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IMDbPro

Ya eres un hombre

Título original: You're a Big Boy Now
  • 1966
  • TV-MA
  • 1h 36min
CALIFICACIÓN DE IMDb
6.0/10
2.3 k
TU CALIFICACIÓN
Ya eres un hombre (1966)
Ver Trailer [OV]
Reproducir trailer3:19
1 video
53 fotos
ComediaDramaRomance

Una post-adolescente se muda a la ciudad de Nueva York, se enamora de una belleza con corazón frío y luego encuentra el verdadero amor con una chica leal.Una post-adolescente se muda a la ciudad de Nueva York, se enamora de una belleza con corazón frío y luego encuentra el verdadero amor con una chica leal.Una post-adolescente se muda a la ciudad de Nueva York, se enamora de una belleza con corazón frío y luego encuentra el verdadero amor con una chica leal.

  • Dirección
    • Francis Ford Coppola
  • Guionistas
    • David Benedictus
    • Francis Ford Coppola
  • Elenco
    • Elizabeth Hartman
    • Geraldine Page
    • Rip Torn
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.0/10
    2.3 k
    TU CALIFICACIÓN
    • Dirección
      • Francis Ford Coppola
    • Guionistas
      • David Benedictus
      • Francis Ford Coppola
    • Elenco
      • Elizabeth Hartman
      • Geraldine Page
      • Rip Torn
    • 34Opiniones de los usuarios
    • 26Opiniones de los críticos
    • 71Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 8 nominaciones en total

    Videos1

    Trailer [OV]
    Trailer 3:19
    Trailer [OV]

    Fotos53

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    Elenco principal18

    Editar
    Elizabeth Hartman
    Elizabeth Hartman
    • Barbara Darling
    Geraldine Page
    Geraldine Page
    • Margery Chanticleer
    Rip Torn
    Rip Torn
    • I.H. Chanticleer
    Peter Kastner
    • Bernard Chanticleer
    Michael Dunn
    Michael Dunn
    • Richard Mudd
    Tony Bill
    Tony Bill
    • Raef del Grado
    Julie Harris
    Julie Harris
    • Miss Thing
    Karen Black
    Karen Black
    • Amy Partlett
    Dolph Sweet
    Dolph Sweet
    • Patrolman Francis Graf
    Michael O'Sullivan
    Michael O'Sullivan
    • Kurt Dougherty
    Ronald Colby
    Ronald Colby
    • Barbara's Stage Play Crew
    • (as Ron Colby)
    Rufus Harley
    • Barbara's Stage Play Crew
    Frank Simpson
    • Barbara's Stage Play Crew
    Nina Varela
    Nina Varela
    • Barbara's Stage Play Crew
    Len De Carl
    • Barbara's Stage Play Crew
    Emily
    • Dog
    Roman Coppola
    Roman Coppola
    • Baby Boy in Carriage
    • (sin créditos)
    Bill Walters
    Bill Walters
    • Commerce Street BG
    • (sin créditos)
    • Dirección
      • Francis Ford Coppola
    • Guionistas
      • David Benedictus
      • Francis Ford Coppola
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios34

    6.02.3K
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    Opiniones destacadas

    Wizard-8

    Definitely offbeat, but not for everyone

    Despite being directed by Francis Ford Coppola, "You're a Big Boy Now" has pretty much been forgotten in the fifty years that have passed since it first played in theaters. After watching it, I think I have a grasp on a possible answer for why it's drifted into obscurity. I'm not saying it's a bad movie. The movie does capture the era quite well; those wanting to learn about styles and other period details will find the movie handy. Also, Coppola directs the movie with great energy throughout, from bizarre camera angles to offbeat performances.

    But while the movie is directed with gusto, it doesn't manage to mask a big problem with the movie. The first half of the movie is really slow going with the story. Sure, the direction hides this thin story for a while, but eventually you realize that not much of substance is actually happening. Things do start moving after the halfway point or so, but it's kind of hard to get involved with what's happening because none of the characters are really all that sympathetic. Even the hero fails to arouse sympathy, because he is for the most part a real spineless wimp. The fact that all the performers give really broad performances doesn't help. In the end, the movie can only be recommended to people with real special interest in Hollywood filmmaking from this period, and even they might find it tough going at times.
    HapRay

    It's 1966, but you won't mind. This'll take you back.

    What we have here is an early F.F.C. effort (he also wrote most of the screenplay).You can see the genius that is later to come.

    Here's a confused, virginal young man, constantly picked on by his over-bearing parents, trying to find his way in the world of New York City. Bernard is his name and just watch what he does with initials he spots.

    The gal that wants him he doesn't want, and the gal that he wants doesn't want him. Got it straight? No wonder this is turning into a "cult" film.

