O Ritual dos Sádicos

This isn't a Coffin Joe movie properly, but rather a film about drugs that makes stuff like Corman's "The Trip" pale by comparison. The plot isn't linear, and that is exactly the greatest strength of the movie, and what gives it the particular atmosphere it has. First we see several different little stories, all involving people behaving in the most bizarre ways due to drug use.We soon know that all those scenes are stories narrated on a tv talk show by a scientist who tries to prove his theories about drugs and the human mind with the help of Mojica and his creation, Coffin Joe. The utter absurdity of the scenes is what makes the whole experience worthwhile. Probably Mojica's best work as a proper film maker, not just a horror flick director.

Dr Sergio leads a panel of doctors including writer and director Jose Mojica Martins in an episode of TV programme "Enlightening the Darkness". They discuss the effects of drug use on Brazilian society and discuss a set of experiments that Dr Sergio carried out with LSD and a group of users from different social classes.

What follows is a film in two parts. The first part follows Dr Sergio telling the panel stories of people using drugs and the effects they have. Essentially this is a series of short scenes where the drug takers turn to violent perverted acts after the drugs. Most of these include sexual violence directed towards women, others include sex scenes that have all the sensitivity and direction of soft core porn. Overall the lesson seems to be that drugs cause these perverted scenes and that drugs are bad. For this half of the film the "story" is disjointed and hard to follow - the discussion isn't set in any context and it just feels like an exploitation film - this is easy to believe as Mojica the director is famous for cheap horrors etc.

The second half sees the discussion become more structure as Dr Sergio describes his experiments on four LSD users. What follows a short set up is a 15 minute series of full colour (the rest is black & white) hallucinations featuring the director's alter ego - the evil Ze do Caixo. These hallucinations are quite disturbing and include a lot of violence toward women carried out by Caixo. Director Mojica comes up with very imaginative visions but they are all too gaudy and trashy horror. Again these feel overdone to shock his audience.

Following the experiments Dr Sergio reveals that instead of LSD he used distilled water and presents evidence to the same that is too easily believed ("it says distilled water!"). The conclusion of the experiments (and the film) is that these images came from the people themselves and not the drugs - therefore drugs are harmless and the people who do bad things as a result are sick anyway and you can't blame the drugs. This is a very weak conclusion given the evidence that has just gone before.

The film is an interesting bit of exploitation from Brazil - worth watching once for the film-student style of direction. However the presentation of perverted images and violence linked so closely to drug use makes the film's pro-drug message totally unbelievable and very hard to shallow (even if you agree with legalising drugs).

Having recently caught this strange film on Independent Film Channel,it certainly warrants a viewing, if only for the curiosity of Jose Mojica Marins.

Primarily,he uses two scenarios: a round-table of psychiatrists discussing drug addiction,and alternate scenes of the addicts in question, who are given LSD as part of the experiment.

The poverty and demoralization (particularly of women in Brazil) is explored, and the scenes are stark, turning gradually to crude, horrific and even at times humorous. There is one scene in particular where a young woman is interviewing for a job as a maid and she envisions her prospective employer, who is obese and wolfing a plate of pasta)as a hideous looking Pekingnese dog.

Overall a creative and strange commentary on the drug cultures of the late 1960's and 70's.8/10.

I really don't understand why so many people around the world rave about Zé do Caixão (Coffin Joe). I've seen two of his films: "Esta Noite Encarnarei No Teu Cadáver" and now "Ritual Dos Sádicos" and I was disappointed.

His films run like this: long scenes filmed by a non-moving camera spiced up with long speeches by Zé do Caixão. The way he imagines Hell (Esta Noite Encarnarei No Teu Cadáver) or a psychedelic trip (O Ritual dos Sádicos) are somewhat funny but they are no visual wonder at all - people howling and squirming around, long dark corridors, lights blinking and suddenly we stumble on another of the lengthy speeches delivered by Zé do Caixão in which there will be reflections about life, death, the human vanity etc.. It may at fist seem funny, but as there are many of these speeches, as the time goes by the laughter will disappear and boredom take its place. Imagine a radio horror play illustrated by slide images and you won't be far from Zé do Caixãos films.

Zé do Caixão has good ideas and a very dramatic fantasy - his main problem it that he expresses his obsessions more by words than by images - his nightmare images are static. I think that in a film images and words should flow together - there should be something like a symphony.

All in all, I don't deny Zé do Caixãos imagination but (unlike, for instance, Dario Argento and Jean Rollin) he is not able to express fully the richness of his world visually and that is essential in a film.

I have been along time fan of Coffin Joe. I kept hearing about this film and finally go to see it on Channel Four a few years ago. Many say it is the best Coffin Joe film but I think maybe they are wrong.

Sure, it is great and different. Going down a different road than the first two. The idea is great and the short story's are funny and often disturbing. I love the soundtrack and the colour segment at the end in the LSD trip into the world of Coffin Joe.

I can see why it was banned at the time and it is still shocking today.

Not Coffin Joe's best but it is probably close...

It may take some finding but you should definitely hunt it out.