Le petit baigneur

Saw this movie many times in my childhood. Always a pleasure to see it once in a while.

Castagnier, a sailboat designer, wins the San Remo boat race with a revolutionary model. However, his boss, Fourchaume, a rather irate man more focused on money than awards, fires him for negligence about a poorly built yacht. However, the Italian San Remo boat-race organizer came to tell Fourchaume that the boat won and wanted copies to be built. It's now up to him to go to the Castagnier's seaside village and convince to come back, but with a master plan to take all advantage of the situation.

Lots of in-jokes (among one, the Castagniers are all redheads, even the priest), gags aplenty (the guy in the floating back-house, the walk up a tall lighthouse, the church which is crumbling, etc...), and Louis De Funes performance as Fourchaume are the must to see in this movie.

Robert Dhéry takes top billing for starring, directing and writing, but Louis De Funes takes the show here...

Louis de Funès is so funny. A lot of his movie would be plain bad if he wasn't the main actor. He's so good playing the avaricious industrial, just like in "Les Aventures de Rabbi Jacob". "Le Petit baigneur" is not as good, though, as "Rabbi Jacob". It's funny but some scenes drag on and no (ex. the church who's crumbling apart or the tractor scene). But still a pleasant 90 minutes.

Out of 100, I give it 72. That's good for ** out of ****.

Seen at home, in Toronto, on November 25th, 2002.

Once upon a time, long before the raise of lousy actors such Christian Clavier and his VISITEURS crap, where you need some help to know when to laugh, there were excellent movies, with Louis De Funès for instance, really funy, full of gags and also chiseled by terrific dialogues and over the top acting. I am not fond of comedies, especially Frenchie ones, so corny, for only concerning fifties and early sixties, starring the likes of Darry Cowl and directed by such film makers as Raoul André, Andre Berthomieu, Jean Boyer, Jack Pinoteau...But directors such Robert Lamoureux, Jean Girault, Yves Robert or Robert Dhéry, especially starring Louis de Funès, that's another matter. Here, De Funès is the master of ceremony; without him Robert Dhéry would certainly have failed. But who cares, just enjoy and laugh. You'll know when to laugh, unlike LES VISITEURS.

Unlike Paris tag-line, this movie is sometimes like the Titanic: it floats and sinks. In other words, the movie has very good moments but also very, long and dull parts: the long endless ships race at the beginning, the carnage of the tractor and the chase of the floating toilets. Outside those moments, the movie is really funny: Fufu is the typical Fufu, embodying a mean, cupid and rich boss. His talent is to find spots to have fun with such mean person and almost make him likable and human! Around him, he finds a strange read-head family. All this happens a long time ago in France and in the country, so you can have a nostalgic travel into time as well.

It took me years and years (and also some of my wife's persistence) to finally appreciate this movie for what it really is: an almost completely absurd, disjointed and surrealistic comedy, owing a lot to Jacques Tati ("Mon Oncle") and perhaps also to some Laurel & Hardy entries. I am thinking here of those Stan Laurel gags which defy logic, cinematographic or otherwise, which style I recognize here in scenes such as the hysterical one where De Funès "air-plays" some violin bit, which logically only the viewer can hear the in-sync sound of in the soundtrack, then accuses his wife of having actually played this music instead of him, since such things run in HER family… I think that viewers who cannot get or appreciate this kind of humor miss the point with this film because it relies a lot on such absurdity. And it is this absurdity which sets it apart uniquely in the De Funès filmography of this specific era.

The direction and editing superbly serve this style of screenplay – see the scene where De Funès destroys his boats in a tantrum and how he interacts with objects which do not appear to be controlled by any off-camera prop men… just by the laws of gravity and the like! The boat chase at the end is also a nice, pleasantly rural/natural relief from the traditional car, plane or chopper chases in some of those other De Funès films, and I love how the gags with the wakes and waves are built and shot!