Luz de esperanzas

If there's any movie that one can automatically associate with Sandy Dennis, "Up the Down Staircase" is the one. True, she did win an Oscar for "Who's Afraid of Virginia Woolf?," but that was mainly a Richard Burton-Elizabeth Taylor movie. I saw this one night on television sometime after her death, and became a huge fan. Actually, I think I may have seen it several times or more before, and forgot about it. I fell for everybody involved, from the late Sandy Dennis, to Bel Kaufman, to Fred Karlin, who's musical score is one that I'm lucky to possess a copy of, and is long overdue to be re-released on Compact Disc. In addition, I also gained an appreciation for people like Jean Stapelton, and Sorrell Booke, who I previously couldn't think of as anyone else but Edith Bunker, and Boss Hogg, respectively. Patrick Bedford, however, sounded like he was trying to be the new Cary Grant. I was almost ready for him to shout out..."SYLVIA, SYLVIA, SYLVIA!!!" And how about the kids? None of them went on to fame and fortune, except for But Cort, who I still can't spot, but a few of them (Jeff Howard, Jose Rodriguez, Maria Landa, etc.,...) had roles as extras. It's also a shame that Lew Wallach, who played as Lou Martin was never on screen again. He was hilarious.

If you ever see a copy of this movie in a video store, pick it up. I did, and I'm glad.

Similar to "To Sir With Love", but well worth watching, a veritable symphony of characters. Each character is rather pathetic, but all of them together make something beautiful. What I particularly liked was its not wanting to prove anything, just telling a story about real people. And Sandy Dennis is her usual humane self. This intimate film has more glamor than flashier ones. It's the glamor of grittiness and real life.

This film, directed by Robert Mulligan (To Kill A Mockingbird, Love With A Proper Stranger), portrays an idealistic teacher with a masters degree, Sandy Dennis as Sylvia Barrett, who takes the plunge into the teaching world of a multicultural but disadvantaged New York neighbourhood. The school is named after Calvin Coolidge, an irony given the urban and cultural mix that was so far removed from the life of the Vermont-born, Republican President of the 1920's.

I like the polaroid colour of film for the opening street scene at the time (1967) when Miss Barrett emerges from a bus into the hazy neighbourhood overflowing with high school students, who would have been the early baby boomers of the period, although with far less privilege than most. We see one lonely student try to commit suicide; another who falls asleep in class because he spends his evenings working on cars, his first love; another who believes Miss Barrett's interest in after-school meetings is a come-on for time alone with him.

Her class does their best to unhinge the new teacher on the opening day but Miss Barrett is gifted with resilience and patience. We get to know the staff in the school with moments of comic relief, such as when the staff meeting shows the teachers grouching about issues ranging from whose drawer belongs to who and when the proposed $7 million school is going to be built, if ever.

Miss Barrett wants to make a difference for the students in her class. She knows that many of them have to climb a greasy pole to make a good life for themselves. She comes up against bureaucratic rules and teachers whose methods are more likely to reinforce the status quo. However, she is not one to shirk the challenge and one day, Miss Barrett tries to relate the world of Charles Dickens to their own and generates a tremendous enthusiasm that brings out an animated discussion about the Tale of Two Cities and "the best of times, the worst of times". Nevertheless, the litany of woes and misunderstandings that constantly undermine her idealism eventually cause her to face the reality of the decision to teach in an inner city neighbourhood.

Despite the drawbacks, she has tremendous support among the students, parents and staff. Sandy Dennis plays the part superbly and in the hands of a great director, we see a vivid portrait of an inner city school and a great teacher with ideals and spunk. To me, this movie is a classic, much under-rated in the history of American cinema.

Reminds me of the wonderful movie "To Sir, with Love" starring Sidney Poitier, which came out one year earlier in 1966. Both have an academic setting and emphasize reaching difficult young adults through intellect and respect. The direction and the script on this one is somewhat darker, and scenes are allowed to build up suspense with realistic danger that comes very close to the edge. The film explores the spectrum of student characters and the delicate balance a teacher has with both students and faculty. A very hard to find film, I've seen it only once just after midnight and commercial free on a highly rated classic movie channel, Turner Classic Movies. I highly recommend at least one viewing of this great drama.

I only saw about 3/4 of this on a boring Saturday afternoon on Channel 5 (not famed for the quality of the films it shows - more usually soft porn). As it was the only thing on telly worth watching (out of 144 channels - that figures) I decided to stick with it. I'm glad I did. It turned out to be quite entertaining. "Dangerous Minds" with Michelle Pfeiffer was on ITV the night before, and I don't mind telling you that I thought UtDS was the superior movie. The acting was good all round, and though some of the lines were a little bit cliched and very 60's, I thought it was OK.