They Came from Beyond Space

I think both the '50s and '60s were a golden age for Sci-Fi films and after Roswell, it seemed everyone was having a try at 'alien invasion' films. Okay, this film isn't going to set the World alight with its plot, acting, music, or anything else but it's still a delightful watch for fans of the genre, either as a nostalgic look back at Sixties Britain, or for those interested in the history of such films. Incidentally, being a big fan of TV and film from that time, probably as I grew up with it, I kept recognising classic sound effects, many of which probably also 'served' in other movies and ITC TV series of the time.

This movie is passable at best. It has an interesting plot: some aliens are trying to find a way to survive by building a base on earth. They are seen as hostile because, for heaven's sake they take over people's brains and use them to construct their stuff. A scientist who has had brain surgery and has a silver plate in his head, is immune to this. Later, a buddy of his puts a colander on his head with a silver plate and is able to infiltrate the "evil forces." Along the way, our hero, who suffered his initial brain damage in a car accident, drives around in a classic roadster (he must be trying not to be conspicuous) which he is always parking somewhere and setting the hand brake. He flies in the faces of the aliens who seem to tolerate him a lot more than they should. His girlfriend, who finished in third place in the Lucille Ball look-alike contest is a scientist who is carrying the soul of an alien around with her. There is so much coming and going, we never quite understand what the heck they're doing. Only that they seem to make frequent trips to the moon. The ending is full of emotion and good will and, yes, overacting. Captain Kirk would have been proud. Sometimes you see a film that has a good skeleton plot and with a few bucks and a little imagination, it could have been OK. What is lacks is the human element.

They Came from Beyond Space (1967)

* 1/2 (out of 4)

Amicus production has some meteors crashing in a field but when scientist goes to crack into them, an alien race starts taking over their minds. Soon everyone is under the spell of the aliens but thankfully one man (Robert Hutton) has some steel in his head, which keeps him from being infected. I love a lot of Amicus movies and I've often enjoyed their films more than their rival Hammer but there's not too much love that can be shown to this movie, which is pretty to look at but deadly dull in terms of entertainment. The biggest problem is that it appears Francis, usually a top-notch director, falls asleep at the wheel because the movie has a deadly slow pace that doesn't help anything. To make matters worse is the screenplay, which is full of one dialogue scene after another and nothing being said is all that intelligent. The movie moves way too slow to begin with so adding all this dialogue isn't going to help matters. Hutton sleepwalks through his role but to his credit he doesn't have much to work with. Jennifer Jayne isn't that memorable and Michael Gough appears bored out of his mind. The "Swingin' 60's" certainly lends its hand to the visuals of the film, which are quite colorful and nice to look at. The sets aren't that bad either but this doesn't save an otherwise boring film.

"It Came From Outer/Beyond Space" Could this be the Brits' version of a pretty cool old movie? Hmmmm. Similar story but nowhere near the level of "...Outer Space".

Now "...Beyond Space" isn't really that bad. I got a kick out of it. It reminded me a bit of the Quatermass movies with set styles along the lines of Dr. Who. It's a little disjointed from time to time, but the story was decent with plausible details and kept me interested. And generally the acting wasn't all that bad either. There is a little too much "spying" going on however. Every other scene has our hero peeping thru the bushes, following baddies, sneaking in and out of places, etc. Avengers style. Unfortunately, the ending was a little goofy too.

The effects weren't good, but certainly not as hokey as some I've seen. The rocketship actually looked like one, and the lift device was realistic too (except for the yellow & black striped paint job). Sets were fair (especially for low budget) and had little extra touches (like the automated robot rolling around). I bet the actors tripped more than once on that railroad track thing tho.

Had there been more money and time available, I think this could have been changed from "mediocre" to "brilliant." It seems the talent, plot, and expertise were there just waiting to be brought out.

For a sci-fi fan this should fulfill one of those "night owl" sessions when you just don't want to go to bed. Definitely not an addition to my coaster collection.

Extremely Underrated and Unfairly Criticized by quick Haters that consider this an Easy Target for Ridicule and let loose. Truth is the Movie is comparatively Slick, and has Gorgeous Colorful Sets. The Director Freddie Francis makes Every Shot Count.

There are Clever Angles and the Interesting Things going on. May be Inexpensive but is Impressive Nonetheless. The Look of the Film, especially the Interiors Remind of Mario Bava, extremely Sweetened. It has a Rich Sheen and is so Glossy it almost Slides Off the Screen.

The Story is a Familiar One leading to an awfully Saccharine and Disappointing Ending, but again, the Sets are a Wow. The Costumes and Props used throughout are sometimes Silly, Yes, but Not Without a Certain Goofy Charm. The Fight Scenes, and there are a Few, seem Out of Place but are Stunt Worthy and Visceral.

The Movie's biggest and Glaring Downer is the Terrible Music and is the Kind of Thing that Elevators made Famous and is a Square Version of Trendy Hip.

Overall, Recommended for Fans of Eye Candy and a Love for Big Ideas on a Small Budget and some Pros Behind the Camera that Make it all Work.