Los invasores

Quinn Martin uber-producer for television in the 60's & 70's with such classics as the Untouchables, the Fugitive, & numerous other shows tried a science-fiction series.This was a change of pace as most of his shows dealt with crimefighting premises.The Invaders was about architect David Vincent who becomes lost one evening while on an isolated country road.Becoming weary,he pulls off the road into a clearing in order to rest but witnesses a alien flying saucer.As the series went on,he discovers that the aliens are attempting to surreptitiously infiltrate earth's various organizations in government,military,& business in order to conquer us because their homeworld is dying.Since they can look like humans,Vincent never knows who he can trust.This added a creepy paranoia to the show.DV must give up his comfortable life as he launches his one man crusade to convince mankind that aliens are already among us.This was a well written show coming from QM productions.Roy Thinnes is a talented actor but he came off as cold & aloof in the lead part.He never generated the likability & sympathy that David Jansen did in the Fugitive.The spaceships were a cool looking design & the guest stars were excellent.This show belongs in the sf hall of fame.

In the late 1960s Science Fiction on British TV consisted of Thunderbirds and little else, since Star Trek had not been aired yet,but before that "The Invaders" established a Beachhead on our late night schedules. Aged 8 , i was soon captivated by the story one mans fight to convince the world that aliens were living among us and had wormed their way into the police,government and military and were planning to take over the Earth! This was not easy; the aliens looked and acted like us but required frequent "regeneration" in transparent tubes otherwise they would die,and burn up leaving only ashes. Whenever David Vincent [played by Roy Thinnes] discovered alien installations he would phone the cops,only for the switchboard operator to be alien! By the time the cops arrived only dust would remain and Vincent waswritten off as a nut. The show had strong parallels with Cold War paranoia communist witch hunts but benefitted from fine writing and sparingly used but impressive special effects.Of the videos available in Britain i strongly recommend #1] "Beachhead"[excellent music,great story and acting from Roy and his beautiful guest star Diane Baker] and "The Saucer/The Enemy"[two superb episodes on one vid!].Also, if you can find it,"The Trial" where a human is tried for murdering an alien.The scene with the alien "parents" outside the courthou astonishing-----10/10.

I was eight or nine years old when this aired. About all I can recall is that it was frightening and gloomy for a kid to watch, but I often did nevertheless. One thing I seem to recall is that the aliens could kill people by touching them with a device on their palms that looked like a joy buzzer. I remember one episode where a man was sitting at the wheel of a parked car and an alien rose up in the seat behind him and touched the back of his neck with one of those gizmos. Spooky. This must have provided at least a bit of the inspiration for "The X-Files." It also had a motif, if I recall correctly, reminiscent of "The Fugitive." Along with "The Outer Limits," this show really had a terrifying effect on me. I used to have to hide behind my dad's big chair and peek out around it to watch this, and "The Twilight Zone" and "Alfred Hitchcock" as well. I wish TVLand would air a few episodes.

The Invaders was a wonderful show. Roy Thinnes played architect David Vincent. One night, he stumbled upon an alien craft landing. Aliens had come from a dying world to take over the Earth. What should Vincent do? Contact the Air Force and get them to kick butt?

Actually, no, Vincent was alone on this one which is what made this show great. The authorities didn't believe him, in fact no-one did. Whenever an alien was killed, he/she would vaporize. At first, there was no way of knowing who to trust; anybody could be an invader, the Invaders could take over anyone. Of course, later on we learned that the aliens had a funny little finger even when in human form.

Like most films and shows of the 1950's/60's, the Invaders was about paranoia. No-one could trust anyone. Vincent could never be sure that potential allies were not really invaders themselves. He tried in vain to convince people but he was fighting a losing battle. The great thing was that he was alone in his battle. It was a great-if depressing-show.

One of the other things worth mentioning is that there are viewers who suspected that Vincent was actually an invader himself and had been placed on Earth and told to try and convince the population of the danger. Apparently, the invaders used him to test the likelihood of their discovery. Is it true? Your guess is as good as mine.

For me this show ranks as one of the 10 best TV shows ever made. It resonates with me even today, and I think Roy Thinnes' performances, especially in the first season, are brilliant in their subtlety. I guess what really hits me about this show is how you have a man, David Vincent, who was living in a very conventional 60's worldview--until the night he makes one wrong turn and ends up having his safe, comfortable little existence turned upside down. Somehow I see a parallel between David Vincent and the title character of another top ten TV show - THE PRISONER. Both Number Six and David Vincent have been dragged into worlds of great excitement and adventure - but both are also modern equivalents of Sisyphus, forever doomed to struggle against overwhelming opposition. Both Number Six and David Vincent are actually tragic characters. The trap of most TV shows - that the status quo must be maintained from episode to episode to keep the series going - proves in this case to be a great asset to the nightmarish quality of the premise. Also, you never truly see who the aliens "are", any more than you find out who's running the Village.

Watch this show along with THE PRISONER. You'll be amazed at how much is going on within the "confines" of conventional TV drama.