CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA man faces a trial for murder. The court is biased because of his personal qualities.A man faces a trial for murder. The court is biased because of his personal qualities.A man faces a trial for murder. The court is biased because of his personal qualities.
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- 4 nominaciones en total
Jean-Pierre Zola
- Employer
- (as Jean Pierre Zola)
Argumento
¿Sabías que…?
- TriviaTwenty years before Visconti's adaptation, while Camus was still alive, the novelist had been approached with the idea of making The Stranger as a film by director Jean Renoir.
- Créditos curiososThe restoration of the film was carried out by: the National Film School - National Film Library, as part of the 'Visconti Project' in collaboration with Cinecitta Holding International Picture Investment Limited. The work was carried out in the spring & summer 1999, at the Technicolor Laboratory in Rome, under the supervision of Giuseppe Rotunno.
- ConexionesReferenced in Costumes from the Films of Visconti (1978)
Opinión destacada
Visconti brings to life the Camus novel with the minimum of dialog and surreal visuals.
Algiers sweats. The sun's glare beats down and doesn't let up--right up to the courtroom scene where one watches a dazed Mastroianni in the foreground while the fans of the jury members move in constant motion in a soft-focus background. Much of the film has a dreamlike feel that fuses with the existential blankness felt by Mastroianni's character.
I recall this film playing frequently in San Francisco at the Times Theater back in the early stoner 70's. And with the 70's, this film has all but disappeared. One only hopes that all of Visconti's films will someday make it to DVD--but especially The Stranger!
Algiers sweats. The sun's glare beats down and doesn't let up--right up to the courtroom scene where one watches a dazed Mastroianni in the foreground while the fans of the jury members move in constant motion in a soft-focus background. Much of the film has a dreamlike feel that fuses with the existential blankness felt by Mastroianni's character.
I recall this film playing frequently in San Francisco at the Times Theater back in the early stoner 70's. And with the 70's, this film has all but disappeared. One only hopes that all of Visconti's films will someday make it to DVD--but especially The Stranger!
- ted-129
- 27 ago 2006
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- How long is The Stranger?Con tecnología de Alexa
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- The Stranger
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By what name was El extranjero (1967) officially released in Canada in English?
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