La Novicia voladora

This series was cute and funny during its original run -- but I was a kid going to Catholic school and maybe I was biased. But watching it now on TVLand, it's amazing that it still works. I think it's very nicely photographed, the music is wonderful, and probably the main thing is, that while it doesn't present a realistic portrayal of most of Latin America, it really doesn't talk down to or stereotype the characters either. So what if they all speak such magnificent English????

This show was about a NUN who because found she could fly given her unique habit, light weight and the correct atmosphereic conditions. Ok the main premise of the show is pure 1960's hokey but this show is so much more than just a story about a flying nun. This show reveals most clearly the real nature of humanity and, trying in the face of adversity. The Flying Nun because it was so elemental and, simplistic in its delivery was perfect for me, a very anti-social disabled kid needing to learn why love is always stronger than hate and, why trying even when you know you will fail is always better than doing nothing.

Sister Bertille's heart was always filled with good. She always remained upbeat when all the rest of the world was down. She always fought for those in need. Sister Bertille taught me to always find the good in people even when the bad was so much in evidence. Sister Bertille taught that hope was always present in the depths of despair and, wisdom was born in every pain. Sister Bertille taught that good was its own reward even if a world stands against you. Sister Bertille taught the power of a quiet conviction. Most of all Sister Bertille never lost her joy for life and, living.

The most important thing one must have in living is a joy for life and your one true mission in life is to keep your joy for living and, loving and, never ever let anyone steal it this is the real message of Sister Bertille in the Flying nun and, its a message of timeless importance. Be weak enough to love and, strong enough to cry hold tight to your joy in life and, you too might fly. Well thats wht I got from it. Only show that always makes me cry like a baby and, I am not given to such things easily.

A novice nun at Convent San Tanco has the Reverend Mother up in arms: it seems she is so light that the winds pick up her starched habit and away she goes! Fun TV-series, adapted from Tere Rios' book "The Fifteenth Pelican", has Sally Field basically reprising her "Gidget" character in nun regalia. Although she has said this show was embarrassing for her, Sally is very appealing teaching the local kids English and singing them their lessons (oh yes, she was a Singing Nun too!). Her rapport with the other sisters is warm and friendly, and each week the Reverend Mother learned to loosen up a bit. After the location-rich pilot episode, the series got a little bit stuck in a studio-bound rut, but the flying sequences are always handled with comic flair. A few dud episodes (such as the one where the Reverend Mother and Field's Sister Bertrille changed personalities) didn't dim the overall appeal of "The Flying Nun", which was mostly blessed with fresh writing and a fast pace.

The primary reason this series was as immensely popular with young girls as it was, was the relationship between Carlos Ramirez and Sister Bertrille (the secret is out -- most of the little girls of my era desperately wanted Sister Bertrille to run off with Carlos ... and no matter how TPTB tried to dissuade them, that fact never wavered). The two actors had amazing chemistry, a fact which no doubt reflected their friendship which lasted through the years. Forget the ludicrous premise and the almost cut-and-paste plot lines, the show has a gentle, genuine sweetness about it that just doesn't show up on TV these days. It's not treacly at all, despite the cynicism thrown at it. It's far from the worst TV show in the history of the medium. And it's a joy to see the work of Alejandro Rey, who had far too short a life.

"The Flying Nun" was developed by Screen Gems writer Bernard Slade ("Bewitched", "The Partridge Family") from a book by Tere Ríos titled "The Fifteenth Pelican". Following the cancellation of "Gidget", ABC rushed to get Sally Field into her second starring sitcom- a role she was reluctant to accept and grew to hate. Field later stated that she was not treated with respect by some of her directors, and at times more like a prop. The hour-long pilot was filmed on location in San Juan, Puerto Rico with shots used as the series' opening and closing. The series hit the ground running as an instant hit but ratings dropped throughout the first season. The producers tried to compensate by changing the comedic format to broad slapstick in the second season before returning in the third and final season to its sweet, heart over laughs, light nature. During its run, co-star Marge Redmond, who also narrates each episode, was nominated for an Emmy Award for Outstanding Supporting Actress in a Comedy Series.

Reflecting upon the series after recently watching each episode, "The Flying Nun" was a ludicrous sitcom in an era of ludicrous sitcoms. Unfortunately, it was nowhere as sophisticated as "Bewitched", as endearing as "I Dream of Jeannie", as affable as "Mister Ed", or even matching the entertaining level of "Gilligan's Island". "The Flying Nun" was a series continually searching for its identity, reformatted each season. It struggled to find the balance between heart and laughs, but the rare times it did was very enjoyable. Plot lines were often dry and predictable, and at times completely misguided and lacking execution. Episodes excelled when it combined an engaging plot, clever dialogue, the warmness of the convent's heartfelt work, and well-placed comedy. Some of the best were feel-good offerings and those focused on being touchingly dramatic, especially "Antonio's Mother".

I felt it was easy to see that Sally Field was struggling to get into her role as Sister Bertrille early in Season One. But when she did embrace it audiences were rewarded with the warm, good-natured personality they came to admire in her similar character of "Gidget". Sister Bertrille serves as a great role model for everyone, hopefully inspiring them to be a better, more caring person. She had nice chemistry with Alejandro Rey, helping make Carlos' exasperated character relatable. Madeleine Sherwood played her sage, straight-laced superior very well as a figure who adhered to policies but made every effort to do the right thing. Emmy-nominated Marge Redmond sets up situations nicely through narration and as a sounding board for Sister Bertrille. Shelley Morrison's Sister Sixto was the most dependable source of comedy with her mispronoucation of the English language giving whole new meaning to situations. Vito Scotti's Police Captain Fomento was the focus of Season Two's new slapstick approach, but it was often too forceful and strained.

"The Flying Nun" would have perhaps been better served as an uplifting dramatic series in the vein of "Touched by an Angel".