El agente impostor

A ruthless CIA agent arrives at an Alps ski paradise to track down his son's deadly accident he thinks is really murder, and finds himself in a complex web of intrigue.

Well-staged, quite surprising minor Cold War espionage with magnificent snow-bound photography and exciting action sequences, hampered by bursts of gratuitous violence and an unpleasant hero.

I regularly forget this film in the Franklyn Schaffner's filmography, I don't know exactly why.... I watched it only three times in forty years and always forget it, and there is no reason why because it is a really tense and taut spy thriller drama, far better than many of those made during the sixties, James Bond parodies or complex thrillers where no one follows anything. Here, it is not so complex but on the contrary riveting at the most, with a jaw dropping Yul Brynner's performance. An excellent doppelganger scheme film, as also was THE MAN WHO HAUNTED HIMSELF, for another story using the same doppelganger element. The best proof that with the same ingredients you can invent and give many different recipes - films in that case.

A pretty solid little spy thriller; it's never as intelligent as the "Ipcress File", but it's far superior to its two sequels, for example. No great shakes here, but the combination of an intriguing story, great cinematography, good Brynner performance(s) and Schaffner's adequate direction leads to a thoroughly passable time-filler.

Just like its leading man Yul Brynner, "The Double Man" is a decently lean, direct and hard-hearted late 60s spy melodrama. A steadfast Brynner simply commands the screen, even when no dialogues are spoken, his psychical presence and glare can knock you down. Here he plays CIA agent Dan Slater who heads to a ski resort in the Tyrolean Alps after the reported accidental death of his son, but he believes it wasn't an accident and unknowingly to him his arrival is actually part of a cunning Cold War ploy. It's a well-handled and good-looking (thanks to the scenic cinematography of picturesque snowy backdrop) presentation, as the plot is thick on intrigue and investigation, as it slowly builds upon its brooding framework. There's nothing particularly exciting about it, as the thrills are few and minor and it's overly talky. However the structure is persistent, as the exchanges have a moody intensity and Brynner carries it along nicely with all that chasing and shadowy scheming going on behind the scenes. The ludicrous twist when it comes isn't much of one, because of the clues that are given. Really it only complicates matters, but this works for its stone cold approach. Franklin J. Schaffner's taut direction is grounded and practical in style, as he lets the story's conflicts evolve and the cast take control. The ever-beautiful Britt Ekland plays an important piece to the plot's stirrings and there's excellent support from the likes of Clive Revill, Anton Differing, Lloyd Nolan and Moira Lister. Also dominating was the instrumental music score. Sometimes it worked, other times it was on overload.

The Double Man beat much of the competition into the Alps, when movies were helping to glamorise skiing holidays. While The Pink Panther had a ski lodge segment, The Double Man anticipates the cable car action and snowy settings of Where Eagles Dare and On Her Majesty's Secret Service. Interesting to note that the director would soon be working on the iconic Planet Of The Apes.

Added to the admirable location work are the international cast. There are no stars besides Yul Brynner, but there are several actors I have a lot of time for. Clive Revill in particular adds a solid emotional punching bag for Brynner. His intense and downbeat performance is in contrast to his usual extroverted and comedy roles. Anton Diffring was too often cast as Nazi baddies, but could easily deliver menace without a uniform. He starred in several classic horror films of the period, like Circus of Horrors and The Man Who Cheated Death. A young Britt Ekland amply provides glamour here, before she broke it big as a Bond girl.

I grew up watching this movie on TV and always tuned in for the cast, the twisty plot and especially the music. It's a little OTT in places but frantically catchy, pumping up the excitement even when there's little of it on screen. The special effects work is subtle and really convincing in selling the central twist...

I'm very pleased to see that at least this is out now on DVD in Germany, with an English language voice track option.