Mannix

There's lots of competition in the private investigator premise for TV shows, but this was a standout in believability. Reminding one of the Johnny Cash quote, "Winners got scars, too", Joe Mannix got a fat lip or two but usually prevailed, or strategically retreated. Sort of a forerunner of the Jim Rockford character in occasional discretion-is-the-better-part-of-valor angles. Some episodes are now on VHS.

I've recently been watching DVDs of "Mannix" and although I have enjoyed it, it's become clear that the earlier episodes are the best. By season three and four, the show lost some of its zing, though it was still better than the average show.

Season one is unusual. Joe Mannix is NOT a private eye like he would be for the remainder of the series. Instead, he's an agent working for Intertech--a high tech detective agency operating more like a corporation. His boss is played by Joseph Campanella and there is always tension between him and Mannix. When season two premiered, Mannix was no longer with Intertech. Instead he's privately employed and he's got Peggy as a receptionist. This is how it continued through the remainder of the series. And a few things that remain constant--Joe regularly gets the crap knocked out of him and is often knocked out (though more so in season one and two) and he doesn't particularly like women...or at least he doesn't trust them.

My advice is see season one and two and then decide if the show is worth continuing. I'm on season five and still have a bit to go until I finish.

He's not as fabulously wealthy as Amos Burke,nor famous as Jim Rockford or Columbo,but few television detectives have remained and beloved and under the radar cool as Mike Connors' Joe Mannix. The television series "Mannix" was the return of the private eye detective shows and this was a reply to the domination of the weekly espionage shows that were all over the place during the 1960's. Created by the team of Richard Levinson and William Link under executive producer Bruce Geller and associate producer Barry Crane along with producers Wilton Schiller along with Ivan Goff and Ben Roberts(whom wrote scripts for some of the episodes)and under the executive in charge of production Herb Solow and Douglas S. Cramer for Desilu/Paramount Television,"Mannix" produced an astounding 194 episodes-all in color for CBS and ran for an impressive eight seasons on the network from September 16,1967 until April 13,1975. The theme music was composed by the great Lalo Schirfin(one of the all time television theme greats).

"Mannix" is one of the great detective shows of all time and here's why. One,you had some very good writing and excellent camera work in both angles and continuity. The other,right from the start however,Mike Connors emitted broad-shouldered,Everyman solidness. Mannix solves his cases with his brains,his gun,and his fists. He was an all-purpose detective. In season one of "Mannix"(and from the debut episode),the intital concept of the series was intriguing from the start: a high-tech investigative agency,Intertect,headed by Joesph Campanella(the boss Lew Wickersham)possessed all the tools to analyze and fight crime,except one;a P.I.'s instincts,that ability to play hunches and make correct decisions by 'gut feeling'. So they hired the best veteran private eye in the business,Joe Mannix to take the cases and solve the crimes. Mannix utilized his services whenever the 'human touch' was required,while backing him with all their resources. While the Intertect episodes were often imaginative,and Connors and Campanella had good chemistry,fans were tuning in each week to watch Joe Mannix solve cases,deal with crime and mysteries and take on the baddies despite being beaten,tortured,drugged or worse managed to emerge victorious. With his chiseled features and thick jet black hair,Mannix was a hero attractive enough to appeal to women,yet tough enough to keep men watching as well despite being fiercely loyal to his Greek heritage.

However,Campanella and Intertect were dropped by the second season. Mannix left the firm at the start of the 1968-69 season and set up shop as a private investigator,accompanied by a secretary,Peggy Fair(Gail Fisher,in one of the first roles on a drama series for a African-American actress),the widow of a cop. With aid from his 'buddies' on the force(Robert Wood,Jack Ging,and "Brady Bunch" patriarch Robert Reed who played Mannix's superior Lt. Tobias),Mannix would take on cases as simple as petty theft,to unsolve murders,blackmail,while still taking his share of abuse each week. Over the course of eight seasons,Mannix was shot 17 times,knocked unconscious 55 times and was drugged 12 times. "Mannix" proved to be a winner in the ratings too,nominated for several Emmys and it was producer Bruce Geller's most successful show after the huge runaway success of "Mission:Impossible". In 1970,actress Gail Fisher became the first black actress to win the Emmy for Outstanding Supporting Actress in a Drama Series for her role as Peggy Fair on "Mannix"(beating out Barbara Anderson of Ironside and Peggy Lipton of The Mod Squad),and was nominated for four Emmys,winning once and 3 Golden Globe Awards(she won in 1973 for Best Actress)and in 1971.

