Clambake

Although it has the worst title of any Elvis movie, "Clambake" (1967) is actually one of his better films. Which is surprising as it is one of his last and generally speaking each film seemed a bit worse than its predecessor. "Clambake's" salvation is certainly not in the soundtrack which is at best very ordinary, only the title song has any energy. Although there is an actual clambake scene on the beach about midway into the film, it seems thrown in just to justify the title, more impressive is a cameo of "Flipper" who had his own television show at that time.

I'm inclined to credit Shelley Fabares for the good vibe I got from this film. She plays "golddigger with a heart of gold" Dianne Carter, Elvis' ultimate love interest. I never cared for her uptight Mary Stone character on reruns of "The Donna Reed Show", and therefore paid almost no attention to her until recently. But since seeing her in "Ride the Wild Surf" and "Clambake" I've had a major attitude adjustment. "Clambake" was the third time she was tapped for the love interest role in an Elvis film so obviously she and the King had grown comfortable working together.

Their romance is a little different than the Elvis standard. In "Clambake" she does not start out hating or ignoring him. Instead they quickly become friends and she is obviously attracted, but she puts the brakes on any romance because she is hunting for a rich husband and has tycoon J.J. Jamison (Bill Bixby) squarely in her sights. She comes around in the end and their chemistry actually feels real, much like it did with Ann Margret in "Viva Las Vegas".

The comfort factor is also apparent between Elvis and Will Hutchins, his real-life buddy. Oil tycoon Scott (Elvis) pulls a "Prince and the Pauper" and swaps places with drifter Tom Wilson (Hutchins). He wants to find someone who loves him for himself. Hutchins is supposed to provide the film's main comic relief as he enjoys the life of the rich and famous, driving Scott's "Munsters" inspired convertible and surrounding himself with gorgeous women who can't dance very well. Although the director had Hutchins overplay the part it is so poorly written that they can't squeeze many laughs out of the premise. But having most of his scenes with Fabares and Hutchins seems to have relaxed Elvis considerably, which makes both he and his film more likable.

Contrary to most, I enjoyed the corny playground scene with the little girl who was afraid of the slide. The "Confidence" song is not a rip off of "High Hopes", the whole scene is a variation on the "Bounce Right Back" number Donald O'Connor did in "Anything Goes". While "Confidence" is not much of a song, this surreal scene is priceless. I wonder what long-time fans thought as they watched Elvis and Hutchins do something so totally "Guffman"? Most entertainers only do embarrassing stuff like this when they are first breaking into the business.

Then again, what do I know? I'm only a child.

By 1967 with the Beatles leading the British invasion of new musical performers, the King of the Sixties was in decline at least in his film career.

You can tell with Clambake. The plot is essentially the same story as Blue Hawaii and not half as good. Once again he's the son of a rich man who wants to make it on his own. This time though he changes places with happy-go-lucky water skiing instructor Will Hutchins. They're both headed to the same Florida resort now with each other's identities.

Well of course being he's the King, he does find a girl who falls for him without knowing he's a millionaire. For the rest of it you'll have to buy or rent the film.

He does have some nice songs. Two songs Who Needs Money is the kind of stuff Bing Crosby used to do in a lot of his films, the upbeat philosophical number and the song Confidence is a ripoff of Frank Sinatra's High Hopes. But Elvis does well by both.

He also reprises a song he missed the first time around. You might remember that the original artist who sang the song, Jerry Vale, got to reprise it in Goodfellas. You Don't Know Me sold a whole lot of platters for Mr. Vale, but the big seller of that song was done by Ray Charles. Presley does very well by it, a pity it did not become a big hit for him like it was for the other two.

As usual Elvis gets a nice supporting cast and a pretty leading lady in Shelley Fabares. In the cast we have Bill Bixby, Will Hutchins, Gary Merrill and James Gregory all of whom do a good job.

Still it's all been done before.

That's right....the filmmakers are so lazy, they don't even bother about hiding the California mountains in the final shots. It's bad enough that we must sit through dozens of rear-projected shots; it's quite obvious Elvis never set foot in Florida for this flick. By this time, Presley's movies were becoming interchangeable - same plots, same songs, same go-go dance numbers, etc. Well, I enjoyed "Clambake" when I was ten years old, but I'm afraid it's quite difficult to sit through as an adult.

Instead, catch 1962's "Follow That Dream," which is actually filmed in Florida. The plot is a bit hokey, but Elvis still looks sexy, and has some fun with the role.

The absolute nadir of Presley's movie career. Hell, this one is so bad that it even qualifies as the lowest point in the careers of Shelley Fabares, Will Hutchins, and Bill Bixby, none of whom have particularly distinguished credits. Anyone with fond memories of Elvis in his prime can only wince at the sight of this cultural icon lethargically wandering across the set of this painfully stupid film. Thankfully, there are only seven songs in all, but even though the soundtrack album was padded with "bonus songs" like "Guitar Man" and "Big Boss Man," RCA still had to include an autographed photo from Presley's wedding to move the thing.

As weird as this sounds, I've always preferred the Elvis movies that aren't considered among his best. His best include "Jailhouse Rock," "Loving You" and "Wild In The Country." You know, the heavier, more serious early ones.

No, I'll take his later films - you got it, the dumb, stupid, oh-so light ones. Films like "Tickle Me," "Girl Happy," "Spinout" and "Double Trouble." And "Clambake." The plots were always mindless fun and "Clambake" is no different.

Elvis was almost always a moody, brooding loner in the early films. He usually played unappreciative guys with chips on his shoulder the size of the Rock of Gibraltar. The characters in those films are guys I'd have little desire to know.

However, the guys he played in his later movies aren't that way at all. They're nice, decent, upstanding, fun-loving fellas. I like those guys. I like watching them as heroes, as leading characters in fun, dumb little movies. Hence, I like those movies a lot more. I couldn't give a rat's rear about appraising them as serious films because they're not.

In his silly mindless mid-'60s films, Elvis always had a goofy main sidekick. Here in "Clambake," it's Will Hutchins, who starred in one of Warner brothers' classic '60s television westerns, "Sugarfoot." And believe me, Hutchins can goof it up with the best of them.

The two wise, sage, old guys are (1) old pro James Gregory and (2) Bette Davis' ex, Gary Merrill, who, if you really look, often looked as though he hated whatever film he was in.

Elvis' Number One girl, Shelly Fabares plays the gal Elvis competes for with Bill "My Favorite Martian" Bixby. There are also plenty of Elvis Girls around, as usual.

Alas, there are no true classics or any memorable songs in the entire film. Tunes like "High Hopes" clone "Confidence" aren't either.

"Clambake" ain't no "Tickle me," but it's still great fun!