Marruecos 7

This film begins in London with a burglar breaking into a house and stealing some jewelry from a wall safe belonging to a jewel thief by the name of "Louise Henderson" (Cyd Charisse). Not long afterward this same man goes to a party and introduces himself to Louise as "Simon Grant" (Gene Barry). He also tells her that he has the jewels in his possession and will give them back only if he is allowed to go to Morocco where she is planning to steal an ancient jewel known as "the Medallion." She reluctantly agrees and they depart together with a modeling agency which she intends on using as her cover. It's during this trip that he becomes intimately acquainted with one of the models named "Claudia" (Elsa Martinelli) who happens to be one of the few people within the modeling agency who is in on the heist but has switched her loyalty from Louise to Simon. But what nobody realizes is that Simon has been followed by a beautiful law enforcement agent by the name of "Michelle Craig" (Alexandra Stewart) and that they seem to know quite a bit about their intended caper. Now rather than reveal any more I will just say that this was a rather interesting film in that it had a good plot, an exotic location and some decent actors in the cast. Likewise, having a bevy of beautiful young models featured certainly didn't hurt the scenery either. Be that as it may, I enjoyed this film for the most part and have I have rated it accordingly. Slightly above average.

I watched this movie in 2007 and i watched again in 2022 it was the same vibe and cinematic experience. Good locations and good color and story i advice any one who want to watch how was movie and filming 60's and how they devolep the level of art , i watch the movie by mistake just because the title is catchy for me , and im happy because i see this work.

Although by no means a spy thriller ,"Maroc 7" has its eye on Hitchcock and too many James Bond movies.The action takes place in Morroco ,like the first part of "the man who knew too much" and the final scene between Gene Barry and Elsa Martinelli resembles a "North by Norwest" in miniature ,complete with (Morrocan ) rocks.Martinelli,Cyd Charisse and Alexandra Stewart are given here the royal treatment of beauties in the tradition of the James Bond Girls.Gene Barry,although American, looks very British ,like Sean Connery ,and he does not take seriously this story of an invaluable medallion (which used to belong to none other than Cleopatra 's and Marc Antony's daughter Salome no less).No masterpiece ,but fun to watch ,and Morocco is the real star of the film.

Gene Barry plays an undercover detective trying to foil an international jewel thief by following an editor of an international fashion magazine, jet-set diamond smuggler Louise Henderson (Cyd Charisse) to Morocco - her side hustle is thieving jewels and shes trying to spirit a priceless jewel out of the country.

Maroc 7 is slickly produced, has great locations, namely Morocco, amidst the minarets and desert, lovely girls, a good cast, nice idea of a fashion shoot masquerading as a caper, however nothing really exciting happens in the plot- it appears like a documentary on travelogue rather than an exciting thriller. The pulse of the plot flatlines all the way, and there's only brief moments of excitement. A pity, as it could've been interjected with more intrigue and action.

However, it's watchable if at least for the fashion, location and the pretty ladies. Gene Barry looks like he's just stumbled from the set of Burke's Law to this one, but he is always fun to watch. The man knows how to dress and he's smooth in his delivery. Strange to see Leslie Philips play a villain and not say "ding-dong carry on"!

Loaded with pretty girls, exotic locations, and double-crosses, "Maroc 7" keeps your attention, but never builds too much excitement. Despite being filmed on location in Morocco, the cinematography makes the picture look cheap (or maybe I just watched a bad print), and the director has the bad habit of filming his "big" scenes in near-complete darkness, making it a pain to try and see what's going on. The male lead, Gene Barry, is a bit too old and a bit too smarmy for his "smooth ladies' man" role, but Alexandra Stewart is simply gorgeous and Elsa Martinelli is not far behind. The 60's were certainly a great decade for screen babes, and there is perhaps no other genre demonstrating that point more clearly than these spy capers. (**)