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L'uomo, l'orgoglio, la vendetta

  • 1967
  • Not Rated
  • 1h 41min
CALIFICACIÓN DE IMDb
5.9/10
818
TU CALIFICACIÓN
Klaus Kinski, Tina Aumont, and Franco Nero in L'uomo, l'orgoglio, la vendetta (1967)
Del oeste (Western) a la italianaRomance trágicoAcciónDramaRomanceWestern

Agrega una trama en tu idiomaA stalwart Spanish soldier turns to a life of crime to prove his love for a mysterious and promiscuous gypsy woman.A stalwart Spanish soldier turns to a life of crime to prove his love for a mysterious and promiscuous gypsy woman.A stalwart Spanish soldier turns to a life of crime to prove his love for a mysterious and promiscuous gypsy woman.

  • Dirección
    • Luigi Bazzoni
  • Guionistas
    • Prosper Mérimée
    • Luigi Bazzoni
    • Suso Cecchi D'Amico
  • Elenco
    • Tina Aumont
    • Franco Nero
    • Klaus Kinski
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.9/10
    818
    TU CALIFICACIÓN
    • Dirección
      • Luigi Bazzoni
    • Guionistas
      • Prosper Mérimée
      • Luigi Bazzoni
      • Suso Cecchi D'Amico
    • Elenco
      • Tina Aumont
      • Franco Nero
      • Klaus Kinski
    • 12Opiniones de los usuarios
    • 33Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos121

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    + 115
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    Elenco principal20

    Editar
    Tina Aumont
    Tina Aumont
    • Carmen
    Franco Nero
    Franco Nero
    • Sergeant José
    Klaus Kinski
    Klaus Kinski
    • Garcia
    • (as Klaus Kinsky)
    Guido Lollobrigida
    • Dancairo
    • (as Lee Burton)
    Franco Ressel
    Franco Ressel
    • Lieutenant Pepe
    Karl Schönböck
    Karl Schönböck
    • English Diplomat
    Alberto Dell'Acqua
    • Remendado, Young Smuggler
    Marcella Valeri
    • Dorotea, Carmen's Landlady
    Maria Mizar
    • Maria, Carmen's Rival
    Mara Carisi
    • Nina, Tavern Keeper in Triana
    Nina De Padova
    • Factory Worker
    • (as Anna De Padova)
    Tino Boriani
    • Soldier Guido
    Giovanni Ivan Scratuglia
    • Soldier Arresting Carmen
    • (as Ivan Giovanni Scratuglia)
    Aldo Vasco
    • English Diplomat's Bodyguard
    Hans Albrecht
    • Miguel, Garcia's Companion
    • (sin créditos)
    Luisa De Padova
    • Street Girl
    • (sin créditos)
    Rex Gildo
    Rex Gildo
    • Soldier Arresting Carmen
    • (sin créditos)
    Alba Maiolini
    Alba Maiolini
    • Factory's Supervisor
    • (sin créditos)
    • Dirección
      • Luigi Bazzoni
    • Guionistas
      • Prosper Mérimée
      • Luigi Bazzoni
      • Suso Cecchi D'Amico
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios12

    5.9818
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    Opiniones destacadas

    9Delrvich

    A western noir

    An auto 9 for noir. A bit slow though and Klaus Kinski was in it.
    dwingrove

    A 'Spaghetti' Carmen!

    Scores of films have been inspired by Georges Bizet's opera Carmen, but here is one with a difference. The director Luigi Bazzoni (working with Italy's most illustrious script-writer, Suso Cecchi d'Amico) chose to ditch the opera, go back to Prosper Merimee's original novella - and shoot it in the style of a Spaghetti Western!

    Bazzoni's camerawork is more frenetic than inventive, and his film never quite works. Still, it does boast a wondrous cast. Franco Nero, blue eyes blazing in his dark-bronzed face, is the naive young soldier Jose. Klaus Kinski, teeth gnashing and lips curling in his usual manner, is the sadistic bandit Garcia. And lovely Tina Aumont enjoys a rare leading role as Carmen - the amoral and seductive gypsy who drags both men to their doom.

    Aumont may not be the world's greatest actress. (In fact, she can barely act at all!) But like her mother, Maria 'Cobra Woman' Montez, she seems to have the words FEMME FATALE emblazoned in bright scarlet letters across her forehead. Her enormous dark eyes are wells of untold depravity. Her pouting, voluptuous mouth would lure any man to his ruin. If you remember anything in this film, it will be her.
    RNQ

    A better version

    The reviews here can be modified by the Blu-ray version of 26 May 2015 by Blue Underground in the USA with the title "Man, Pride and Vengeance" that matches the original "L'uomo, l'orgoglio, la vendetta." The movie is clearly and credited as based on Prosper Mérimée's "Carmen." The second half of the movie is realized in the style of Italian Westerns, but to attach it to a Django would be to raise the actor, Franco Nero, above the plot.

