Agrega una trama en tu idiomaPeter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music.Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music.Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music.
- Themselves
- (as The Pink Floyd)
- Self
- (sin créditos)
- Self (segment "It's All Pop Music")
- (sin créditos)
- Self
- (sin créditos)
- Self (segment "Movie Stars")
- (sin créditos)
- Self
- (voz)
- (sin créditos)
- Self (segment "It's All Pop Music")
- (sin créditos)
- Self
- (sin créditos)
- Self
- (sin créditos)
- Self (segment "As Scene from U.S.A.")
- (sin créditos)
Opiniones destacadas
On the plus side there's Julie Christie keeping it delightfully unreal and David Hockney ("what I find really sexy is footballers kicking their legs up in the air"). In between times there's a shaky home movie going on, purporting to be about the club scene. Strange, then, that the camera, which never lies, spends an inordinate amount of time being pointed at girl's legs. Pink Floyd's Interstellar Overdrive provides the aural backdrop while Eric Burdon and the Animals are shown recording When I was Young, but it's another song of theirs that this film may bring to mind: We Gotta Get Out of This Place.
You get to hear Allen Ginsburg recite poetry over images of the London night-life. You see John Lennon attending one of Yoko Ono's famous performance-art pieces, prior to them having met. You see Eric Burdon walking around. It's basically a slice-of-life in the heart of what's now called "the Swinging 60's". View it, if you can find it, for the history, if nothing else. For Floyd fans it's one of very few opportunities to see Syd Barret playing with the band, which is reason enough to seek it out.
¿Sabías que…?
- TriviaThe film is divided into 7 "Movements" followed by a "Happy End". The segments are called (1) Loss of Empire (2) Dolly Girls (3) Protest (4) It's All Pop Music (5) Movie Stars (6) Painting Pop; and (7) As Scene From the U.S.A.
- Citas
Herself (segment "Dollygirls"): [Edna O'Brien] You meet a boy now, or a man, and you don't really have to protest about your virginity. In fact, it will be a great disappointment to him if you say, you know, it's the first time, I mean he'll leave the room.
Herself (segment "Dollygirls"): The other thing that makes a woman free now is, I suppose, money. They have money and they can work so the dependence on a man isn't as great. But the thing that makes her very un-free and always will, I imagine, is although she has a sort of vagrant heart, a woman does tend to like being with one man even if it's only for three months. She's not as content, I think, going from bed to bed.
Herself (segment "Dollygirls"): You've always got decadent people but what is so strange now is that the most gifted, the most articulate and the most thinking, conscious people are decadent because of the time in history that they're alive in. And there's nothing else you can say to that unless you're God and if you're God you can say, "it's alright, I won't drop the bomb".
Herself (segment "Dollygirls"): I do. I believe in female promiscuity except that it happens a different way that a woman probably likes to shack up with a man for three months and then with another man whereas a man would like to shack up for an evening. And I think there's still this awful, and I wish we didn't have it, because it's such a handicap, this thing of, falling in love. You know, it's such a nuisance. And I think women, no man will agree to this but I'm sure it's true, women are more devoted and committed to the notion of falling in love and therefore they fall in love, than men are because it is the one territory of adventure that a woman has. She can't go across bloody Africa, or if she does she'll become pregnant or, or anyhow she can't. She just can't yet. And maybe never will.
- ConexionesEdited from Pink Floyd London '66-'67 (1967)
- Bandas sonorasInterstellar Overdrive
Written by: Pink Floyd, Syd Barrett, Nick Mason, Roger Waters & Richard Wright
Performed by Pink Floyd, Syd Barrett, Nick Mason, Roger Waters & Richard Wright
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- London, Frühjahr 67
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 10min(70 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1