Scusi, lei è favorevole o contrario?

1966
2h 9min

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Anita Ekberg and Alberto Sordi in Scusi, lei è favorevole o contrario? (1966)

Agrega una trama en tu idiomaSuccessful 50-year-old entrepreneur Tullio Conforti, opposed to divorce for religious reasons, is in fact separated from his wife and leads a frenetic life divided among numerous lovers.Successful 50-year-old entrepreneur Tullio Conforti, opposed to divorce for religious reasons, is in fact separated from his wife and leads a frenetic life divided among numerous lovers.Successful 50-year-old entrepreneur Tullio Conforti, opposed to divorce for religious reasons, is in fact separated from his wife and leads a frenetic life divided among numerous lovers.

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5.8/10

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Fotos5

Elenco principal40

Editar

Alberto Sordi

Tullio Conforti

Anita Ekberg

Olga, la baronessa

Bibi Andersson

Ingrid
(as Bibi Anderson)

Tina Aumont

Romina
(as Tina Marquand)

Paola Pitagora

Valeria Conforti

Franca Marzi

Camilla

Mario Pisu

Barone Renato Santambrogio

Caterina Boratto

Agnese Frustalupi

Nino Besozzi

Camillo Tasca

Maria Cumani Quasimodo

Baronessa Cornianu
(as Maria Quasimodo)

Eugene Walter

Igor

Anna Mazzanti

Esperia

Angela Mazzanti

Carmen

Karin Skarreso

Ennio Balbo

Commissario Lobello

Leontine Snell

Commessa Monti
(as Leontine Snel)

Marco Tulli

Prof. Cipriani

Wendy D'Olive

French Call-Girl
(as Wendy d'Olive)

Opiniones de usuarios1

5.8264

Opiniones destacadas

6paolobona

A movie about the italian way to divorce

In the 1960s a law introducing divorce in Italy was strongly opposed by the Church and Italians were divided between "favorevoli" (in favour of divorce) and "contrari" (opposers). In this "Scusi lei e' favorevole o contrario?" Alberto Sordi plays his usual role of the little italian rascal: he makes business with the clergy, proclaims himself a 100% Roman Catholic and a strong opposer of divorce, but has a really peculiar private life, living separated from his wife (Giulietta Masina) and playing the whole week with six girl-friends, one for day; and only on Sunday he finally takes a rest...

It's really difficult to call this a masterpiece; Sordi is good as usual, but nothing different from usual; and 35 years after, almost everything seems dated in this movie.