Follow That Camel

I think this was one of the funniest carry on films,it would have to be some where in the top 10.The story is based on Beau Geste,with quite a few changes.Phil Silvers seems relaxed in his role,almost as if he has starred in other carry on films,he was probably the replacement for Sid James.Although Phil Silvers fits the role perfectly,in his usual SGT Bilko style.Anita Harris only starred in two carry on films,and you wonder why she wasn't asked to do more,as she was popular with the male audiences.All the characters are very good,and the best use has been made of their talents.Kenneth Williams playing the German called Burger,Charles Hawtrey playing the Frenchman Le piece.Bernard Bresslaw gives his best carry on performance as the Arab leader.I think one of the funniest parts of this film is when the Legionaires are having a sandcastle competition,and it breaks into a fight,and the Arabs are looking on thinking their all stupid.In all still a funny film,with a good cast who sadly most are not with us anymore.

The Carry On films represent a particular type of English humour. They are slapstick rather than intellectual, but often show a degree of humanity and pathos lacking in American slapstick. For years it has been customary to condemn Carry On as being low-brow and low-budget. They certainly were low budget, particularly compared with their American equivalents, but they compare favourably with the American movies.

It was a mistake to introduce Phil Silvers into this film. He gives the impression over overacting, whereas the British actors are merely camp. His style of humour is crass rather than subtle. Some have said that he dominated the film. He does not. He detracts from it.

This is an enjoyable movie, though undemanding.

This is not one of their best films but I liked it. The story is admittedly thin with a slight overbalance of the Bilko of the Dunes, the film feels rushed sometimes and Joan Sims the great actress she was has sadly little to do here. That said, I liked the set and costume design and the cinematography was good. The script is full of puns and innuendos, and there are some fun jokes particularly the Mustapha Leek one. The acting is decent generally, some of the regulars such as Sims are underused, but Phil Silvers is really quite excellent here, and Kenneth Williams, Jim Dale and Charles Hawtrey play their parts well. Overall, not exceptional but decent. 6/10 Bethany Cox

This isn't the strongest Carry On entry, it's not the strongest script but it's a solid plot ably handled.

However, in the absence of Sid James who had filming commitments elsewhere, Phil Silvers was cast & he drags it down. Every scene he's in is just the same ridiculous, self-indulgent gurning, giving no consideration to others in the scenes or to the film as a whole. He sticks out like a sore thumb to the detriment of everyone, dragging the film from a solid B to a desperate C-, coupled with his inability or unwillingness to actually learn his lines like an actual professional actor, no wonder he was disliked by other cast members.

Thank God he was only in the one film.

I wasn't really expecting much out of this "Carry On" spoof on Foreign Legion films – but it turned out to be a highly agreeable entry in the long-running series. Unusually for them, the film-makers went for an American lead in the person of Phil Silvers – then again, his Sgt. Nocker here was directly inspired by the latter's popular Sgt. Bilko characterization (which originated on TV); actually, the clash of comedy styles works surprisingly well here.

Most of the series stalwarts are on hand – Kenneth Williams as German fort commandant Burger (with matching short hair); Charles Hawtrey as Captain Le Pice(!); Jim Dale as Beau West(!), a dishonored Englishman who joins the legion (accompanied by loyal valet Peter Butterworth) after losing girlfriend Angela Douglas; Bernard Bresslaw has one of his best roles as the flamboyant villainous sheik; and Joan Sims is Madam Zigzig, hostess of the local tavern. Anita Harris also makes an impression as a sultry belly-dancer.

Apart from the traditional desert-march-fraught-with-mirages sequence, there are a couple of delightful running gags here – the naïve Douglas (who decides to stick with Dale) is taken advantage of by several men on her journey to join her lover, and eventually ends in line to being made Bresslaw's 13th wife!; another involves the constant attempts to violently curtail the cock's heralding of each new day by the reluctant soldiers. This good-looking film – which actually anticipates the team's other outing with an exotic setting, the even better CARRY ON...UP THE KHYBER (1968) – is satisfyingly capped by an action-packed climax.