Opiniones de usuarios

A tepid, extremely mild, fairly tedious, slightly overlong comedy. The first half has some reasonably funny bits (like the one that takes place in a phone-booth), but in the second half things get pretty desperate. Jerry Lewis himself is appealing when he is playing the "straight man", but irritating when he appears disguised. And the direction has no comic timing whatsoever.

I read the reviews for this film before I tried watching and I found my reaction was somewhere in the middle. Some described it as being among Jerry Lewis' worst films, though I think films like "Which Way to the Front?", "Cracking Up", "Slapstick of Another Kind" and "Three on a Couch" are much, much worse. And, it certainly is no work of great genius like some have said. It's a decent little time-passer with a few faults.

When the film begins, Jerry is fishing and somehow hooks onto someone in a wetsuit. The guy ends up being a gangster who could be Jerry's double and he tells Jerry about some hidden loot. As for Jerry, he wants to do the right thing and tries to get police and others to listen to his account of catching the man...but no one seems willing to listen. And, as for the gangsters who shot the man Jerry caught, they are now looking for the fisherman because they think the dead man must have told him about the money. Despite this being the theme, the movie is almost plot less at times, a bit like "The Bellboy"...which isn't all bad since this earlier Lewis film is among his best. Now I am not saying all the silliness or Jerry's dressing up like the Nutty Professor work most of the time...but it is pleasant and diverting during much of the film. Overall, no bomb nor work of genius but a generally decent little film that will offer a few laughs...just a few. There certainly could have been more laughs and Charlie Callas was simply awful...but fortunately he was only used sparingly in the picture. Also awful was Lewis' embarrassingly bad imitation of Japanese folks...a definite low- point in the film...or in any film that came out that year.

By the way, look quickly and you might spot Rob Reiner in his film debut. You'll also see Colonel Sanders...though he is pretty obvious!

This time, Jerry Lewis plays reporter Gerald Clamson, who just happens to be a dead ringer for Sid Valentine, wanted by a crime syndicate. The only thing is, Valentine is supposed to be dead, so when the thugs see Clamson, you can imagine what sorts of things they do! Mistaken identity seems to be a frequent source of comedy (or drama; see "North by Northwest"). So even though "The Big Mouth" is nothing special, it's good for a few laughs. Most of the laughs come from what happens with the thugs when they see Clamson. But one also gets the feeling that Lewis was sort of losing his ability to come up with anything new after this. And now that we know what sort of a person he is in real life, that weakens it. But overall, this one's pretty funny.

I've lost track of all the times I've seen this one from the first 16mm print at a summer camp in 1970. But I always loved it, no matter how stupid and inane it really is. The plot holes and pure unbelievability of the film must be put aside just for the sillyness. A few things stand out. A cameo by Col. Harland Sanders of KFC, and a view of early Sea World in San Diego. When I worked there in 1985, I found all the places that the film was shot. And the best of all, is Charlie Callas' totally hilarious bit when he sees the appranently dead Sid Valentine (Lewis' other role) come to life again. He comes apart, as do his other friends, but with much more panache and skill. His stuttering, eye-popping gibberish is so funny you have to watch the same dialogue over and over again. It's a classic bit, and one that actually saves the film from being a total Lewis stinker. "That's him, thats him, that's aaaahh, that's im-POSSIBLE!"

