Agrega una trama en tu idiomaIn 1920 an archaeological expedition discovers the tomb of an ancient Egyptian child prince. Returning home with their discovery, the expedition members soon find themselves being killed off... Leer todoIn 1920 an archaeological expedition discovers the tomb of an ancient Egyptian child prince. Returning home with their discovery, the expedition members soon find themselves being killed off by a mummy, which can be revived by reading the words off the prince's burial shroud.In 1920 an archaeological expedition discovers the tomb of an ancient Egyptian child prince. Returning home with their discovery, the expedition members soon find themselves being killed off by a mummy, which can be revived by reading the words off the prince's burial shroud.
- Sir Basil Walden
- (as Andre Morell)
- Claire
- (as Maggie Kimberley)
- Arab Cleaner
- (sin créditos)
- Reporter
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Now for the stuff that matters. The story is well-constructed. Of course, it's about a mummy who comes to life and goes on a vengeful rampage to kill off all the cursed people who entered his tomb and placed him in a museum. But the little catch is, it's actually a shroud that causes the shrieks and slaughter, for he who has it, holds the power to resurrect the mummy. Knowing this, it's up to the archaeologists and the local police detective to figure out who exactly wants the members of the expedition dead. Sadly, the mystery isn't there, since the plot really serves up only one possible suspect. But still, nothing to nag about, because there still is the main attraction: The murderous mummy. The first time he comes to life features a memorable close-up shot of his face. The special effects shot where he opens his dusty & crusty eyelids ('animatronics' avant là lettre) is effectively creepy. I even re-wound that bit, because at first I wasn't quite sure what I was looking at, until they started to move. The mummy's got strength and he's a real stalker, shuffling his way through the streets at night into buildings and bedrooms. The kills are nicely staged, and my favorite one involves a jar of acid and a fire. Don't expect anything too graphic though. It might be a Hammer movie, but after all it was still the sixties. There's a decent, short but satisfying climax in the museum too. It shows us that a mummy's shoulder is firm soil to plant an axe into, although it's not likely to stop him.
One more thing that made this movie worthwhile watching too. An actress. Maggie Kimberly. I just can't quite put it into words... At first you don't particularly notice her. She's just part of the expedition. But the more screen time she gets in different scenes, the more she just demands your attention. She just had a mesmerizing look to her beauty. The more I saw her, the more I wanted to see of her. She has gorgeous blond hair, always tied together. And at one point I was wishing her to finally let her hair down, for it to engulf her shoulders... And then wham! The last scenes has her with her hair down. Ravishing! I just love it when a girl grants my wish. Even in a movie. Anyway, I'm going way off topic here. But whatever happened to her as an actress? She only did three movies and a TV episode. Strange...
Oh well. Bottom line: So far I've never seen a Hammer movie that disappointed me. THE MUMMY'S SHROUD might maybe not make it to the 'Best Of Hammer' list, but it sure is a fun watch.
Mezzera, Egypt, 1920, and an expedition to find the tomb of Pharaoh Kah-to-Bey gets more than they bargained for when they unearth a shroud adorned with the ancient writings of life and death...
The third instalment of Hammer Films forays into Mumified based Egyptology, The Mummy's Shroud follows the standard formula but never the less entertains in undemanding fashion. Released as the support feature to Frankenstein Created Woman (not Frankenstein Must Be Destroyed as listed in some quarters since that was two years later), it's nicely photographed, stoically performed by the cast (especially by Hammer hero Ripper who gets a meaty role) and is pacey enough to uphold the interest. The violence aspects are strongly constructed, but kept mostly in suggestive terms as per visual enticements, and how nice to see the lead ladies here be more than token cleavage.
This was the last Hammer feature to be made at Bray Studios, so it has some poignant significance in the history of Hammer Films. It's not a great send off for Bray, but it's unmistakably one of those Hammer Horror films that fans of the studio's output can easily spend the evening with and not feel it has been time wasted. 6.5/10
With no star power, a weak looking mummy and exactly the same plot as before it really is a weak link.
Stop me if you've heard this one. A group go on an excavation, uncover a tomb but find themselves besieged by a mummy and get picked off one by one.
This time however at least there is no reincarnated love interest for how horny bandage wearer!
Dull, lifeless, with few characters worth a damn and a script that feels highly recycled. Maybe I'm burning myself out watching all of these back to back, but this failed to entertain on any level.
The Good:
Interesting finale......kinda of
The Bad:
Worst looking mummy yet
Very dull
No originality
Things I Learnt From This Movie:
Wine does not go in the ear
All Egyptians have bad teeth
¿Sabías que…?
- TriviaEddie Powell, who plays the mummy in this film, was a stuntman in future films often doubling Christopher Lee as Dracula.
- ErroresThe desert scene in the prologue was clearly shot in a quarry of some sort. Amusingly enough, thousands of years later, the same quarry represented the same desert with no change in the piles of sand. An amazing coincidence since the area had just been struck by a massive sandstorm.
- Citas
Claire de Sangre: You mean I'm going to die?
Haiti: Hee hee, in a few minutes from now, ha ha!
- Versiones alternativasWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'X' rating. All cuts were waived in 1995 when released on home video with a 'PG' certificate under the Lumiere Pictures label and all subsequent releases have been certificated 'PG' on their website since 2003.
- ConexionesEdited into Tela Class: Uma Obra do Barulho (2007)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Mummy's Shroud
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- Tiempo de ejecución1 hora 30 minutos
- Relación de aspecto
- 1.66 : 1