    The box for the DVD does almost claim too much in saying that the film was "lensed" by Vittorio Storaro. He was the camera operator, and Camillo Bazzoni, brother of the director, was the cinematographer. There are lively travelling shots of running and horseback, lucid fight scenes, and desolate landscapes.

    A problem it seems to me is dewy teen-aged Tina Aumont as Carmen. The character is a woman who could have a Klaus Kinski type as a husband. Who could have played her? Sophia Loren? But her agent wouldn't have let her. Aumont's mother, Maria Montez? Vanessa Redgrave.
    4asandor

    A poor spaghetti Western with little to show for it

    I was excited to watch this film, a spaghetti western starring Franco Nero, of Django fame. However, this film had little to show for it. It is not a western in the usual sense, but takes place in Spain. It follows the exploits of a solider Hose, who is enthralled with a gypsy woman Carmen, and is led down an increasingly dark path, as he loses rank and privilege, and ends up joining a group of outlaws in the Spanish countryside. They begin to suspect each other of treachery however, and competition over Carmen leads them to conflict. Carmen herself is not always honest, and plays the men off of each other in order to survive.

    This movie is full of issues however. The story is weak and muddled. The romance that develops between Carmen and Hose is interesting, but transparent. There were many problems with the story and action that made the movie closer to unwatchable than enjoyable. The action is shot in the dark, and difficult or impossible to view properly. Hose's character is very shallow.

    However, there are some interesting points. As I said, the romance that develops between the two leads is interesting. Nero plays his part well, as do most of the actors/actresses. There were some interesting scenes and shots. Carmen's character is also complex and interesting. All in all, this is a bit of a mess. I would say this is a pretty safe "no" if you are looking for a good film. It isn't a complete waste of time however.
    9jspwordieitaly

    Exceptional - beyond a western's emotional range.

    Intriguing hybrid adventure, as much a ripping yarn as a western.

    Unredeemed human suffering, violence, lust and betrayal – this could be a spaghetti western inspired by Dostoevsky.

    In a recent interview, Franco Nero contrasted the Hollywood western hero with the Italian spaghetti western hero:– the former is indeed a hero, while the latter is more a 'son-of-a-bitch'. Yet Nero plays no such 'son-of-a-bitch' role in this film. Trauma and tragedy are his lot. Nero's attitude to the marketing fixation with the 'Django' name was simply – 'It's their problem'. He maintains that he only ever made one 'Django' film, and it certainly was not this one, so don't be taken in by the German title of 'Mit Django kam der Tod' ('With Django Came Death').

    It is hard to believe that such awesome landscapes exist within our very own EU (shot in Andalucia!). I particularly enjoyed the careful rationing of images of water, which contrasted so starkly with the bone-dry natural setting. The change of location from Spain to Mexico in the uncut German version gets away with murder. For example, one scene showing the longing for an escape from an outlaw's exile in the desert is expressed in some shot-reverse-shot images of a tortured gaze at flamingos taking off from a lake. The birds are fortunately native to both Spain and Mexico...

    Gypsies too are native to both – though our Carmen (i.e. Django's 'Conchita' in the uncut German) would be a rather Spanish-looking gypsy for Mexico, were it not for the black mourning clothes she wears in remembrance of her mother. The Italian-to-German dubbing has been done to a high standard – no mean feat considering that the names of characters and locations have also been altered in the German. Soldiers of the Spanish Bourbon regime must have had uniforms that almost pass for those of the US Civil War – or can some military history hack out there expose the shameless German tampering ...?

    Argumento

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    • Trivia
      Man, Pride and Vengeance (Italian: L'uomo, l'orgoglio, la vendetta (1967), German: Mit Django kam der Tod) is a 1967 Spaghetti Western film written and directed by Luigi Bazzoni and starring Franco Nero, Tina Aumont, and Klaus Kinski. It is a Western film adaptation of the novella Carmen by Prosper Mérimée, and is one of the few Westerns not only filmed, but also set in Europe.
    • Versiones alternativas
      The German version was cut to 91 minutes and calls the main characters Django and Conchita.
    • Conexiones
      Referenced in Kathenas me tin trella tou... (1980)

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    Preguntas Frecuentes14

    • How long is Man, Pride & Vengeance?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de diciembre de 1967 (Italia)
    • Países de origen
      • Italia
      • Alemania Occidental
    • Idioma
      • Italiano
    • También se conoce como
      • Man, Pride & Vengeance
    • Locaciones de filmación
      • Guadix, Granada, Andalucía, España
    • Productoras
      • Regalfilm
      • Fono Roma
      • Constantin Film
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 41min(101 min)
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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