"The Big Mouth" is one of the better Jery Lewis movies out there. While I have yet to see ALL of Lewis's earlier works, I have seen a good handful of the better known titles including "The Family Jewels" and "The Nutty Professor." This one is better than both. I always felt that it deserved more attention and props than "NP" (his most well known) simply because the humor was more consistent throughout and the comedic timing, especially with Jerry as Gerald Clamson, couldn't have been better. Some great examples include him and the bellhop during an awkward moment involving a tip. Another one involves him and an elderly Chinese man at the pearl shop at Sea World. His remark about Confucious is the stuff of legend. So is the man's reaction. I also felt that "NP" was lacking in good supporting characters that were wacky enough to hold there own against Clamson. This is why the movie fizzles and becomes somewhat stale early on. Nothing for him to play off of. "FJ" had plenty of characters, but they were all played by Jerry Lewis. In other words, that movie suffered from Lewis overload. "The Big Mouth" is a perfect balance of all these elements. Though it may lose some of its pacing around the second half, the movie is well worth at least a rental simply for the first. If you suddenly crave some good silliness that will actually make you laugh from time to time, this is the Jerry Lewis movie for you, if you can find it.

p.s.-for Hojean, this is the one you're thinking of.

Brainless, witless, infantile Jerry Lewis idiocy, worse than most. Poorly written, ineptly directed--Lewis' directorial style seems to be mostly "keep the camera on me as much as possible"--braying "comedy" has Lewis being a dead ringer for a mobster who cheated his associates out of some diamonds and was murdered by them, but they see Lewis and mistake him for the guy they think they killed. Along with his usual bag of completely unfunny "tricks", he pulls out his offensive squinty-eyed, buck-toothed Japanese "character", obviously finding nothing wrong with this incredibly racist characterization.

A stupid, embarrassing mess. Don't waste your time.

Smugglers have a falling out, and one of them high-tails it with the loot. When the gang finds out that Jerry unknowingly received the stones, they pull out all stops to get at him. That should have been easy, but the fools are more inept than Jerry. Of course, along the way Jerry falls in love. An amusing film.

Jerry Lewis directed, co-wrote, and stars in this half-wit gangster comedy about a bank auditor who takes a fishing holiday and gets mixed up with jewel thieves who are after buried diamonds; turns out he's also the dead ringer for an allegedly-deceased crime syndicate boss...though that's not the reason Jerry spends half the movie in disguise as his bespectacled "Nutty Professor" character. Sloppy, stupid, braying farce, the kind of star-vehicle which hopes to ring laughs out of every silly gesture or cross-eyed reaction. Lewis plays the kind of fisherman who can't even push a sailboat away from the dock without falling into the water. Frank DeVol as Bogart (our deadpan narrator) is an unusual touch, and Colonel Sanders has a funny (if pointless) cameo. Otherwise, this "Big Mouth" is just an empty hole. * from ****

Why this Jerry Lewis comedy isn't better known or more widely available is a mystery since it's a classic and as consistently funny as anything he did. Here the slapstick verges on the surreal while its 'thriller' plot is virtually irrelevant. As well as starring, Jerry wrote, produced and directed and if it never amounts to anything more than a series of sketches they are, at least, very funny. It's certainly a movie ripe for rediscovery that, for now at least, will have to settle for ultimate cult status.

Writer/director/producer/star Jerry Lewis does a really nice job with "The Big Mouth". There are quite a few laughs in this movie. I mean, how couldn't like a movie that had both Colonel Sanders and Charlie Callas. As far as Callas goes, half the time I was laughing with him the rest of the time I was laughing at him. Either way, I laughed. The rest of the cast was pretty good with Jerry's leading lady, Susan Bay Nimoy being the only weak link. Nimoy did nothing for me. She was as bland as they come. The other demerit "The Big Mouth" gets has to do with its length. It's too long by at least fifteen minutes. All that said, I got a kick out of this movie.

"An Emperor who cares for nothing but his appearance and attire hires two tailors who promise him the finest suit of clothes from a fabric invisible to anyone who is unfit for his position or "just hopelessly stupid". The Emperor cannot see the cloth himself, but pretends that he can for fear of appearing unfit for his position; his ministers do the same. When the swindlers report that the suit is finished, they mime dressing him and the Emperor then marches in procession before his subjects, who play along with the pretense. Suddenly, a child in the crowd, too young to understand the desirability of keeping up the pretense, blurts out that the Emperor is wearing nothing at all......".

