Espera la oscuridad

At first I thought this movie would only be mildly suspenseful, but how wrong I was. This is quite a clever movie. I was really amazed by the thorough attention that is given to even minor details. Everything in this movie just fits together perfectly....the pace, the setting, the overall mood, the way one thing leads to another....everything. The director of this movie did a great job. Of course, what would this movie be without the excellent performances given by its cast. Who would've known that Audrey Hepburn, one of the classiest ladies of the twentieth century, would be so appropriate for a thriller like this one. She plays a blind woman, and she is so right for this part. Her performance is remarkable....I cannot picture any other actress of the day in that role. Also, Alan Arkin is awesome, playing a psychotic killer. For the most part, this movie contains some shocking moments that will make you jump. Definitely wait until dark to see this movie....turn off all the lights and watch it after midnight if you can, for an even greater suspenseful effect.

Recently blinded woman is unwittingly in possession of a doll filled with drugs. A very mean narcotics dealer concocts an elaborate scheme to trick her into handing it over to him. A great psychological thriller with a twist- the audience knows exactly what's happening but gets to watch the heroine try to figure it out. There's almost no explicit violence in this movie, yet there's an underlying current of foreboding and suspense that literally permeates the entire film. You know something very bad is going to happen.Alan Arkin gives the performance of a lifetime as the cool, calm, collected psychopath who truly enjoys hurting people. And Audrey Hepburn is incredibly beautiful. You could pluck her out of this movie, clothes and all, and stick her in the toniest 90's club in New York and she'd still be the height of fashion.

There's a great `shocking' ending that really doesn't make much sense- but it's still a really good sixties movie.

In "Wait Until Dark", I really felt sorry for Audrey Hepburn's Susy Hendrix: blind, lied to by a 'nice' guy who is actually in cahoots with a murderer, sassed by the bespectacled neighbor girl, and then--after a hellish night spent being terrorized by thugs--husband Efrem Zimbalist Jr. walks in and doesn't even give her a hand. "I'm over here, Susy", he tells her, mildly condescending. Film is based on Frederick Knott's popular play, and has an elaborate but obtuse set-up involving a missing doll filled with heroin. There's a great deal of talk about where it is, who had it last, etc. The filmmakers bide their time before getting to the showdown between Hepburn and Alan Arkin, cool and collected as a self-assured psychopath. If you can make it through the first half-hour or so, you'll find that "Wait Until Dark" gets cooking thereafter. There are some terrific jolts, and Hepburn is a great, stubborn fighter. The frosty, subdued color photography is 'realistic' and very stylish, as is Henry Mancini's spooky music. The end-credits theme song (by Mancini, Jay Livingston and Ray Evans) seems a throwaway, but is nicely sung by the uncredited Sue Raney. *** from ****

Great little gem that -for the most part- stands the test of time very well!

Audrey Hepburn is cast beautifully as the blind woman victimized by three deviants. Alan Arkin is truly terrifying as the leader and his performance here ranks as one of the all-time-great screen villians.

Director Young handles the pace masterfully. No sequence really goes on longer than it should. Henry Mancini uses a nice, quiet score that creates appropriate tension as the film builds to its classic showdown.

My favorite thing about the film is, I think, the use of lighting in the final sequence. Charles Lang uses a creepy, dimly-glowing, red-orange light to illuminate the apartment after Suzie has smashed every other bulb. The effect has a shadowy, nightmarish quality and the scene looks like it was filmed yesterday.

When you think about David Fincher reworking the original concept here for PANIC ROOM, it really is a flattering comment to WAIT UNTIL DARK and its power in still being able to chill. It's also funny to think that with all that impressive photography and filmmaking, the film didn't have nearly half the tension of this 1967 classic.

The legendary Audrey Hepburn gives a stellar performance in WAIT UNTIL DARK. She's the seemingly vulnerable, yet strong and resourceful Suzy Hendrix. Suzy is blind, but she's also very smart. Finding herself inadvertently mixed up in a scheme involving narcotics and murder, she must use her wits in order to survive.

Led by the psychopathic mastermind, Roat (Alan Arkin), a trio of criminals attempt to gaslight Suzy because she has something in her apartment that they desperately desire. This is staged brilliantly, and Suzy gets caught up in the fake drama. That is, until she starts to smell a rat!

This is a tremendously suspenseful movie, filled with nail-biting sequences. Especially, the finale, when Suzy must face the full wrath of the unhinged Roat! Arkin deserves special mention for his portrayal of such a heartless, ruthless monster. He's not just creepy, he's terrifying! Richard Crenna and Jack Weston are also quite good as Roat's ill-fated cohorts, as is young Julie Herrod as the very helpful Gloria...