Marruecos 7

This film begins in London with a burglar breaking into a house and stealing some jewelry from a wall safe belonging to a jewel thief by the name of "Louise Henderson" (Cyd Charisse). Not long afterward this same man goes to a party and introduces himself to Louise as "Simon Grant" (Gene Barry). He also tells her that he has the jewels in his possession and will give them back only if he is allowed to go to Morocco where she is planning to steal an ancient jewel known as "the Medallion." She reluctantly agrees and they depart together with a modeling agency which she intends on using as her cover. It's during this trip that he becomes intimately acquainted with one of the models named "Claudia" (Elsa Martinelli) who happens to be one of the few people within the modeling agency who is in on the heist but has switched her loyalty from Louise to Simon. But what nobody realizes is that Simon has been followed by a beautiful law enforcement agent by the name of "Michelle Craig" (Alexandra Stewart) and that they seem to know quite a bit about their intended caper. Now rather than reveal any more I will just say that this was a rather interesting film in that it had a good plot, an exotic location and some decent actors in the cast. Likewise, having a bevy of beautiful young models featured certainly didn't hurt the scenery either. Be that as it may, I enjoyed this film for the most part and have I have rated it accordingly. Slightly above average.

Loaded with pretty girls, exotic locations, and double-crosses, "Maroc 7" keeps your attention, but never builds too much excitement. Despite being filmed on location in Morocco, the cinematography makes the picture look cheap (or maybe I just watched a bad print), and the director has the bad habit of filming his "big" scenes in near-complete darkness, making it a pain to try and see what's going on. The male lead, Gene Barry, is a bit too old and a bit too smarmy for his "smooth ladies' man" role, but Alexandra Stewart is simply gorgeous and Elsa Martinelli is not far behind. The 60's were certainly a great decade for screen babes, and there is perhaps no other genre demonstrating that point more clearly than these spy capers. (**)

Another crime caper that whilst not the best it has some things going for it. It's certainly a very funny colourful movie and has that swinging sixties feel to it, especially the models and their bright outfits. Gene Barry plays the lead role of Simon Grant an undercover detective. He's on the track of a professional jewel thief and her chase for a priceless medallion in Morocco. Cyd Charisse plays the jewel thief Louise Henderson. Leslie Phillips plays against type in this movie as a thug (who'd a thought that). And Alexandra Stewart and Elsa Martinelli are the Bond type girls. It's nothing special as a movie but Martinelli raises it above the mediocre.

I watched this movie in 2007 and i watched again in 2022 it was the same vibe and cinematic experience. Good locations and good color and story i advice any one who want to watch how was movie and filming 60's and how they devolep the level of art , i watch the movie by mistake just because the title is catchy for me , and im happy because i see this work.

Maroc 7 is one of those films that has a number of elements, individually of interest, but collectively failing to come together effectively.

The mysterious Simon Grant (Gene Barry) breaks into the home of fashion magazine editor Louise Henderson (Cyd Charisse) in order to get material to blackmail her into letting him accompany her on a fashion layout photo shoot in Morocco. Apparently he believes she was involved in a series of jewel thefts and he wants to get his share of the next caper. They are accompanied on the trip by her top model Claudia (Elsa Martinelli), shifty photographer Raymond Lowe (Leslie Phillips) and model wrangler Freddie (Angela Douglas). They are also accompanied by several models, including one, Vivienne, played by Tracy Reed. In Morocco they meet cynical police Inspector Barrada (Denholm Elliott), his attractive assistant Michelle Craig (Alexandra Stewart) and dubious antiquities expert Professor Bannen (Eric Barker).

The plot involves secret maps, robbing tombs and multiple double crosses. It doesn't really generate a lot of excitement but does have the decided attraction of being fast moving. They do try to enhance the ending with a fun plot twist. A major attraction is the colorful setting in Morocco, which is shown to great advantage.

Similarly the acting is professional, I don't think there is any bad performances per se, but it doesn't generate much emotional involvement. Perhaps the combination of 1940's Hollywood (Berry, Charisse) with 1960's swinging London was simply never going to be a comfortable fit. Although the photo shoot scenes, obviously dated to the 1960's (although I have no objection to miniskirts), provides some visual flair to match the Moroccan scenery. Denholm Elliott creates the most interesting character, while Elsa Martinelli and Alexandra Stewart are attractive love interests.

Leslie Phillips also produced the movie and he talked briefly about that experience on the commentary track for the British DVD release of Very Important Person (1961). Apparently he was interested in directing and thought that producing a movie would be a step in that direction. While he didn't say what, if anything, he enjoyed about producing, he was very clear about disliking all the financial management that went with producing. He mentioned, in passing, that the budget of Maroc 7 was approximately half a million dollars. According to IMDb this is the only movie he produced and he never directed any films (although his commentary referenced extensive theater directing). As an aside I would be interested in knowing whether the name of Alexandra Stewart's character, Michelle Craig, was an "inside joke" on Leslie Phillips' Doctor In Love co-star Michael Craig.

The quality of the print, in the German DVD release version I saw, could best be described as acceptable. In truth, having seen the movie on TV several times over the years, I have never really seen a pristine print of the film. The deterioration is regrettable given the colorful scenery in Morocco.

Overall the film is an acceptable time waster, although the elements are more workmanlike than inspired.