"The Big Mouth" was perhaps the greatest inside joke on audiences since the 1938 radio broadcast of "War of the Worlds". Billed as a comedy, heavily promoted, widely distributed, and featuring Jerry Lewis (who played three roles and directed) this was a must see for our junior high group of cut-ups. We found the experience a surreal one. A comedy film where nobody in the theater laughed including us (absolutely no laughter). We caught on quicker than the adults that this was a complete sham but were spellbound waiting for a single funny sequence that would shatter the audience silence. It never happened.

Afterward we scanned newspaper and magazine reviews for some sign that a prominent reviewer was going to spill the beans and expose the "Emperor", but there was nothing. It was like the whole industry had clammed up by mutual agreement to allow Columbia to recover a portion of their investment. I suspect that this kind of industry-wide "quid pro quo" was fairly common in those days. Word of mouth (pun intended) in our town killed attendance within a few days, although some may have attended just to observe Hollywood finally bottoming out. "The Big Month" deserves a place in cinema history because it was this bottoming out process that opened the door for innovative stuff like "Bonnie & Clyde" and "Easy Rider" in mainstream theaters.

In fairness the chase sequences might have had some amusement value except they had been done much better by Harvey Lembeck (playing Eric Von Zipper) in countless beach movies released earlier in the decade.

The only saving grace at the time for us 14-year-olds was that Jeannine Riley (Billie Jo from "Petticoat Junction") was featured in several eye-scorching outfits. Hence the extra star.

Then again, what do I know? I'm only a child.

Wow, this movie was actually painful to watch. "Cringeworthy" is an understatement. First of all, I was surprised that Hilton allowed the use of its name considering the part of the front desk clerk.

Don't the actors have a read-through before they do a movie? You mean they actually read through this and still decided to make it? Were they all friends of his, or just kiss-ups, or both? I tried to force myself to watch this all the way through, but my mind kept wandering, day-dreaming about how much more pleasant it would be to have dental surgery without anesthesia. I guess it was that scraping sound that kept waking me from my daydreaming, the sound of a ten-foot pole against the bottom of the barrel.

There was a semblance of a redeeming factor in the part played by Charlie Callas; and I truly felt for Susan Bay: her career wasn't completely ruined by this though - Leonard Nimoy married her despite this movie. I would love to write a spoiler for this movie but it's impossible to spoil a rotten egg.

Then, after what seemed like days later, the movie finally ended and my first thought was "how did this movie ever get made?", my second thought, "that was two hours of my life I will never get back...". I have never been much of a Jerry Lewis fan, but The Big Mouth will now be The Big Reason why I am not.

This slow moving train wreck was produced and directed by the star, Jerry Lewis. No one else would touch it.

Lewis plays an accountancy clerk who catches a sea diver when fishing on the coast. The diver is a diamond thief and gives Lewis a map. The diver's confederates, who he has cheated, plan to assassinate him and get the map. Then follows a dull series of slow pratfalls.

Lewis stays at the Hilton while searching for the diamonds. How he can afford to is not shown (he's only an accountancy clerk remember).

One of the confederates is a Japanese who runs a "racket" selling plastic inserts in oysters as pearls – although in fact this is how manufactured pearls are made.

Lewis never finds the diamonds. The strong violence make it unsuitable for the most undemanding of children.

Product placement – Pepsi Cola.

Even so, I had never heard of this movie. There must be a reason for this, and the reason is that it is almost completely devoid of comedy. It is an embarrassment. It is so unfunny that it does not even look and feel like it was directed by Lewis, although it was. Maybe he wanted to try a different directing style. I do not know. In any case, it failed miserably.

