CALIFICACIÓN DE IMDb
5.8/10
2 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA series of horrific murders is traced to a creature that inhabits a very strange house.A series of horrific murders is traced to a creature that inhabits a very strange house.A series of horrific murders is traced to a creature that inhabits a very strange house.
- Dirección
- Guionistas
- Elenco
Cliff Diggins
- Gang Member
- (as Clifford Diggins)
Ingrid Bower
- Village Girl
- (sin créditos)
Opiniones destacadas
weird hearing Sutherland's voice coming out of Zebulon odd casting two Brits in film as well as location Australian, Americans double for Young how'd she get bra back on? cool ending with aunt and 'thing' "The Shuttered Room" is a very good horror movie. It's consistently creepy and offered a few surprises.
The film is difficult to place. While some of the cast are Americans and the countryside looks a bit American (especially with the American car which is prominently seen throughout the film). But, the film also features some Brits and at least on Aussie--giving the film a rather strange pedigree. But, this is a minor concern.
"The Shuttered Room" begins in the past. Some weird creature is living in a house and has escaped--and Dad rushes off to return it to its attic lair. Now the film jumps ahead about 20 years. The young child in the beginning of the film has grown (now played by Carol Lynley) and has returned to this weird village after having been removed and raised in New York soon after the initial scene. She has now returned with her husband (Gig Young) to reclaim her home--one that apparently has sat gathering dust during this intervening period. But the family matriarch (Flora Robson) warns them not to enter the home...it's cursed! While you know that they will eventually move in to the home, in the meantime another evil force is afoot. The lady's cousin (Oliver Reed) is a bit of a sociopath and he and his friends seem bent on rape and/or murder--all for 'kicks'! So who should the couple fear--the cousin, the 'thing that is in the attic' or both?
Overall, the film does a great job of setting a creepy mood and providing lots of terror for the couple. The acting isn't bad, though the idea of Young playing an action hero seemed a bit silly--as did the bad use of a double in his fight scenes (it's so obviously NOT him). Howver, the good easily outweighs the bad and it's well worth your time if you like creepy movies...and I do.
By the way, early in the film it was rather disconcerting to hear Zebulon speak, as it clearly was NOT his voice but Donald Sutherland's! I am not sure why they had him dub this man, but he is listed in the IMDb credits for this.
The film is difficult to place. While some of the cast are Americans and the countryside looks a bit American (especially with the American car which is prominently seen throughout the film). But, the film also features some Brits and at least on Aussie--giving the film a rather strange pedigree. But, this is a minor concern.
"The Shuttered Room" begins in the past. Some weird creature is living in a house and has escaped--and Dad rushes off to return it to its attic lair. Now the film jumps ahead about 20 years. The young child in the beginning of the film has grown (now played by Carol Lynley) and has returned to this weird village after having been removed and raised in New York soon after the initial scene. She has now returned with her husband (Gig Young) to reclaim her home--one that apparently has sat gathering dust during this intervening period. But the family matriarch (Flora Robson) warns them not to enter the home...it's cursed! While you know that they will eventually move in to the home, in the meantime another evil force is afoot. The lady's cousin (Oliver Reed) is a bit of a sociopath and he and his friends seem bent on rape and/or murder--all for 'kicks'! So who should the couple fear--the cousin, the 'thing that is in the attic' or both?
Overall, the film does a great job of setting a creepy mood and providing lots of terror for the couple. The acting isn't bad, though the idea of Young playing an action hero seemed a bit silly--as did the bad use of a double in his fight scenes (it's so obviously NOT him). Howver, the good easily outweighs the bad and it's well worth your time if you like creepy movies...and I do.
By the way, early in the film it was rather disconcerting to hear Zebulon speak, as it clearly was NOT his voice but Donald Sutherland's! I am not sure why they had him dub this man, but he is listed in the IMDb credits for this.
Outstanding and seemingly ignored horror film, based on a Lovecraft story. The creepy, intense POV shots (with accompanying weird background noises) predate Black Christmas by some five years. Also, "Shuttered Room" was almost certainly a big influence on "Straw Dogs"- a bizarre link to draw I know, but trust me, it is there. Although the film does have flaws (such as Reed's dodgy US accent, and the unintentionally hilarious karate-chopping husband), the compelling direction more than compensates. A real quality genre film.
Carol Lynley as a woman who returns to her childhood home on the British isles with her American husband in tow and is perplexed by the mysterious presence residing there. Screen-treatment of an H.P. Lovecraft story has too many sordid supporting characters, the heavy threat of rape, and an idiotic action sequence wherein hubby Gig Young takes down a few of the local toughs. Still, it offers a few suspenseful scenes, interesting parallels to the later "Straw Dogs", and a fine cast. Oliver Reed, sweaty and indecipherable as the most obnoxious of the villains, must've been heartsick at playing this same role again and again (he's offered no new opportunity to stretch), but Lynley and fatherly Young have a nice rapport. Overall, it's rather a lackluster thriller jazzed up with artistic cinematography and an overripe score, but the location shooting on the Norfolk Coast is good and the wrap-up satisfying. **1/2 from ****
I mirror the comments of the plethora of those before me. Saw this as a 9-year-old on the telly and it stayed with me for a long time. The suffocatingly Gothic overtones, lovingly twisted POV camera-work, evocative jazz score and wonderfully creepy, dilapidated locations still spiral through my brain from time to time. Perhaps most memorable are Oliver Reed's warped, leering eyes staring at a helpless Carol Lynley through the dollhouse window, which has to be one of the more simultaneously terrifying and arty shots from any horror movie of the past 30 years.
