Noticias

With only six feature films to his name, four of which featured his iconic onscreen alter ego, the cinema of Jacques Tati remains an island of unique delight despite his influence on decades of filmmakers since and comparative efforts of peers from his own period (considering Marguerite Duras’ critique, now widely accepted, concerning the taken-for-granted stylistic likeness between Tati and Robert Bresson, a director whose subject matters were a bit less pleasant or comical). Without Tati and his bumbling character Monsieur Hulot, sputtering about memorably in a series of some of the most well-crafted moments of ingenious, highly organized chaos ever put to celluloid, we’d be without latter day influences, like Roy Andersson, Otar Iosseliani, several Peter Sellers characters, and even Rowan Atkinson’s similarly crafted Mr. Bean.

At the time, Tati’s obvious influences date back to the silent era, where Buster Keaton and Charles Chaplin crafted the...

The first entry into my "Best Movies" section was Federico Fellini's La Dolce Vita (read my essay here) and after rights to the film were finally decided I speculated as to whether or not Criterion will finally get their hands on the absolute classics. The answer is a resounding Yes as the Blu-ray release of the film has just been announced for October 21 with the following features: New 4K digital restoration by the Film Foundation, with uncompressed monaural soundtrack on the Blu-ray New visual essay by : : kogonada New interview with filmmaker Lina Wertmuller, who worked as assistant director on the film Scholar David Forgacs discusses the period in Italy's history when the film was made New interview with Italian film journalist Antonello Sarno about the outlandish fashions seen in the film Audio interview with actor Marcello Mastroianni from the early 1960s, conducted by film historian Gideon Bachmann Felliniana,...

"The Museum of Modern Art's retrospective of the French screenwriter, director, and actor Jacques Tati (born Jacques Tatischeff, 1907–1982) features newly struck, gloriously restored 35mm prints of his six feature films," brags the Museum, and well they should: "Monsieur Hulot's Holiday, Playtime, Mon Oncle, his long-dreamed-of colorized version of Jour de fête, the revelatory Traffic, and the little-seen Parade - along with three short sketch films." The series runs through January 2 and Jordan Hruska (T Magazine) notes that, architecturally, "MoMA is a perfect venue" for it, while Nicolas Rapold (Voice) notes that it follows "the huge Cinémathèque Française exhibition" and: "Besides a 1936 René Clément short with gangly Tati as a farm boy recruited for sparring (sports-based routines were initially his specialty), MoMA also shows the delightful Cours du soir (1966), shot during Playtime downtime, in which Tati presides at a night school for pratfalls and mime. It's quite an education, but then,...