I saw this film on first release and I remember being sickened by it...the early scene of jerry pulling his gangster double out of the beach (he's caught him in the back with fishing hooks), lots of blood...and this is supposed to be a family film?? ..later buddy lester is so shocked by seeing what he thinks is the dead gangster rejuvenated, that he ends up spitting out his own teeth, and spends the rest of the film going around with bloody gums, mumbling...kee-rist, what the hell was jerry lewis thinking??? ..the scenes with jerry as an Asian actor, spouting a lot of gibberish is just embarrassing. ..and is anyone else annoyed by the DVD releases of all these early lewis films?.. the narration is basically steve lawrence guffawing and praising jerry for every single frame, and asking him repeatedly for an explanation of the videotape camera system (which jerry gladly talks about over and over) ..anyway, I do like The Nutty Professor and The Ladies Man, but this one is a disaster

The movie is just really stupid and Lewis mus his way through with his usual megalomaniacal way.

I give this three stars only because I have to admit he was technically a great director. He knew how to frame a shot and his timing was impeccable. Too bad he had too big an ego to see that the material sucked.

The Big Mouth is a typical "star vehicle", that is, a film produced, directed, acted and even co-written by Jerry Lewis, based on a story by Bill Raymond, which only serves to offer more Jerry Lewis, and his repetitive routine, to his numerous fans.

Not satisfied with so much protagonism, Lewis still found a way to play several characters, besides himself, trying to rehearse a romantic comedy with Susan Bay Nimoy.

In addition to the physical humor, that so characterizes Lewis's style, we have Charlie Callas doing his looney comedy routine and several other actors in clearly nonsensical roles, all set in San Diego, halfway between the beach, the Hilton Hotel and The Sea World.

I have the utmost respect for Jerry Lewis, an actor who, through his talent, has delivered a number of notable performances and even written and directed some memorable films, such as The Bellboy.

Here he is already in a clearly downward and tired phase of his career. The character was on the verge of running out of resources, after almost two decades of success, and the best Lewis could do was repeat himself, in a farce that is "deja vu" from beginning to end.

It's no wonder that, three years and four movies later, Lewis would take a break for ten years, to rest and rethink his career.

Occasionally entertaining, for the actor's unconditional fans, it is an absolute desert of ideas, for everyone else.

This one is just all over the place! When gerald goes fishing in san diego, he finds a spy who has been shot. Or something. Something about some diamonds.. hidden... somewhere. There's a narrator, who keeps busting in to break the fourth wall, picking on the film. But when gerald gets in trouble with the hotel clerk, he takes on an offensive japanese character, complete with over-size teeth, and every stereotype there is. And falls in love with the blonde bambi and the dark haired suzie ( played by mrs. Leonard nimoy aka susan bay !) also cameos by rob reiner and charo, although they are both easy to miss. Don't forget lewis' pals buddey lester and charlie callas. Eve the original colonel sanders!! There's just way too much going on here. Some pretty funny bits now and then, but it's so silly and complicated. Too many side stories. Lots of time spent at sea world. It's okay.

Jerry Lewis was desperate to find comedic material in this film, and it shows: Think of those stupid "Beach Bikini" movies that tried really hard to be funny -- Ugh. This film is also a reminder of how far we've come socially, and how far back some people in the U. S. want to take us. While all characters in this film lack depth, the female roles are especially one-dimensional; just look pretty and regurgitate bland dialogue.

The ONLY redeeming quality in this film is the great Jazz soundtrack by American Trombonist, Harry Betts. Otherwise, make better use of your time -- like maybe go watch the paint dry somewhere.

Jerry Lewis is a transitionalist between Vaudevillian slapstick and today's one liner comedic actors. In the Big Mouth, Jerry executes his humor with finesse. Younger audiences perhaps wouldn't enjoy this movie due to its lack of explicit sex, strong language, and graphic violence. That is exactly what makes this movie attractive. It is a great break from the routine movie, a chance to giggle and laugh. It is a good story that could be remade today into a suspense or comedy. Jerry shows his ability to be a flexible actor. Susan Bay was likewise good for her first starring role.