suspicious but agrees to meet her aging husband, Richard,(Eric Portman)himself a professional burglar who is now struggling to pull off the big jobs due to his age. Together they agree to pull off a seemingly impossible heist. Derided on its initial release, Forbes' film is nonetheless an interesting if slow film, especially if you like films of its ilk, its also beautifully filmed and makes wonderful use of the stunning Spanish setting, it also has a memorable score by the great John