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Cuatro superhéroes disfrazados luchan contra los villanos más terroríficos del mundo.Cuatro superhéroes disfrazados luchan contra los villanos más terroríficos del mundo.Cuatro superhéroes disfrazados luchan contra los villanos más terroríficos del mundo.
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The move to television of Comic Book adaptations was surely in full swing or beyond that zenith when Hanna-Barbera brought us the "FANTASYIC 4", Saturday mornings, Fall TV Season in 1967 was the time and location. While CBS went with features from Filmation Associates like DC Comics' SUPERMAN/SUPERBOY('66), SUPERMAN/AQUAMAN Hour of Adventure('67-,68) and BATMAN/SUPERMAN Hour('68)(with other features like GREEN LANTERN, ATOM, HAWKMAN and "...all the Super-Super Heroes of THE JUSTICE LEAGUE OF America!", ABC stayed with FANTASTIC 4 and the other Marvel Comics' Star Feature, "SPIDER-MAN"('67).
"SPIDER-MAN" was not however also a Hanna-Barbera Project. It was produced by Ralph Bakshi, Steve Krantz & Company(the future Producers of the animated feature adaptation of Robert Crumb's FRITZ THE CAT(1972). Because both half-hour shows aired back to back Saturday Mornings, had they shared a common production company, there would doubtless been plenty of "crossovers"(in comic book jargon, a Cameo Appearance by a character from a different feature, but from the same publisher.
It was Stan Lee and Marvel Comics who turned "crossovers" from the occasional, to the expected! And returning to "FABTASTIC 4"; we find it to be a much more 'realistic' rendering than most any other animated series. Much like the Fleischer Brothers/Famous Studios Paramount Pictures' SUPERMAN Cartoons of the 1940's, the art design of characters and backgrounds were all adaptations of the Comic Pages.
The 'look' of the production, together with a faithful transference of the personalities, the foibles and the rivalries of the team, all add up to a cinematic/electronic clone of the Comic Page Originals.
The casting of proper voices for the group is the crowning glory of the hour, in order to make the series nearly perfect. Ideally the casting would involve examination of the Comic Page personalities of the principals. To make sure the voice would be fitting, proper and supportive amplification of the characters and plot lines, I would choose the voices as if we were doing a Radio Program. They did do that thing! The cast of voice actors led by veteran character actor and Road Show Bogart, Gerald Mohr(Mr. Fantastic/Reed Richards), Joann Pflugg(Susan Storm/Invisible Girl),Jack Flounders(Johnny Storm/The Human Torch) and the Dean of Voice Actors, Paul Freese(Ben Grimm/The Thing, many, many others).
The weekly stories were neat adaptations of those Stan Lee/Jack Kirby masterful early Marvel Fantastic Four Classic sagas. We saw the "Screen Debut" of such great friends and foes as: The Mole Man, Super Skrull, Galactus, Silver Surfer, The Watcher and Dr. Doom. Because of the rights of animation adaption belonged to the previously mentioned Ralph Bakshi/Steve Bakshi/Robert L. Lawrence & Associates, their battles with Prince Namor, The SUB-MARINER and THE INCREDIBLE HULK as well as 'crossover' meetings with CAPTAIN America, THE MIGHTY THOR and THE INVINCIBLE IRON MAN, were not allowed to be portrayed on the TV Screen, at that time.
The producers added appropriate Musical Theme and incidental music to underscore the action. Hanna-Barbera was well equipped to assure that this audio-emotional aspect of the stories was taken care of properly. They did.
As a sort of dress rehearsal or a pre-courser to "FANTASTIC 4" and other of their other Comic Book-like characters*, Hanna-Barberra had given us "JONNY QUEST"(1964-65) as a Friday Night, early Prime-Time Entry on ABC.
NOTE:* Just as The Comic Book Hero was adaptable to animation, so too we saw some original cartoon series that were very much in the Comic Book Hero tradition. Hanna-Barberra, for example, gave us SPACE GHOST(1966-68,1994-2004) and THE MIGHTY MIGHTOR(1967-'68). And by the by, SPACE GHOST was succrssfully adapted to his own Comic Book! So, the Wheel has spun a full turn, once again!
"SPIDER-MAN" was not however also a Hanna-Barbera Project. It was produced by Ralph Bakshi, Steve Krantz & Company(the future Producers of the animated feature adaptation of Robert Crumb's FRITZ THE CAT(1972). Because both half-hour shows aired back to back Saturday Mornings, had they shared a common production company, there would doubtless been plenty of "crossovers"(in comic book jargon, a Cameo Appearance by a character from a different feature, but from the same publisher.
It was Stan Lee and Marvel Comics who turned "crossovers" from the occasional, to the expected! And returning to "FABTASTIC 4"; we find it to be a much more 'realistic' rendering than most any other animated series. Much like the Fleischer Brothers/Famous Studios Paramount Pictures' SUPERMAN Cartoons of the 1940's, the art design of characters and backgrounds were all adaptations of the Comic Pages.
The 'look' of the production, together with a faithful transference of the personalities, the foibles and the rivalries of the team, all add up to a cinematic/electronic clone of the Comic Page Originals.