This is a flick where the sum of the parts may not quite match the individual moments, but what a bunch of moments they are. The extended cat and mouse stalking of Lynley, the bizarre and frightening secret in the basement, Gig Young and Oliver Reed's spot-on hammy genre acting, the moody cinematography; it all adds up to a movie any fan of Gothic or horror will definitely want to check out. Surprisingly tense and graphic given the era; easily one of the more suggestively violent movies I ever saw on local channels during daylight hours in the 1970s, and considerably more graphic than PSYCHO but clearly owing a debt to it. Quintessential movie for Oliver Reed and Carol Lynley fans; among their best, most interesting work on celluloid.
This is a flick where the sum of the parts may not quite match the individual moments, but what a bunch of moments they are. The extended cat and mouse stalking of Lynley, the bizarre and frightening secret in the basement, Gig Young and Oliver Reed's spot-on hammy genre acting, the moody cinematography; it all adds up to a movie any fan of Gothic or horror will definitely want to check out. Surprisingly tense and graphic given the era; easily one of the more suggestively violent movies I ever saw on local channels during daylight hours in the 1970s, and considerably more graphic than PSYCHO but clearly owing a debt to it. Quintessential movie for Oliver Reed and Carol Lynley fans; among their best, most interesting work on celluloid.
Even though I was tremendously looking forward to "The Shuttered Room", for a variety of reasons, it pains me to say the film never at one point surpasses the level of mediocrity.
Here are a few reasons why I eagerly anticipated the film: #1 - the source material. The script is adapted from a short story by none other than H. P. Lovecraft. He's one of the greatest authors who ever lived, and his bleak tales always guarantee horrifying denouements. #2 - The cast. Next to the unearthly beautiful Carol Lynley ("Bunny Lake is Missing", "The Poseidon Adventure") and the reliable veteran Flora Robson ("The Sea Hawk", "Wuthering Heights"), the film stars the downright brilliant Oliver Reed in the role that suits him best, namely the brutal and perverted village thug. #3 - the location and set pieces. Although filmed in England, "The Shuttered Room" takes place in New England (= Lovecraft Country), more particularly on a remote little island community. And you know, in horror movies, small islands and their inhabitants are always ominous!
As you see, all the ingredients for a splendid horror-cocktail are there, but regrettably the script is severely lacking. Lovecraft's "The Shuttered Room" is a SHORT story, and maybe that's what went wrong here. Quite obviously, there is something evil in the attic of the old mill, which links back to the childhood trauma of Susanna Whately and the family curse auntie Agatha keeps raving about, but the script prefers to conceal this vital aspect until the climax. Instead, it's a sort of "Straw Dogs" with Lynley and her elderly husband (Gig Young) being pursued and terrorized by the village yokels led by Oliver Reed. Interestingly, "Straw Dogs" only came out four years later and became a massive cult hit. And besides, even when "The Shuttered Room" reaches its long-overdue finale, it's still a massive letdown.
Here are a few reasons why I eagerly anticipated the film: #1 - the source material. The script is adapted from a short story by none other than H. P. Lovecraft. He's one of the greatest authors who ever lived, and his bleak tales always guarantee horrifying denouements. #2 - The cast. Next to the unearthly beautiful Carol Lynley ("Bunny Lake is Missing", "The Poseidon Adventure") and the reliable veteran Flora Robson ("The Sea Hawk", "Wuthering Heights"), the film stars the downright brilliant Oliver Reed in the role that suits him best, namely the brutal and perverted village thug. #3 - the location and set pieces. Although filmed in England, "The Shuttered Room" takes place in New England (= Lovecraft Country), more particularly on a remote little island community. And you know, in horror movies, small islands and their inhabitants are always ominous!
As you see, all the ingredients for a splendid horror-cocktail are there, but regrettably the script is severely lacking. Lovecraft's "The Shuttered Room" is a SHORT story, and maybe that's what went wrong here. Quite obviously, there is something evil in the attic of the old mill, which links back to the childhood trauma of Susanna Whately and the family curse auntie Agatha keeps raving about, but the script prefers to conceal this vital aspect until the climax. Instead, it's a sort of "Straw Dogs" with Lynley and her elderly husband (Gig Young) being pursued and terrorized by the village yokels led by Oliver Reed. Interestingly, "Straw Dogs" only came out four years later and became a massive cult hit. And besides, even when "The Shuttered Room" reaches its long-overdue finale, it's still a massive letdown.
¿Sabías que…?
- TriviaThe burning of the old mill at the end of this movie was done for real. The mill was an ancient landmark in the area which the movie company purchased specifically for the purpose of destroying it by fire. Although the mill had long fallen into disuse, local people strongly protested this action, as did journalists, but to no avail.
- ErroresThroughout the movie the two rear windows of the Thunderbird are alternately up or down. This happens often in the same scene. It is first noticeable as they back off the ferry. As they back up, the passenger side rear window is up and the driver's is down. But as they as turning around upon leaving the ferry, the driver's side rear window is up and the passenger's is down. This becomes very noticeable throughout the film.
- Citas
Aunt Agatha: There's no hope for Susannah if she spends even one night in that house.
Mike Kelton: Do I um, detect a threat there somewhere?
- ConexionesFeatured in Trailer Trauma 2: Drive-In Monsterama (2016)
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