    The acting is first rate in a lot of places. Geraldine Page is always great and Rip Torn can handle most roles. Julie Harris was "perfect" as Mrs. Thing (honest, that's her name). Speaking of names, the part played by Lisa Hartman is Barbara Darling, a would-be actress who dances in a go-go club at night.

    Watching Bernard weave his way through conniving co-workers and the strange behavior of Miz Darling, is worth the price of admission.

    I always wonder who writes these critiques for IMDB, and should I trust them? For that reason,I'd like you all to know that I am a male senior citizen, but this movie made me feel 18 again. You'll find yourself running into similar things that happened to you in your youthful pursuits.

    You could do a lot worse taking a chance on a movie.
    5aimless-46

    Goes Nowhere but Has a Good Time Going There

    About 15 minutes into this quirky film I was ready to proclaim it a must see and to bill it as the best movie no one has seen or even heard about. After all it was Coppola's masters thesis for film school. It has Elizabeth Hartman successfully playing against type as a sexy (somewhat psycho) Greenwich Village ingénue. It has Peter Kastner, Rip Torn, Geraldine Page and Julie Harris playing characters more bizarre than anything in "Harold and Maude" (it reminds you a lot of that film and may have inspired it). It has Karen Black doing a toned down version of the Rayette Dipesto character she would play in "Five Easy Pieces". It has a lively sound track by the Lovin' Spoonful. It even has Coppola cutting in extensive gruesome footage from his first film "Dementia 13".

    Unfortunately by the halfway point of "You're a Big Boy Now" it totally runs out of steam and you begin to understand that its obscurity is well-deserved. Coppola's script is the problem because the cast are generally excellent and you can tell they had a lot of fun making the film. Even minor cast members like Dolph Sweet do a good job and there are great little sequences like Kastner's after dark explorations of the New York City streets. But unlike "Herald and Maude", Coppola says nothing with this film; consequently it ends up as a classic case of the whole being considerably less than the sum of its parts.

    I am not in love with Coppola as a director, but even those who are will acknowledge the incredible distance between his good stuff and the vast majority of his films. This is not his good stuff but is worth checking out if you like Hartman, Harris, and Page.
    7Ddey65

    A Triumph for Elizabeth Hartman

    One of the few times when the late Elizabeth Hartman gets to play as somebody other than a frail, mousy girl. Since her Oscar Nominated performance in "A Patch of Blue," Hollywood always seemed to want her to play vulnerable, handicapped women, or vulnerable women of some sort. This time, she plays a bitchy, egotistical, man-hating actress/go-go dancer, who wins the heart of a young library clerk, played by Peter Kastner. The kind of character, who could probably be the inspiration for a riot grrrl band.

    Besides that, I'm a Native New Yorker, so I've got a natural attraction for movies filmed in New York City, and the rest of the tri-state area. Biff Rules!
    8jimi99

    I'm a cultist

    When you see this movie in theater in '66 at age 18, you are probably going to be a YABBN cultist for life. I saw it originally because I was a Lovin' Spoonful fan (who wasn't in '66?) but was blown away by the whole thing and have seen it probably 6 or 7 times over the years. Thinking about it today in particular at the passing of the great Rip Torn, who is awesome in this along with his brilliant wife Geraldine Page. Probably will seem dated to most younger people now, but it is both a time capsule and an immortal vision of coming-of-age.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Although he had quit film school some years earlier, this film was acceptable for Francis Ford Coppola as his thesis at U.C.L.A. film school in 1966, earning him a Master of Fine Arts degree.
    • Errores
      Albino therapist's skin coloring was as tanned as that of non-albino patient Barbara Darling; real albinos lack pigmentation, resulting in flesh that looks nearly white.
    • Citas

      Jailer: [as he unlocks and opens Bernard's jail cell] Out you go.

      Bernard Chanticleer: Why?

      Jailer: You're out in custody. Your bail's been paid.

      Bernard Chanticleer: [after a thoughtful pause] I've been in the custody of my parents for almost twenty years now. And they've taught me nothing but self-doubt, frustration, and perpetual guilt. I'm going to be in my own custody from now on. I won't go!

      Jailer: A nice-lookin' girl paid it.

      Bernard Chanticleer: I'll go!

      [Gets up and walks out]

    • Conexiones
      Edited into The Kid Stays in the Picture (2002)
    • Bandas sonoras
      Girl, Beautiful Girl
      Written by John Sebastian (as John B. Sebastian)

      Performed by The Lovin' Spoonful

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    Preguntas Frecuentes16

    • How long is You're a Big Boy Now?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 31 de julio de 1969 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • You're a Big Boy Now
    • Locaciones de filmación
      • Nueva York, Nueva York, Estados Unidos
    • Productora
      • Seven Arts Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 800,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 36min(96 min)
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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