Mouchette

After I watched Bresson's "Au Hasard Balthazar" a few years ago, I was advised by a friend to watch "Mouchette" next. I told him I wasn't particularly struck by the character development and the portrayal of humans and emotions in the former, and learned that I had the exact same problems with the latter.

The girl is amazing. Her justified rebellious behavior and her unique and authentic appearance really shine in this movie. Also, the photography in the film is very well done, as I would have dared to expect from Bresson. Technically, this movie certainly is very good.

However, the way people interact in this movie often doesn't make sense to me. And I know movies aren't obligated to be realistic, but this movie certainly has a lot of ingredients on board to make you believe it's trying to be realistic. It's not an absurd or surrealistic film where you won't have to expect to be able to completely understand emotions and social situations. The consequence is - to me at least - that my compassion doesn't know how to handle the situation. First something sad happens, and I get moved, but then there's weird silences or poetic expressions (not necessarily verbal) which don't fit the realistic context and interrupt the immersion if you ask me.

Another friend of mine with whom I discussed this topic mentioned a good point however: perhaps you should let go of the expectation to be moved emotionally. Doesn't the movie just try to display the story, possibly telling you to accept life for what it is without necessarily trying to move you? Well observed, it's possible. I still believe the movie could benefit strongly if it was more emotionally involving though.

I have had this discussion with a lot of people about several movies, and it seems nobody either understands or agrees with me on this subject. Therefore, I'm even more aware of how subjective this point of view is. Obviously, this movie isn't a classic for no reason and I'm sure it has plenty of qualities that let people appreciate it so much. Not entirely my cup of tea though.

Until now Robert Bresson has been one of those classic directors who have failed to connect with me. With Au Hasard Balthazar and Pickpocket, I've found his style over-simplified, bland and plodding. While Balthazar didn't work for me at all, Pickpocket had moments where it showed potential but then it was quickly squandered and taken in a different direction. Here with Mouchette, his style is finally working. It's a film utterly drenched in sorrow and pain. Through the protagonists' squirming and rebelling from her struggles, her actions are a catharsis from the frustrations of life and when she's punished for them, it digs deep. Although the storytelling techniques are similar to the films I didn't care much for, what elevates Mouchette is the passionate performances and the crisp photography. While I do regret that it's so brief, Mouchette is a brilliant portrayal of a truly tragic figure that faces the hardships and inevitable moral dilemmas of life. I'm very glad Bresson has warmed up to me as he's got many films I'm really looking forward to, such as A Man Escaped and Lancelot du Lac.

8/10

My Rating : 9/10

Bresson is heralded as an important filmmaker in world cinema. I absolutely love 'Mouchette' and it is a masterpiece of world cinema. It was on Tarkovsky's top 10 films list he made for Sight & Sound.

Bresson's other famous film Au Hasard Balthasar and Mouchette have common themes of abuse and negligence of the main characters. This film has the formal inevitability of tragedy, and is soaked through with a species of lyrical, desperate sadness. This quality, and the compelling aesthetic seriousness with which Bresson addresses his themes of suffering, compassion and the rural poor, are very remarkable indeed. Mouchette is a visionary, poetic film, fraught with elusive, unsettling meanings: a classic cinematic text.

... all suffered by a young girl and presented through the unique lens of Robert Bresson. A timeless story that could be replicated the world over today sadly, either we don't learn or we don't care and while that's the case, the Mouchettes of this world will be forever pulled under.

Sublime film from Robert Bresson!

Actually it was my first encounter with Bresson's work, five or six weeks ago. I was so eager to see it...Bresson's films ("Mouchette" and "Au hasard Balthazar") haven't disappointed me- to see the least!

"Mouchette" is such a pure film, so sublime. So powerful. When I saw this film, it really blew me away totally. So overwhelming. But now, weeks after that experience (I saw that films more than once, btw) it's still beginning to gain more power and emotion.

"Mouchette" has such overwhelming, graceful, brilliant images, shots and scenes. The opening scene may be the best ever: brilliant and pure, it tells everything you will see in the next hour and twenty minutes. The use of the music, sublime sounds of Monteverdi, is unique, powerful and brilliant. No more than- what is it?- ten seconds or so it can be heard. The opening scene is so short...

That's the power of Bresson: images, sounds, scenes are presented in such a brilliant way. When we are beginning to be attached to them, other images and shots are already presented. As a viewer, you can't really be attached totally by them. That's way these images, shots, scenes will be in your mind long after the film: all things, all scenes and situations, and especially all emotions (if they are shown at all) are shown in actually too short a time, that you, as a viewer, will be forced to "finish" them. You are forced to locate the emotions not shown, to locate the situations and details which are only suggestively shown. Bresson's editing is just brilliant, bt it may take some time before you are aware of that.

Some of the most brilliant scenes ever are presented here: Mouchette, forced to go into church by her father; Mouchette's brilliantly and superbly simple introduction to the viewer. Most notable for me, besides the ending scene of course, is the scene with Mouchette in the dodgem cars, having her only small feelings of joy and relieve. The expressions and emotions shown in this really magnificent scene, maybe the best and most emotional I've ever witnessed, are to diverse to even describe them. Just watch this scene...

Nadine Nortier, playing Mouchette, blew me away with her magnificent acting. So pure, sublime, graceful and heartfelt. One of the most striking peaces of "acting" I've ever seen...!

This superb film will be in my mind for ever, just like "Au hasard Balthazar". Nobody, not even the best like Dreyer, Ozu, Bergman and Tarkovsky, can present stories, images and "emotions" in such a superbly simple, transcendental and pure way as Bresson.

Masterpiece!