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IMDbPro

Baby Love

  • 1969
  • R
  • 1h 33min
CALIFICACIÓN DE IMDb
5.7/10
787
TU CALIFICACIÓN
Diana Dors and Linda Hayden in Baby Love (1969)
DramaDrama psicológicoLa mayoría de edad

Lucy de 15 años encuentra a su madre soltera muerta. Nunca tuvieron una buena relación, pero esto la desequilibra. Se muda con la familia de un antiguo amigo de su madre. Lo odia y seduce a ... Leer todoLucy de 15 años encuentra a su madre soltera muerta. Nunca tuvieron una buena relación, pero esto la desequilibra. Se muda con la familia de un antiguo amigo de su madre. Lo odia y seduce a su mujer.Lucy de 15 años encuentra a su madre soltera muerta. Nunca tuvieron una buena relación, pero esto la desequilibra. Se muda con la familia de un antiguo amigo de su madre. Lo odia y seduce a su mujer.

  • Dirección
    • Alastair Reid
  • Guionistas
    • Tina Chad Christian
    • Alastair Reid
    • Guido Coen
  • Elenco
    • Diana Dors
    • Linda Hayden
    • Troy Dante
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.7/10
    787
    TU CALIFICACIÓN
    • Dirección
      • Alastair Reid
    • Guionistas
      • Tina Chad Christian
      • Alastair Reid
      • Guido Coen
    • Elenco
      • Diana Dors
      • Linda Hayden
      • Troy Dante
    • 19Opiniones de los usuarios
    • 16Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos78

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    Elenco principal26

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    Diana Dors
    Diana Dors
    • Liz - Luci's Mother
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    Linda Hayden
    • Luci
    Troy Dante
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    Ann Lynn
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    • (as Anne Lynn)
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    Keith Barron
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      • Alastair Reid
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      • Alastair Reid
      • Guido Coen
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    Opiniones de usuarios19

    5.7787
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    Opiniones destacadas

    9andrabem-1

    Luci in the earth without diamonds

    Most of the films about "Swinging London' celebrated the joys and colors of the time. "Baby Love", while it was made during the heyday of "Swinging London", deals with the story of an adolescent girl called Luci, and London serves just a background for Luci and the other characters around her. The characters and their environment are portrayed with a documentary feel - they are shown in a realistic way.

    Luci, one day, on returning home, finds her mother dead. A great shock! For Luci there are not many choices. Her future looms black. But her mother, before killing herself, had sent a letter to a doctor who in the past had been her lover, and where she asks him to take care of her daughter Luci. The doctor is now a married man with wife, son and maid - in short, a well-off family.

    The doctor brings Luci (Linda Hayden, who was only 15 at the time) to his home. At first she seems just a bewildered, shy girl, but it won't take long till they discover other sides of Luci's personality.

    Luci needs love and protection, and for her, love and sex are not very apart. She is manipulative (but not consciously so), yet she acts by instinct - she's a bundle of contradictions, a very complex character. She'll use her powers of seduction on all members of the family, everything is turned upside down and masks fall.

    In some ways, "Baby Love" reminded me of "Teorema" by Pasolini, but while "Teorema" is a mystical-political parable, "Baby Love" has her feet on the ground.

    The creativity linked to reality, the freedom of the camera, Luci's sensuality/sexuality (there are even some bits of nudity), the nonjudgemental way of showing the characters, make "Baby Love" a very interesting film. It's a pity though that (as far as I know) the only available copies have soft (a bit washed out) colors. Anyway the film is very watchable. Well worth checking out.
    8BA_Harrison

    Linda the Lolita.

    After her impoverished, cancer-ridden mother (Diana Dors) commits suicide, schoolgirl Luci (Linda Hayden) is adopted by her mother's ex-lover Robert (Keith Barron), now a wealthy, married doctor living the high-life in London. Once in her new home, the deeply-disturbed girl gradually spirals out of control, teasing teenage son Nick (Derek Lamden), flirting with sleazy family friend Harry (comedian Dick Emery), allowing herself to get felt up in a cinema, taunting local lads by the river (and risking being raped for her trouble), whilst driving a wedge between her adoptive parents by awakening latent lesbian urges in her new mother! Phew!

    I found out about Baby Love while searching for films starring my favourite Hammer horror babe, the lovely Linda Hayden, and, boy, is it an eye-opener, the film undoubtedly exploiting the 15-year-old actress's burgeoning sexuality for all its worth, even having her stripping off for the part. But Baby Love is so much more than an opportunity to ogle jail-bait Linda in the altogether: part kitchen-sink drama, part psychological study, it's a skilfully told and ultimately tragic tale of an emotionally damaged, self-destructive soul who, due to her troubled upbringing, is unable to relate to kindness, instead exerting control the only way she knows how—through seduction; in doing so, she tears apart the already fractured lives of those who have tried to help her.

    Made in the late 60s, when movies deliberately challenged the establishment, Baby Love is about as subversive as it gets—a controversial piece of film-making that dares to push the boundaries in all directions, while deliberately making the audience feel just a little uneasy about what they are watching. As such, I found it extremely compelling viewing, and highly recommend it to fans of intelligent, provocative drama, as well as to those who find the idea of Linda Hayden as a naughty nymphet simply too tempting to resist.

    7.5 out of 10, rounded up to 8 for IMDb.
    3artpf

    Wrong on so many levels

    Luci, she is a slutty 15 year old English schoolgirl who comes home one day from school to find her Mum as dead as a door knob in the tub. You see her Mum has cut her wrists. Fortunately for Luci, her Mum's childhood friend is now a very successful upper-middle class doctor who has decided to take Luci home to his family (on a trial basis). And the seduction begins.

