Quién sabe?

In revolutionary Mexico American John Tate hooks up with a band of outlaws lead by Chuncho. They are "collecting" guns for the revolution. Tate, called Nino by his new friends, tags along as they get guns, free the poor and attempt to get paid for their efforts.

Thats wildly simplified and doesn't do the complexity of this film justice. What is going on in the film is often not apparent until you get to the very end of the movie. No one is who they seem to be and everyone has some sort of other motive for what they are doing. Its a complex film that you have to stay with since you can never be certain what is going on.

For a long stretch of the film I wasn't certain what I thought of it. As I said, this is a story that is ever changing and evolving as it goes, and which you can't say whether you like or not until you get to the very end. It seems like an enjoyable mean but slightly confused western for most of its running time. Our nominal hero, Nino, rapidly evolves into something else. He is always up to something and rarely is it any good. He's hard to root for, or even to like. You instead you have to root for Chuncho, which is a bit odd at first since he's a "bandit" and the "bad guy". By the end you're rooting for Chuncho, while you're still not sure about Nino. In the end though it all comes together, and it reveals itself to be a quite special movie.

This is a movie to see if you like westerns, or even good movies for that matter. Its a film that engages you and moves you and your emotions. Its nice that an entertaining film such as this can also have other things on its mind yet not get lost on those other things or lose the enjoyment factor (there's a good deal of political satire woven into the story).

Definitely recommended.

I first read about this film in a great book about Spaghetti Westerns wherein every Italian western was presented in complete detail. It was a scholarly approach to the genre and has made me a fan for years. Known in the U.S. as A BULLET FOR THE GENERAL, it has a darker mood than Sergio Leone's DOLLAR trilogy and his masterpiece, DUCK, YOU SUCKER! (a.k.a. FISTFUL OF DYNAMITE), more angst ridden than Sergio Corbucci's A PROFESSIONAL GUN (a.k.a. THE MERCENARY) and more bleak than Corbucci's masterpiece, DJANGO (which spawned countless sequels that had nothing to do with the original and the only one worth mentioning is: DJANGO KILL!) which is difficult since the western was awash in a sea of mud that was the stage where the characters ruthlessly slaughtered each other.

I love the Italian approach to westerns because they create an atmosphere where John Wayne is not welcome. If the Duke were to enter their world, he would be shot in the back by some crazed revolutionary/bandit who wouldn't wait for a showdown in the street. Plus the Duke probably wouldn't be fast enough on the draw. A BULLET FOR THE GENERAL has plenty of mood, crazed revolutionaries/bandits, double-crossings, contempt for "gringos" (which makes me wonder about how the Italians think of us--are these films suppose to be "political statements" too?), gun fights and endless desolate landscapes that would make Sam Peckinpah drool with delight. There is no happiness to be found in this film and every fan of Spaghetti westerns would revel in it's excess.

A BULLET FOR THE GENERAL is great on this level and should have multiple viewings (check out Klaus Kinski as the bible thumping revolutionary who spouts credo with gunfire and Lou Castel as the cold-hearted gringo who doesn't drink, smoke, look at women but LOVES money). The only Spaghetti Western regulars missing from this one are: Franco Nero and Lee Van Cleef. Director Damiano Daminani has made a Spaghetti western cult classic in his own right. I want to see his other westerns. See it and you won't be sorry.

A band of Mexican gun-runners employed by a revolutionary general lure an American mercenary into joining their gang, unaware that he is targeting their general.

Damiano's film has been called a "serious statement about the Mexican Revolution" and has been recognized as an accomplished blend of "tension, action, politics and history". Now, I'm not sure what the "serious statement" is. That Americans would intercede? That bandits could be radicalized? The soundtrack is from some of Italy's best, but the music is unfortunately not that notable. What draws many people to the film is Klaus Kinski, who is great, but the bizarre dubbing makes him seem fake and unable to really provide his presence to the screen.

One of the most underrated spaghetti westerns of all time, easily in my top ten. Volanti and Klinski dominate this tale of greed, poverty, racism, rich vs poor, great action sequences and a genuine heart to match, volanti was only behind Eastwood, Van Cleef and Nero as the greatest spaghetti western star of all time! any die hard fan of the genre must have this movie in their collection! pure brilliance!. A great starting point for new fans as it blends all the elements of the genre, violence, redemption and revenge as well as one of the greatest performances from an Italian western actor he was taken from us too soon , long live Gian Marie Volanti!.

RELEASED IN 1967 (but not till 1968 in the USA) and directed by Damiano Damiani, "A Bullet for the General" (aka "El Chuncho") takes place during the Mexican Revolution in the 1910s and involves a gang of gunrunners led by El Chuncho (Gian Maria Volontè) and enlisted by a revolutionary general (Jaime Fernández). They allow a taciturn American gringo into their band (Lou Castel), oblivious to his objectives. Klaus Kinski plays the semi-crazy priest of the bandits (I mean revolutionaries) while Martine Beswick is on hand as the babe of the bunch.

This is a decent Spaghetti Western focusing on Mexican bandits. The tone is serious and the cast, costumes, dirt and sweat lend to the gritty realism. The opening sequence where a munitions train is forced to stop due to a crucified army captain blocking the tracks is notable. The script respects the intelligence of the viewer and doesn't spell everything else, even while everything is obvious if you read between the lines. Volontè, who plays the filthy, but amicable Mexican protagonist, is best known for his roles with Clint Eastwood in "A Fistful of Dollars" (1964) and "For a Few Dollars More" (1965). The score by Luis Bacalov is quite good and was supervised by the inimitable Ennio Morricone.

THE FILM RUNS 115 minutes and was shot in Almería & Guadix, Spain, with indoor sequences done in Rome. WRITERS: Salvatore Laurani and Franco Solinas.

GRADE: C+/B-