I giorni dell'ira

Really good, from the languorous, elegiac opening to the full throttle finish, I enjoyed it all. I note that IMDb shows a running time of 95 minutes whilst my new Arrow DVD runs nearer 115. Can that be so, 20 minutes cut from the previous print? It is just possible for there is a surprisingly large amount of time given to introduction of the characters and the town so that we might become totally involved. Goodness knows what anyone would make of much of this film without the precious opening ten minutes where Giuliano Gemma is introduced to us, literally as a sh*t shoveler before coming under the wing of the majestic Lee van Cleef. The famous Almeria set and surrounds plays its part well too and whilst the tale is fairly simple (revenge!) it is so well told and whilst the opening scenes seem to show a ghost town by the end we have seen it teeming with folks from all around. A fine film with much violence.

Day of Anger (1967) is considered a top 20 by most fans and critics. I definitely agree this is a great SW movie with good music and acting by Lee Van Cleef, and Gemma. The story is great about a simple man with dreams to have respect and to own his own colt, but unfortunately Scott Mary (Gemma) is treated like dirt by the townspeople of Clifton and verbally and physically abused and it is a revenge style theme about a man name Talby (Van Cleef), who gets out of jail and goes to collect 50,000 from Wild Jack, who in return was lied and double crossed by some of the good old folks of Clifton so Talby goes to collect and helps mentor Scott, who becomes a side kick. It all changes when Talby kills someone close to Scott and then he gets a reality check and faces off with his mentor. Movie is overall fast paced with good action and story.

"Day of Anger" is an incredible western. Not only is it one of the 3 or 4 best non-Leone spaghetti westerns, It also has just about the best non-Morricone music score I have heard.

Lee Van Cleef is at his very best in this movie as Talby, the slick, intelligent, and ruthless gunfighter. As is the case with many spaghetti westerns, this movie draws a very thin line between "good" and "evil." Talby is a killing machine who is out for his own personal gain, yet he is also very likable in many ways. When he takes Scott under his wing and teaches him not to put up with being treated with disrespect from the "good" citizens of Clifton, Talby actually becomes the only person who represents any real sort of "justice" in the whole town. Then we find out that the pillars of the community have something to hide, and Talby delivers his own brand of justice to them also.

Giuliano Gemma always delivers a great spaghetti western performance, and he is at the top of his game here as well. In the role of Scott Mary he has to play a character who goes through a lot of different emotions, and a couple of life-changing events. When Scott becomes a gunfighter like Talby, we relate to him and like him even more as he demands and gets respect from the people who used to spit on him. Talby's comment to the townsfolk of Clifton sums up why: "He was born a wolf, but you made him rabid." What a great line! The final showdown at the end is one of the classics. It is wonderfully choreographed with the film's music, and has that artistic, operatic quality that the very best spaghetti westerns possess. There's lots of emotion going on in this one, as it is plain to see that the two men squaring off still have respect and admiration for each other. On some level, it even still seems like they are friends, but this moment was inevitable, like an uncontrollable force of nature. As Talby says, "once you start killing, you can't stop." Talby's killing finally draws that thin line, Scott ends up on the other side of it, and the final showdown begins. I will say no more.

Riz Ortolani's score is awesome. I love the opening theme, and the pictures and movements on the screen that accompany it. It pulls you right into this film before the story even begins. Not only is the music great, it is very original as well. It is not a Morricone rip-off at all. Ortolani's style here is all his own. It is much more of a swinging 60's sound that retains just enough western flavor to make it appropriate for this type of film. This is a soundtrack I would like to have on CD.

This is one of those movies that I just can't say enough about. I would recommend it to anyone, and if you like spaghetti westerns you really need to own it.

A scruffy garbage boy becomes the pupil of a famed gunfighter, and the stage for confrontation is set when the gunman becomes unhinged and overruns the boy's town through violence and corruption.

The film credits the novel "Death Rode on Tuesdays" by Rolf O. Becker as its basis, although director Valerii and screenwriter Ernesto Gastaldi have attested that this credit was primarily included to appease the West German co-producers, and that although some scenes are partially borrowed from it, the film is not an adaptation of Becker's novel.

This is an interesting western, not just because it has a young man going from janitor to gunfighter, but it has the audience questioning whom to trust. There is sort of the classic theme of a hero being mentored by a villain, and how that can complicate alliances.

I've been trawling through the spaghetti western back catalogue lately, and it seems I've missed quite a few hidden gems. Day of Anger is one of them. Tonino Valleni's western is more American in its approach, although the staples of the spaghetti genre are still here. Close ups, violence (altough not as glorifying as you'd expect from your typical spag), a languid jazzy score by Riz Ortolani (a departure from the typical operatic Morricone scores), and great performances by Lee Van Cleef and Giulliano Gemma.

Giulliano Gemma is Scott, the garbage boy for the quite peaceful town of Clifton, a town where the sheriff wanders about without his gun and residents are surprised to hear the sound of gunshots. Scott is constantly pushed around and ridiculed, until gunslinger extraordinaire Talby strides into town. Van Cleef is typically superb as Talby, who takes Scott under his wing and teaches him the art of gunslinging by laying out the 9 rules of the gunfigher. Talby and Scott will come back into Clifton to get the 50,000$ a crook called Wild Jack owed him. Wild Jack was sold short by Clifton's higher class citizens, so Talby will have to get the money back in his own way.

The story follows both Talby's gradual usurping of the city and Scott's progress from a green boy to a man who stands his ground. The interaction between old experienced gunslinger and enthusiastic apprentice is executed very well. All in all a solid, if a little predictable, spaghetti western, that eschews the conventions of your typical spag for characterization. It's well worth tracking down in its uncut 109 minutes version. It's a shame that quite a few spags were lost amidst the truckloads of similar flicks churned out by the Italian studios in the genre's hayday. This is among the best. And it's one, even the American horse opera fans, will love.