    It's a very slow and boring movie, but apparently some reviewers really get off on seeing an underage girl involved in these shenanigans. -- including stripping. I don't.

    I watched this mostly because I wanted to see Diana Dors who oddly is in the film for 2 seconds and has no lines!

    The underage girl went on to doing some Hammer horror movies and sex romp films.

    If you saw Pretty Poison, you know the plot of this movie. They are roughly the same film, only Dew Barrymore isn't as attractive.

    Frankly, I would have rather seen Taste the Blood of Dracula than this one.
    lazarillo

    The debut film of the incredible Linda Hayden

    This nifty, late-60's British thriller is about a scheming teenage girl (Linda Hayden) who after her mother's suicide moves in with the family of her mother's married lover and proceeds to seduce all three of them (father, mother, teenage son)--two of whom may be blood relatives! If this sounds vaguely familiar, it's because it was the subject of an uncredited, near-remake by Hollywood in the early 1990's called "Poison Ivy", which spawned three increasingly trashy sequels and revived the career of Drew Barrymore. Hayden is actually much better here than Barrymore was in "Poison Ivy", but this movie is very hard to find today, no doubt because Hayden has several brief nude scenes and was about the same age at the time as her fifteen-year-old character. This is monumentally silly more than forty years later--half the adult population (women) have seen a girl that age naked, and the other half (let's just be honest here) probably have at some point in their lives. But we live in a society today where if a teenage girl sends nude photos of herself to her teenage boyfriend, instead of considering it a "teachable moment", we're more likely to charge them both with distributing child pornography!

    Anyway, whatever else she was, Linda Hayden was a criminally underrated actress. She got some attention for her appearances in Hammer's "Taste the Blood of Dracula" and as another sexy, evil vixen in "Blood on Satan's Claw" (where, incidentally, she has even more graphic and still-underage nude scenes as well). She had more bad luck after that though. She reunited with the director here (Alistair Reid) as well Peter Finch and Shelly Winters in another very solid thriller called "Something to Hide" that has been all hacked up and never released on DVD for no good reason I can tell. Her best performance perhaps though was in "The House on Straw Hill" (which makes it's likely inspiration, Sam Peckinpah's "Straw Dogs", look like a Disney film), but that entertaining but uber-sleazy venture became the only British-made film to be labeled a "video nasty" in Britain and it was banned there for many years. As a somewhat ironic result, it's considered a minor cult film there today(and was even remade in 2009), but was little seen outside of the UK. As for Hayden, she eventually took her considerable charms to dumb British sex comedies like the "Confessions of" series and "Queen Kong" (starring her then paramour Robin Askwith) before ending her career with a cameo role (mostly nude, of course) in "The Boys of Brazil".

    There's nothing much to say about the rest of the cast as this is Linda Hayden's show all the way. But there is a good cameo at the beginning by ill-fated, former glamor actress Diana Dors as the Hayden character's mother. As for the director, Alistair Reid, he's no doubt now written off as a "dirty old man" in some quarters for having directed this, but his "Something to Hide" and "Deadly Strangers" (with Hayley Mills and Sterling Hayden)were equally good British thrillers. I'd certainly recommend this.
    6Leofwine_draca

    A study of burgeoning sexuality

    Essentially this is the British version of LOLITA, and just as moderately shocking as it must have been upon first release. I've always been a fan of Linda Hayden for her work in the horror field and she's every bit as good here, really investing her character with a sympathy that exists even in devilish turns like her one in BLOOD ON SATAN'S CLAW. The film explores burgeoning teenage sexuality in a stark and sometimes provocative way, also looking at trauma, marriage and lust at times; the focus on characte relationships is what makes it engrossing. It's well acted and well shot too. Seen today it's a fitting portrait of the predatory nature of the era.

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    • Trivia
      Linda Hayden was cast after an extensive talent search. She was only fifteen years old and had to do her screen test topless. In a 2011 interview, she talked about auditioning, "...it was very much a sex-type movie, that was the fashion. And my screen test I did topless, because that was the scene with the elderly man who played the part, Keith Barron. When she came into the study. So it was all quite near the knuckle. And there was a big to-do about that and my parents were asked did they mind (that she auditioned naked). When I did the screen test I was there with a girlfriend of mine from school, a very beautiful blonde girl, a mate of mine, a very strong personality. And she was convinced she was going to get it. But before the end of the day I was being pictured and photographed and I think and I think she sussed something was going on. That ruined a good friendship. They made up their minds pretty quickly. But I think they'd done quite a lot of auditioning."
    • Citas

      Amy Quayle: [returns with happy Luci from dress-shopping to sidewalk cafe] Well?

      Nick Quayle: [looking at dress on his pretty new sister] Couldn't be much shorter, could it?

      [Luci sits down]

      Nick Quayle: It's all right, I suppose.

      Amy Quayle: Oh now, Nicky. Now look, the two of you have a snack, then you take Luci out for the afternoon, and don't be late.

      [off she goes, leaving them alone]

    • Conexiones
      Referenced in El clan siciliano (1969)

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    • How long is Baby Love?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de octubre de 1970 (México)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Aşk bebeği
    • Locaciones de filmación
      • Hampton Court Palace, East Molesey, Surrey, Inglaterra, Reino Unido
    • Productora
      • Avton Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 33 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.66 : 1

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