Sult

Excellent performances by Per Oscarsson, who portrays the starving writer who wanders the streets of Cristiania in search of love and a chance to get his work published. I really liked the way it was filmed, and how we get to look into Oscarssons mind through pictures and music.

In 1890, in Christiania, the penniless aspirant writer Pontus (Per Oscarsson) is unemployed and starved, and near to be evicted from his poor room in a low-budget boarding house. The lonely Pontus has written an article and his hope is that the editor of the local newspaper buys his literary composition to raise money to have a meal and pay his debts to his landlord. However, Pontus is too proud and arrogant to accept any charity or money in advance and despite his poor appearance, he insists to tell other people that he does not need any alms. Further, his honesty does not allow him to keep a change wrongly given to him. The hunger Pontus is becoming delusional and having daydreams due to the lack of food. When the weirdo Pontus sees the gorgeous Ylajali (Gunnel Lindblom) walking on the street with her sister, he flirts with her. Sooner the editor asks him to rewrite his article in an appropriate language of newspaper and Ylajali dates him, and it seems that his dreams will finally come true.

"Sult" is an impressive, depressive and heartbreaking character study of one of the most complex characters I have ever seen. The viewer does not have information about the past of Pontus, but his behavior indicates that he was from the aristocracy of the upper-classes that has moved to Norway expecting to become a successful writer but that is actually a loser. Or that he feels superior to the other people and also inferior, at the same time. His personality is contradictory since even under a deep starvation,he keeps his self-esteem, pride and arrogance, capable to hock his jacket to give a handout to a beggar.

Pontus does not give-up and only when he indirectly receives money from Ylajali, he is capable to return to his country. I have never read the novel of Knut Hamsun, but it certainly might be a depressing story. Per Oscarsson has one of the best performances I gave ever seen and participates in every scene through his presence, his visions or his feelings. My vote is eight.

Title (Brazil): "Fome" ("Hunger")

Some stories are near-impossible to put on the screen, but this attempt is both honest and well done. Hamsun's fine rendition of his plight in early years to make it as writer is conveyed with insight and artistry.

Perhaps the last reviewer simply didn't get this deep emotional film. This won top awards at Cannes. Simply a great piece of art, with incredible acting, beautifully detailed direction, and glorious photography. Shame on shallow reviewers who need to school themselves in the fine art of filmmaking.

This film describes like no other movie a feeling of desperation, hunger and life's meaninglessness. You get in a horrible mood watching it, but you can't take your eyes off the screen. It reminded me a lot of "Raskolnikov" ("Crime and Punishment") by Dostojevskij and a bit of Tom Kristensen's "Hærværk" ("Vandalism"). I did not think movies could be like this - irrational, desperate and oppressive. Per Oscarsson's role as the writer Pondus is moving and exceptionally good. He seems to be a good person, but his moral is tested to the limits, when he by mistake gets too much money back in a grocery. He describes with precise accuracy the dilemma between moral and one's own needs - hunger and love. Watch it, sense it!