Caprice

While skiing, an Interpol agent is shot and killed in the Alps of Switzerland. Not long afterward, "Patricia Foster" (Doris Day) is caught red-handed trying to sell industrial secrets from the cosmetics firm she is employed with to a rival company. She is immediately terminated and subsequently hired by the rival American firm to become an industrial designer for them. This results in her working with a man named "Christopher White" (Richard Harris) who is actually a secret agent employed by the same firm that initially fired Patricia. Or so it all seems. What follows is a complicated story involving industrial espionage, double agents, secret formulas and murder. Anyway, as I said before, this is a complicated story and in order to fully understand it a person has to see this movie all the way to the end. Along with that, I think a person needs to take into consideration the fact that this movie was filmed in 1967 and as a result some of the action may seem rather basic by today's standards. Likewise, some of the humor may seem a bit tame as well. Even so, although some of it seems quite mild, it was still an enjoyable movie for the most part. Additionally, as far as the actors are concerned, both Doris Day and Richard Harris performed reasonably well together and, along with that, Irene Tsu (as "Su Ling") also looked quite nice--even if her role was somewhat limited. Be that as it may, while certainly not a great spy film by any means, it still managed to pass the time, and I have rated it accordingly. Average.

A SUPER title for a film! Many have slammed this film. Doris Day detests it and will NOT talk about it. Why? It's polished, sexy, and stunningly filmed by Leon Shamroy! I believe this was his last film (although I may be mistaken). I agree that the plot was not exactly 007. But put it up against many of today's films and it's a fine body of work in many ways, albeit not in all ways. I personally do not think that Richard Harris was a good choice as a leading man for Doris Day. In 1966-67, my uncle was a longshoreman in Long Beach. He was also a rough rugged actor/stuntman in action films. He was doing something at Twentieth Century Fox and I asked him about Caprice. Could he get me in to see them film? So he went to the publicity department to get me some stills from the days shooting. Which he did. They were never officially released by Doris nor her husband. I felt fortunate to get both of them. The day came when he was taking me to the set where they were filming what he was working on and we would visit "Caprice". I skipped school and everything! Doris Day had fell filming and pinched a nerve in her back. She was in traction for quite awhile. They told us that they may have to scrap the film if she couldn't get back to work on it soon. I walked all around the sets. Remember the Eiffel Tower? They were really lush and that bed suspended from those big chains really swung(I sat on it inspite of the signs, I couldn't resist!). I, just a kid, was really impressed by it all. Martin Melcher spared nothing. It was lush! The interior of the jet was cool as well. At the end of the day, my uncle was able to get us a peek into Doris' bungalow at TCFox. WOW! They had great houses for their stars on the lot.

She had great clothes in the wardrobe area for the film. I remember how cool they all looked so perfectly maintained for filming. I particularly remember that pink hat she wore(I thought it was ugly). There were two of them as I recall. And several Platinum wigs. She refused to dye her own hair that color so the hair dresser, Barbara, said. I felt like a fly on the wall around there. The sets all said "HOT SET, DONT TOUCH ANYTHING!" I didn't. I felt VERY privileged.

Caprice was also Doris Day's last commercial recording on the Columbia label, for whom she recorded her entire recording career. It was a single that received good airplay on stations around the world that played easy listening stuff back then. It certainly wasn't as good a recording as "Move Over Darling"! For instance, they LOVED it in Portugal and Spain! The single was released with a high quality picture sleeve there! It's nothing to rave about, but lush, and rich just like the film "Caprice".

Hope you enjoy these memories of mine.

The talents of Frank Tashlin and Doris Day would seem to be a Hollywood combination made in heaven but, with "The Glass Bottom Boat" (made at M-G-M a year earlier than "Caprice') and this one, their fans were doomed to a certain degree of disappointment. The main trouble with this film is its impossibly convoluted and ridiculous script, giving little opportunity for anyone to shine, except, perhaps, the set and clothes designers, though one must appreciate that their efforts look very, VERY much of the dreaded "Mod" period when this one was conceived.

Technical credits are, for the most part, top-notch, especially that old pro Leon Shamroy's lush cinematography (although I do recall that the back projections were very obvious when I saw this on a 40-foot wide CinemaScope screen when it was first released).

I've never been a particular fan of Richard Harris and he was most definitely miscast opposite Doris. His too-clipped delivery of some of his lines can be attributed, I suspect, to Mr. Tashlin's rather slack direction (unusual for that comic master).

All in all, when one considers that producer Martin Melcher, Doris's husband, was, at the time, squandering her hefty paychecks in unwise investments, it's easy to understand why Ms. Day has since been content to retire form the screen and allow us to remember her better, earlier efforts.

"Caprice" was made near the end of Doris Day's spectacular film career. It was met with mixed reviews by the New York critics. But, when I saw the film at Radio City Music Hall, the audience seemed to enjoy it.

The opening credits were very clever and there was a spectacular beginning to the film, a ski chase with the villain in black and the victim in white getting shot to death.

Doris Day was dressed in mod attire and gave her usual professional performance. The plot was the film's biggest problem. It was very complicated and it takes two or three viewings to grasp everything.

Richard Harris was a good choice to play opposite Miss Day. He later said that, even though he didn't like "Caprice", he was delighted to work with Miss Day, a true expert in the comedy field. He stated that he learned more from her about comedy than he could have learned in years at the Royal Academy. Nice words.

This picture could have been good, if they had cut several scenes. I liked the rapport that Miss Day had with Edward Mulhare in their scenes together. She also worked well with Lilia Skala, Ray Walston and Jack Kruschen. There was a funny bit, which Doris played with Michael J. Pollard in a movie theatre, that was showing Doris Day and Richard Harris in "Caprice".

Doris Day is a "natural" actress. She uses props well and approaches her material from a realistic standpoint. You believe her, even when she is thrusted in the most unbelievable situations. Miss Day was very good near the end of the picture when she confronted Ray Walson, in drag, and then Edward Mulhare who sent her on an unexpected helicopter ride.

There were some exciting scenes, especially the one when Doris is being chased down the slopes by the man who killed her father in the beginning of the film. The resulting "rescue" was directly out of the old '40s cliffhangers.

It has become fashionable to dismiss "Caprice", but if you are a Doris Day fan, you might enjoy it if you can ignore some of the "cuteness" director Frank Tashlin threw into the plot.

I don't know why the most people think, that "Caprice" is a mad movie, it is no true. This one is the follow-up of "The Glass-Bottom Boat" and is in every case bigger an greater, but not better. Frank Tashlin did a very good job, when he first cooperated with Doris but he used her for his crazy and hardly understandable sense of humor. You have to laugh about the whole movie, you can't take anything in it seriously. That's the trick of it. There are very funny moments, e. g. when Doris goes to cinema to watch "Caprice" and when she strikes again a sexual attack. Perhaps a few of you really enjoy this movie as I do. Take it easy and with a little smile. For all others: Doris didn't like the movie herself.