El Millonario más Feliz

I have always loved musicals, but I've never cared for the most popular ones from the 50s and 60s, such as "The Sound Of Music". However, "The Happiest Millionaire" scores on every level. The music is superb, and there's a ton of it. Tommy Steele does indeed steal the show as a new immigrant who shows up for an interview to become a butler, not quite realizing how wacky the Biddle family really is. His tunes are the most lively, particularly the bar scene. However, others such as Fred Macmurray and Leslie Anne Warren really shine here too. And who knew John Davidson had talents outside of being a game show host? This is a real diamond in the rough.

Some minor guidelines - the Roadshow edition has quite a bit of extra footage, and for those of us who know the standard edition by heart, it's great to find little bits and pieces (20 minutes worth, overall) that we've never seen, including parts of some of the songs. However, the standard edition is a tighter movie and keeps things moving more quickly - and since the standard edition is already over 2 hours and 20 minutes, I'd recommend it first. Then if you like it, the Roadshow gives you more of the best stuff.

This was Disney's last picture, and from all accounts he loved it, even though it was unsuccessful due to being released at just the wrong time. With 30 years distance, though, it is still so much fun that I'd love to see it made into an actual Broadway show. Oh, well, one can dream...

This was a great movie. When I saw it, I was amazed. The plot changed so many times on me, that I did not know what was going to happen at the end. It turned out being the best movie that I have ever seen and would give it 500 thumbs up.

Despite a phenomenal cast, "The Happiest Millionaire" really never takes off.

This is probably because the star of the film should have been butler Tommy Steele who begins the picture on a high note with the clever tune Fortuosity. Steele is toothy and with that broad smile, he could easily captivate audiences. Unfortunately, he soon falls into a rather supporting role to an eccentric Biddle family.

Fred MacMurray is all right for the part but his monotone voice is annoying at times. As his wife, Greer Garson, is wonderful. She depicts that regal elegance that made her so famous through the years. She is just an older, elegant version of Mrs. Miniver and all the other great roles she had in the 1940s.

Gladys Cooper is a rather tame Auntie here. Cooper was always at her best when she was an upper class mean person. The upper class is certainly there but where is her usual nastiness? Ditto for Geraldine Page. Page as Lesley Ann Warren's prospective mother-in-law causes mayhem as she usually did in pictures. This being a musical comedy, her usual frustrations are missing and we could have used them there.

Enough with the alligator scenes already. MacMurray and family wear their bible shirts and practice boxing. MacMurray is anxious for the U.S. to be prepared for World War 1 and he urges President Wilson for this preparedness.

The big surprise of this film is that all our players could carry a tune. I thought that the argument scene between Cooper and Page would have been exacerbated.

The film falters as we have seen the bar-room brawls and social fights among the upper classes in society before.

This picture has some excellent songs written by the same team of song writers that wrote the award winning songs for Walt Disney's MARY POPPINS. The opening number of "Fortousity" is a delight. Although this movie is based on a true story about Cordelia Drexel Biddle, I would recommend it more as a lighthearted and fun movie for the whole family.

I remember the first time I saw this terrific film. I was nine going on ten and living in Westchester County, New York, at the time. "Happiest Millionaire" was the Christmas attraction at Radio City Music Hall that year [1967] and it was a delight! The performances, particularly those of Tommy Steele, Fred MacMurray, and Leslie Ann Warren are all bursting with effervescence and energy, and the Sherman brothers' songs, if not up to their work on "Mary Poppins," (But, then, what could be?) are consistently pleasant and enjoyable. As the last complete film that Walt Disney was to oversee before his death, it's one of his best latter-day works.

Which is why I find the critical drubbing it's taken over the years, particularly Leonard Maltin's in his book "The Disney Films," so hard to understand. "Happiest Millionaire" is what many family films try to be today, rarely succeeding. I was given a video of it as a present recently and found it just as enjoyable as I did 32 years ago, if not more so. Plus, living in the Philadelphia area as I do today, there's the historical interest, as well.

In short, "Happiest Millionaire" was great in 1967, and even better today. If you can see it, by all means do. You'll be in for a rare treat and a hidden treasure from the Disney vaults!