THE BEST EPISODES: Season One of its debut episode "The Name is Mannix",and episode 13 of the series "A View of Nowhere" were impressive. Seasons 2 thru 4 were brilliant,while the last few episodes of its last two seasons(season 7 from the 1973-1974 season,and the final season 1974-1975,season 8)were action packed and fill to the hill with excitement. The success of "Mannix" would open the door for a whole new generation of 'gumshoe detectives' to follow,from "Hawaii Five-O",to "Columbo","Ironside"(which premiered that same year-1967), "Dan August","MacMillan and Wife","Banacek","Kojak","Baretta","Cannon", to "Barnaby Jones","The Rockford Files",and "Policewoman".

Frankly, the first season of MANNIX was the best. Mike Connors as Joe Mannix not only had to contend with a different adversary every week, but also put up with a corporate, computerized workplace(Intertect)and spar with his coolly abrasive yet supportive boss, Lou Wickersham played by Joseph Campanella.

I remember watching MANNIX on an Admiral 19 inch black and white set as a high school student. Watching it in color on DVD 41 years later, I still recall being very impressed with 'Joe's' hip yet raw common sense approach to each case. That's why the button down office scenes provided such great entertainment in between the carnage.

The on location episodes also provided a gritty, realistic atmosphere. The first show was filmed aboard the Palm Springs Aerial Tramway while a later episode found Joe at a hippie night spot on the Sunset Strip. For this sequence, the dance music wasn't even canned but was provided by Buffalo Springfield.

Of course, Lalo Schifrin's memorable theme score to MANNIX perfectly complemented the opening credits. The groundbreaking multi-screen process was introduced during Expo 67 in Montreal and was later employed in major motion pictures such as THE BOSTON STRANGLER.

It was a foregone conclusion that Joe Mannix preferred bare knuckled punches to settle disputes instead of relying on IBM punch cards. Yet, bullets and the mounting body count in between commercials were nonetheless fast and furious. As a result, the 1967-1968 season was the most violent per episode during the entire run of this show. After Dr. Martin Luther King Jr. and Sen. Robert Kennedy were both shot down in the space of two months, MANNIX was toned down as part of the national crackdown on TV violence.

Yet that first season gives the viewer a stark contrast between the florescent lit, corporate mindset against the loose cannon who gets the job done his way. For that reason, MANNIX delivers the goods with a powerful wallop! Bring your own silencer.

Very good writing and very good camera work, in both angles and continuity. This show is still viewable by today's standards. Some may appreciate how 'car phones' were the leading edge of technology in the late 1960s and early 1970s when not even fax machines existed. Others may reminisce on the occasional fad fashion statement even while the main characters wore what was considered conservative. Few can ignore how thoughtful the episodes were. Sometimes complex, the well scripted plots often kept the armchair detective puzzled until the very end. It is as though every single object, mannerism, and facial expression had a purpose towards telling the story.

Hard action, yes. Violent, maybe. Graphic blood and guts, no. Realistically, cars didn't flip over other cars and burst into flames at every car chase. Just like everyone experiences similar issues within each respective profession, some plots had similarities but they were so well thought out that they were very different in the end. Consequently, soft and caring moments were interspersed with happiness, sadness, and action. It was a fairly real show with few, if any, stupid scenes; a show where people didn't do superhuman stunts. It contains mystery and some suspense. The theme song is classic. It's a good series that can still be enjoyed today, on reruns, of course.