El Hombre Araña

The animation was not great by present standards, but through the age of 12 or so this series hit the spot. Further, though they leaned heavily on repeating with stock footage, most of it was pretty good and represented the action and strength of the character well. Every once in a while they turned the background sideways or something and achieved a startling effect without using new elements.

I love that Peter Parker sounds like a boy and Spidey sounds like a man. It's the uni, don't you know.

They best part for me is the theme song, one of the best of all time, and all of the incidental music (even the bulk of the special effects). Crime jazzy and dark. All of the episodes had great, swinging musical textures and overtones.

The Bakshi stuff is stellar. Really idiosyncratic and daring. Spidey ends up removed to different dimensions and levels of the earth, battling the supernatural than the super- villainous. The humans are generally pawns caught in a cosmic battle between good and evil and Spidey comes through, natch. The oft-referred to backgrounds (black, dark blue, purples, fiery reds, etc., were awesome, as were the castles and thorny, leafless backdrops (ala Sleeping Beauty). The color schemes were sickening (purple and off greens with splotchy reds and hints of bruisy yellow. Brilliant. The music also took a further leap from poppier crime jazz and soda stand teen rock to psych-out freak rock interludes, darker crime jazz, and even odd sci-fi and kraut-rockish stretches. Watch the first episode on disc 3 or 4, the one with the Mole Men. The music is absolutely incredible.

My two kids, 3 and 5, respectively, love these Spider-Man cartoons. They hold up for me, as well.

The thing that really made this show special was the music. Bachelor pad band leader Ray Ellis composed, and conducted a wide range of dramatic secret-agent-style cues for the first season, and these bits got reused to good effect in the following seasons. Bob Harris and Paul Francis Webster contributed the theme song with its frenetic off-kilter drum riffs. Starting in season 2, the creators began dipping into the KPM music catalogue bringing to light ice-cool jazz gems such as Syd Dale's "The Hell Raisers" and David Lindup's "Stand By." Some of the same cues would later pop up in TV shows such as "Dallas." Paul Kligman's J. Jonah Jameson and Paul Soles' Peter Parker voice work was absolutely wonderful. It's hard not to imagine their voices when reading the comics.

The animation art is fairly dynamic, and resembles the work of John Romita who served as a consultant. Comic artist Gray Morrow even worked as one of the animators. Ralph Bakshi who would later become famous for "Lord of the Rings" and "Fire and Ice" took over as director in the second season. The most obvious mark of his influence was the dark multi-coloured clouds that appeared as backgrounds in some of the more psychedelic episodes.

Overall one of the more interesting animated series' of its time.

Although the animation was terrible by today's standards, this series had a style that was very much in keeping with the 60's Spider-man comic books. There were a standard set of shots with Spidey swinging along buildings, or coming right at the screen, which they used over and over and over again.

Some of the episodes were taken right from the comic books(such as the one where Jameson sends a robot with his face on it after Spider-man--it even used lines directly from the comic). Others were rip offs of shows from Rocket Robin Hood(in particular the "Dimentia Fiiive!!!" one). These were the worst ones because they tended to meander and frequently had these psychedelic background skies that were really depressing to stare at.

It was a good show for laughs--intentional and otherwise. Whenever I read a Spider-man comic--I think of J. Jonah Jameson, Peter Parker, and Spider-man with the voices they have in this series.

Note: the music was actually pretty good--very fast moving--and of course the title song with its memorable lyrics: "Spider-man, Spider-man, does whatever a spider can, can he swing from a web? Take a look overhead, hey there, there goes the Spider-man!"

Once you hear that song--you'll never get it out of your head.

OK, so I'll admit maybe it could've included Liz and Flash and maybe it could've had have some more Aunt May. But as far as complaining about the animation and the fact that Spider-man "doesn't have all webs on his costume" is just ridiculous as the show had a very limited budget. Although.... One thing I didn't like was the voice acting, really no excuse for that Jameson was good, Betty Brant was decent but, that was really it. Spider-man sounded like an a man in his mid-30s so it definitely didn't deliver, and I want that "energy" from that Spider-man. The kind of energy that just gets you excited a good voice actor can do that, Mark Hamill's Joker did that. But in the end I actually thought the makers did a pretty good job with what the had to work with. It could've been a LOT worse. And also, this show gave us the classic Spiderman theme song that pretty much everyone knows. So all in all it pretty decent especially the 1st season, It's kinda a either you "Love' it or you "Hate" it show. However, I'm sure nostalgia could be maker true haters rate it higher

Hell I wasnt even really thought of when this show first came out. I use to watch it on Fox 5 in NYC with my dad when I was 3....that was about 20 years ago. This was definetly the best of the 60s Marvel cartoons. I preferred the first ones, I liked the Bakshi ones, but I liked the shorts because they mostly used the comic villains. The Bakshi ones didnt start using real comic villains towards the end. Fox Family occasionally shows it, but rarely. If you can find videos of this series at comic stores pick them up. This was a great show.