Todas las noches a las 9

OUR MOTHER'S HOUSE is one weird psychological ride. Here we have a family living in a gloomy Victorian house with a reclusive, Bible-thumping invalid mother--surely fertile ground for insanity or incest or both. However, what we have is a painful portrait of adolescence in the older children and the horrors of navigating through an adult world. Left to their own devices after the mother's untimely death, the children do their best to survive, being molded by the mother's unstable religious ramblings. However, things take a turn for the worst when the absentee father arrives, shattering some illusions crucial to the little family's identity. . .

I've never seen anything like this film(the recent film THE CEMENT GARDEN comes to mind, but that film takes an entirely different direction with an incest theme), one in which children literally elevate their mother to the status of religious icon. This situation is simultaneously chilling and pathetic. This one is for people who enjoy character-driven psychological dramas.

I can recall this film being made. I was 10 at the time and lived near by. My mum took me to watch the filming. Dirk Bogart was a very big star at the time and a small crowd of young mums would stand outside hopping to catch a glimpse. It was this movie that introduced me to the cinema.

The actual house that was used for the outside shots was in Chichester Road. Opposite the junction with Chepstow Rise. I believe that the sign of Chepstow Rise appears in the film. The house has long since been pulled down and replaced by flats, part of the Park Hill Estate built by Wates. Towards the end of the film a scene is shot in West Croydon. Still a great Film and worth a watch. The film is very sad in places and shows loyalty from the kids, Similar in some ways to Lord of the Flys. Dirk Bogart plays his part brilliantly as he did in all of his pictures.

Very spooky and genuinely disturbing film, that completely avoids all the stereotypical "shock values" in favor of a purely psychological chiller that relies on its script and actors to get over instead. Of particular note are the children in this film, all of whom lack the pre-groomed and pre-prepared feel of some child actors and instead give a superbly realistic performance. Dirk Bogarde is surprisingly good in his role as a gold-digger, and his unforced interaction with the kids only adds more depth.

Another of this movies strong points is that it provokes thought more from insinuation than actions, leaving a lot open to the interpretation of the viewer. Different people will see different "things" when viewing this! Highly Recommended old classic that deserves a viewing.

I saw this about 14 years ago in a stroke of luck ( a local TV station had picked up a print, and my mother, suspense thriller buff that she is, decided to tape it), and the film has stuck with me ever since. It's not your typical horror film, and has more of a tragic element which was so very common to films of the genre in this particular era. The dark and dirty imagery only serves to enhance the premise, and the shrine the Hook children build to their mother is downright creepy. The children do a very decent job of portraying children ( something that is increasingly rare these days) and Dirk Bogarde does a fantastic job of portraying their scumbag father. And to boot, we've got a heavy incest theme going on. If you can get a hold of this one, go for it: it's very much of its time, but the opportunity is well worth any trouble.

Seriously, how stupefying can one motion picture be? That's what I kept wondering throughout "Our Mother's House", or at least during the largest part of it. This is a film like you seldomly encounter them, with a plot that is completely original and unseen, at atmosphere that is unsettling from start to finish, characters AND acting performances that are 100% pure and natural and - perhaps most important of all - a story that never at one point becomes predictable or soft. Although a lot less known, "Our Mother's House" might even be more powerful than Clayton's other acclaimed genre milestone "The Innocents". But simply labeling this film as a horror story wouldn't do it any justice. Even though disturbing and utterly bleak, this is more of a harrowing drama. The plot, adapted from a novel by Julian Gloag, is as simple as it is genius: seven siblings live with their bed-ridden mother in a big house and the oldest two, Elsa and Hubert, take care of all the daily chores. But when mother dies, the fear of becoming separated and ending up at an orphanage drives the children to keep mother's dead secret and even bury her body in the garden. Of course, there arise some difficulties, like how to cash in the monthly allowance money or how to get rid of the irritating governess Mrs. Quayle, but overall, they manage just fine. After all, they can always ask for mother's advice during their daily seances. But then their alleged father Charlie Hook shows up. Most of the children now seem to feel like they form a real family again, with Charlie to protect them, but the oldest daughter Elsa remains very skeptical and openly questions Charlie's honesty. Personally, I liked the film much better before Charlie (Dirk Bogarde) entered the scene, but admittedly his role is very difficult, courageous and challenging. "Our Mother's House" is fully of uncanny highlights, notably the so-called "Mother Time" gatherings in the garden shed and the suffering of poor little Gerty when she gets punished for talking to a stranger. The titular house is a wondrously grim setting and Clayton masterfully maintains a slow yet atmospheric pacing with beautiful photography and bone-chilling music. It's a tremendously underrated British cult-classic that deserves to be seen by wider audiences!

Sinister trivia detail: Annette Carell, the actress who briefly appears as Mother, really died in the same year when the film was released. In 1967, she committed suicide at the young age of 38.