The casting of proper voices for the group is the crowning glory of the hour, in order to make the series nearly perfect. Ideally the casting would involve examination of the Comic Page personalities of the principals. To make sure the voice would be fitting, proper and supportive amplification of the characters and plot lines, I would choose the voices as if we were doing a Radio Program. They did do that thing! The cast of voice actors led by veteran character actor and Road Show Bogart, Gerald Mohr(Mr. Fantastic/Reed Richards), Joann Pflugg(Susan Storm/Invisible Girl),Jack Flounders(Johnny Storm/The Human Torch) and the Dean of Voice Actors, Paul Freese(Ben Grimm/The Thing, many, many others).
The weekly stories were neat adaptations of those Stan Lee/Jack Kirby masterful early Marvel Fantastic Four Classic sagas. We saw the "Screen Debut" of such great friends and foes as: The Mole Man, Super Skrull, Galactus, Silver Surfer, The Watcher and Dr. Doom. Because of the rights of animation adaption belonged to the previously mentioned Ralph Bakshi/Steve Bakshi/Robert L. Lawrence & Associates, their battles with Prince Namor, The SUB-MARINER and THE INCREDIBLE HULK as well as 'crossover' meetings with CAPTAIN America, THE MIGHTY THOR and THE INVINCIBLE IRON MAN, were not allowed to be portrayed on the TV Screen, at that time.
The producers added appropriate Musical Theme and incidental music to underscore the action. Hanna-Barbera was well equipped to assure that this audio-emotional aspect of the stories was taken care of properly. They did.
As a sort of dress rehearsal or a pre-courser to "FANTASTIC 4" and other of their other Comic Book-like characters*, Hanna-Barberra had given us "JONNY QUEST"(1964-65) as a Friday Night, early Prime-Time Entry on ABC.
NOTE:* Just as The Comic Book Hero was adaptable to animation, so too we saw some original cartoon series that were very much in the Comic Book Hero tradition. Hanna-Barberra, for example, gave us SPACE GHOST(1966-68,1994-2004) and THE MIGHTY MIGHTOR(1967-'68). And by the by, SPACE GHOST was succrssfully adapted to his own Comic Book! So, the Wheel has spun a full turn, once again!
There can be no doubt that this cartoon ranks as one of the best if not THE best cartoon ever produced period!!! True to the comic with the outstanding talents of Hanna-Barbera!! There can be no doubt that the entire Hanna-Barbera's world of super adventure cartoon series was the #1 series including Birdman, Space Ghost and others. Fantastic Four was and still is a fun watch even for today standards. My only problem was that the company couldn't use the Sub-Mariner because he was with another animation company and so Triton was made instead. But if you look closely this character looked much like his true self. Thanks to the genius of Alex Toth. But don't let this little matter fool you, this cartoon rocks! Stan Lee and the late great Jack Kirby knew this.
In my eyes, this version of the Fantastic Four is the best overall. Number one, all the voices are great except for Doctor Doom... he's not really scary enough. But Reed and all the gang have their ultimate voices here, especially Reed and Ben! Even the Mole Man has a cool voice.
In the Silver Surfer/Galactus episode, they captured the essence of both characters far better than the 90's cartoon did in their telling of the tale (but they more than made up for it the following season). You get to see the Molecule Man, Super Skrull, and you KINDA get to see Namor... the other toon company had the rights for Namor's own series, so they actually replaced him with a Triton like character.
The animation may not look all that great, but the tone and mood are just like the classic comics that inspired them.
In the Silver Surfer/Galactus episode, they captured the essence of both characters far better than the 90's cartoon did in their telling of the tale (but they more than made up for it the following season). You get to see the Molecule Man, Super Skrull, and you KINDA get to see Namor... the other toon company had the rights for Namor's own series, so they actually replaced him with a Triton like character.
The animation may not look all that great, but the tone and mood are just like the classic comics that inspired them.
I was never much of a Fantastic Four comic book reader but I must say that I highly enjoy this show. It was fun, exciting, and at times funny. Courtesy of the Thing! More over, it featured great villians like Doctor Doom. It's a great show for both fans and non-fans of the classic comic book characters.
The stories and art direction for the series more than make up for its spare animation. These cartoons were made when companies understood that translating a comic to the screen requires keeping intact the elements that make the comic enjoyable and successful. If you enjoy the Lee/Kirby era of the Fantastic Four, you'll enjoy these faithful adaptations. Series is a lot of fun.
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- TriviaIn the fall of 1966, Sy Fischer, a television agent who at the time worked at the powerful Ashley Famous Agency where his job was to sell shows on behalf of his clients, one day noticed his son Stuart reading a Fantastic Four comic book. Fischer saw potential in the Fantastic Four when he asked his son if this comic book could be a good cartoon who enthusiastically said, "Yes!" The very next day, Fischer got on the phone with Joseph Barbera, the co-founder and head of Hanna-Barbera and told him of this wonderful comic by Marvel Comics and recommended that Hanna-Barbera get the rights to develop it for Saturday morning. After taking a look at the FF, Barbera agreed. Both Joe Barbera and Sy Fischer then contacted Stan Lee and asked if the rights were available and luckily enough they were. A deal was quickly made between the two companies and Hanna-Barbera put the show into development and pitched it to ABC, and quickly it was on the ABC Saturday morning schedule for the Fall of 1967.
- ConexionesFeatured in Muppet Babies: Comic Capers (1989)
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- Tiempo de ejecución22 minutos
- Color
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By what name was Los Cuatro Fantásticos (1967) officially released in India in English?
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